Dead Souls

Johnny Petrie (Jesse James) inherits a farm from his estranged birth family. He intends to sell the place and finds a squatter named Emma (Magda Apanowicz). Mary Petrie (Geraldine Hughes) is a disturbed patient.

The filmmaking is somewhat clunky with a few interesting horror scenes. The story is a muddle when it should be a simple telling. The premise is messy. When it gets to the reveal, it suddenly adds a bunch of stuff coming out of left field. On the other hand, the actors are fine. I've always like Apanowicz. I like Moseley. Even the bad actors are not that bad. The failure is mostly in the filmmaking.

Beginning tepidly, and concluding with just about the most confusing, ridiculous climax I've seen like EVER, Dead Souls is another big FAIL of a horror film to add to my ever-growing list. It's also loaded with the cheapest scare tactics around, you know... the mysterious shadow in the corner, the girl on the swing... but when you turn round, nothing's there. Once or twice, this might be effective... but this constitutes 90% of the action, and quickly becomes an exercise in tedium.

I don't want to get into the dopey story, but I do want to highlight the last 15 minutes or so. Until then, I was ready to label it as a not very good, but relatively harmless piece. But then, the dead started coming back to life, with all other kinds of cockamamie going on... it wasn't big, it wasn't clever and didn't make one lick of sense. It could have worked I suppose if it had been well done, but this segment had more ham than a butchers. Yeesh.

Final Note: One thing I've noticed of late: The better illustrated the DVD box of a scary movie, the more rubbish it is. It's like they're saying: "Who cares if it's any good? All that matters is it looks nice on your shelf!!" 2/10

Upon his 18th birthday, a young man receives a mysterious phone call telling him to come out to a property he just inherited. Now, he will learn about his true past and the dark secrets of his family.

I would first like to point out that director Colin Theys is under 30, and has already accumulated a decent amount of credits. Now, they may not be big projects and he may not be the next big thing in horror. However, "Dead Souls" was better than average and I think we might be seeing Theys moving up in the world very soon.

The film as a whole has a creepy atmosphere and preys on the connection between God, faith and how far we will go for what we believe in. Other stories have told this tale with varying degrees of success. Here, I think we have a new angle -- the protagonist, despite being born into such a home, is completely unaware of it and experiencing everything for the first time. He is an outsider as much as an insider.

Not all of the acting is great, and some of the characters are a bit random and show up without reason. Even Emma seems to be thrown in there for nothing more than a romantic interest. I do have to single out Bill Moseley as doing an excellent job. He gets roles in many bad films and gives performances to match. Here, I think he gives it his all.

So winters heading our way and what better way to spend those cold dark nights? How about wrapped up with your beloved with a nice drink by your side and a spooky film on the picture box?

Dead Souls is one of those types of films.

From the outset, the screenwriter, John Doolan, does a good job of creating mystery while giving you tension. Everything appears fine in the Conroy family. Fathers hard at work in the barn. Mother is singing to her newborn. The teen daughter is in her bedroom listening to music. The younger brother is to-and-froing on the swing in the garden. Life seems blissful if a little impoverished. But as the minutes' tick by you notice mother is sick and father's work is darker than you expected... something isn't right in this Conroy household.

But in this little opening section, you can see where the deteriorations in the strength of the movie will come. The Direction.

Colin Theys is good at the action sequences but the building of atmosphere is not one of his strong points. The tension comes from the story and the strange happenings rather than camera and audio techniques. Though the ritual towards the end of the story is effective. Theys utilises his action style to help ramp up the tension and create a sense of urgency as the stereo chimes out the clock gongs.

The principal aspect that strengthens this film the most is the story. Which I have to say, is based on a novel by Michael Laimo. A novel that's now on my wishlist. I find screenplays from novels tend to have more power and strength, especially in horror now it's become overfilled with, "Hey! I've had a good idea for a film," writers and directors. The trouble with writer-director's is they are usually good at only one of those jobs; very seldom are they good at both. I don't know how closely the film follows the book so I'll give credit to both Laimo and Doolan for the build-up to the film's crescendo ending. I loved the ending, though I did guess the outcome, it's still expertly handled by all.

Lastly to the acting. Mostly it's above average. However, there is one person who lets the team down a little. Noah Fleiss as Mack is about as wooden as an actor can get. I get the feeling, at times, that he'd rather not be there. It's when the possessions begin that he could have come into his own by taking the mannerisms of the person possessing him. However, he just comes across as awkward.

On the whole, this is an average little ghost story nicely told. There's nothing new or exciting about the film but it is enjoyable and a nice flick to cuddle up with. Worth one watch at least - If you've already watched it then check out my lists for new ideas for your viewing pleasure...

This movie would've been much better if the plot was more cohesive. Towards the end, I was really feeling like they lost it and was just hastily wrapping things up. The production quality was promising, so it was a bummer that it failed to keep the story tight.