Spoonful of Sugar

This film is exhausting. The plot is scant at best. The idea, I think, might be interesting but the execution, writing, dialogue really don't help to understand it. I appreciate the idea I really do.

The end result though is a bunch of really disturbed characters and there's no one root for, not even the little kid. They're trying to make a disturbing horror film which it's not. It's not horror at all, maybe towards the end. But it's more just a muddled dream sequence/perverted LSD trip.

I couldn't summarize this move because by the end I didn't care what happened. There are some cool shots, cinematography, and some somewhat disturbing scenes. So maybe it's worth a watch for that. But besides that I just left feeling empty and sad. The end.

If you like intelligent plots with a touch of bizarre and smart solutions, this is the film. Amazing acting, a sober direction and dark shades of obscure references anchored under the human psiqué (pay attention to 'The Shining' nod in the door sequence). Above all, no trace of the left-wing clichés that, nowadays, pollutes almost every script or the politically correct crap made in Hollywood. Just a tight screenplay that surprises and conquers the moviegoer with a slight touch of gore. The soundtrack also contributes to the result, along with LSD references that makes it more and more insteresting. A potential cult for the right audience.

Spoonful of Sugar (2022) is a film that was recently added to Shudder. The storyline follows a young lady who takes medication to manage a condition that causes her to see things and lose her mind. Her parents abandoned her and she has been in and out of foster homes and currently lives with a creep who can't wait until she turns 18. Meanwhile, she studies at a college and is writing a thesis on allergies and that they are as much in your mind as reality. To make ends meet she picks up a job babysitting an eccentric young man who has extreme allergies, doesn't talk and is abusive towards his parents. As she babysits the young man he makes tremendous progress, the mom gets jealous and the young lady starts falling in love with the dad. This causes a tidal wave of events at the house that is bound to cause an explosive conclusion.

This movie is directed by Mercedes Bryce Morgan (Fixation) and stars Morgan Saylor (White Girl), Kat Foster (Jean-Claude Van Johnson), Myko Olivier (Glee), Danilo Crovetti (Hunters) and Laura Coover (Agent Carter).

This movie is fantastic. The storyline is very clever with entertaining twists and turns. The main character is perfectly delivered, awkward, unpredictable and fascinating all at the same time. Her hallucinations are very well presented. The cinematography in this movie is very good and helped create intensity that is felt throughout the movie. The adopted dad is crazy creepy and made me feel icky every scene he is in. Honestly, the acting and dialogue of every character feels authentic and this had a 'May' feel to it in a lot of ways. There's a rabbit 🐇 scene that's wild and very well done. The storyline for this keeps you glued to the screen until the very end; and when the conclusion arrives, you're hit by a truck...then backed over. I adored how this film concludes.

Overall, this is a magnificent addition to the horror genre that's absolutely worth your time. I would score this an 8-8.5/10 and strongly recommend it.

This is an interesting film with some great performances that ultimately doesn't quite work. It's as if there are a few too many ideas going on and something got left on the cutting room floor. It also doesn't help that characters aren't clearly drawn, should you be rooting for them or hating them ? The twist was a nice touch but in the end it doesn't save the film. Someone dropped the ball, either the writer, director or both, but the film doesn't quite gel into something I would watch again. For the performances though, the strangeness of it all and the fact that it uses a rare case of a male as an object of desire, makes this worth a one time watch.

There's a definite lack of thematic consistency. The film isn't sure what it wants to be - Is it a take on acid trips and its effects? Is it about bad parenting? Is it about cheating in relationships? Is it about childhood trauma? The writing tries to dip its paintbrush in all of these buckets, but it doesn't come together in a very satisfying way. But, to the film's credit, the performances (especially Morgan Saylor, who effortlessly swings between sweet, menacing, and sexy) largely cover up for the holes in the plot. The visual effects looked pretty bad in the first act, though when the LSD elements kicked in, I felt the director executed the hallucinatory bits nicely. At least a couple of scenes made me aghast, and that includes a wild raw-dogging bit as well as the gory climax. A twist is revealed almost right before the end credits, and though it made sense from a storytelling standpoint, the ramifications seemed low.