In der fernen Zukunft wird eine reiche Familie von einer Mörderbande in Geiselhaft genommen, weil sie deren Zielperson bei sich aufgenommen hat, als diese während der Purge-Nacht, in der 12 ... Alles lesenIn der fernen Zukunft wird eine reiche Familie von einer Mörderbande in Geiselhaft genommen, weil sie deren Zielperson bei sich aufgenommen hat, als diese während der Purge-Nacht, in der 12 Stunden lang jede Art von Verbrechen erlaubt ist, bei ihr Zuflucht gesucht hat.In der fernen Zukunft wird eine reiche Familie von einer Mörderbande in Geiselhaft genommen, weil sie deren Zielperson bei sich aufgenommen hat, als diese während der Purge-Nacht, in der 12 Stunden lang jede Art von Verbrechen erlaubt ist, bei ihr Zuflucht gesucht hat.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
- George
- (Nicht genannt)
- Freak #1
- (Nicht genannt)
- Freak
- (Nicht genannt)
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It's 2022 (not actually that far away), and unemployment in America is 1%, crime is at an all-time low, and generally, everybody seems happy, especially James Sandin (Hawke), a rich citizen who makes his fortune selling security systems for houses to use during the annual Purge. Basically the reason why unemployment and crime is so low is because, for one night a year, a Purge occurs, where all crime (murder, raper robbery, the whole lot) is made legal, and no police or emergency services are allowed to interfere. Mad. But also intriguing. James and his family happily avoid the Purge by using a security system outside their large house while the rest of society kills each other, but all that changes when their youngest son Charlie decides to let a stranger into the house......
This starts off as a really captivating film, the concept of legal crime kept me hooked, but soon enough, it descends into a stereotypical action film where Ethan Hawke fights off gangs from his house with a variety of handguns,and all originality gets lost in a haze of bullets (literally). The short running time (85mins) and variety of twists every 5 minutes makes sure that it doesn't get too boring, so overall a decent watch, but nothing that provokes any thinking afterwards.
6/10- A lesser version of Panic Room
For a second, put aside the rather obvious holes in the idea when considered as a practise encouraged at a national level, even put aside the cynical nature of the movie, and we can see the idea may have started out as a distressing vision of a near future, a terrifying "other reality". Indeed, 'The Purge' takes its cue from a lot of previous work that has done similarly; you don't have to look too hard to see various elements of 'A Clockwork Orange', '1984', 'Lord of the Flies' and 'Battle Royale'. The problem is that unlike those works, and unlike 'Straw Dogs', with which it shares more than a little DNA, this story has been watered down to a locked room domestic thriller; a potentially incendiary political fable is devoid of most of that which would have made it so. This is actually typical of writer/director James DeMonaco, who is responsible for the screenplay for the remake of 'Assault on Precinct 13', a film which again extracted a lot of the original's rough edges and tough moments to leave a flat, action driven thriller. Similarly, the scope of the film is rather narrow; with early implication that there will be a study of repressed violence and how the night is used as an excuse, it is then disappointing to see the story steers frustratingly wide of all matters other than murder. The film lacks the gumption to tackle the disturbing elements of our unchecked nature in a way that Cronenberg would have done.
So what we're looking at here is a film which, in different hands may have proved to be a controversial and stirring piece of work, but with DeMonaco scared to grasp the nettle, we end up with a flat, rather tame film, which is given some lift by its better elements, such as the performances and some of the fight sequences. Lacking bite, with a frustrating amount of exposition and not enough dissection of issues, 'The Purge' falls short of what it should have been.
This is not to take away from Ethan Hawke's solid performance, or some of the more effective scenes, but what we would give to have seen this in the hands of Michael Haneke.
The film revolves around the Sandin family who are confronted by a group of college students hunting a man on the night of the Purge who the family had allowed into their home after lockdown. The Purgers (lead by Rhys Wakefield) drastically try to break into the family's home causing James (Ethan Hawke) and Mary (Lena Headey) to protect their children from the invaders in order to survive the night.
The main problem with the film is the premise itself, whilst interesting is filled with flaws and holes that just make the whole idea ridiculous. Such as what happens to the serial killers and career criminals of this world? Do they just control their urges to kill or steal for the other 364 days until the next Purge, as well what if someone has a heart attack on the night of The Purge? Is it just a case of bad luck you chose the wrong night to need medical care?
Despite the flaws of the premise, the film repeatedly ignores the possibilities of the premise, instead of exploring the ideas behind the Purge or the events that occur on the night of the Purge from different perspectives and situations. Instead the film settles for a typical home invasion story that although done well, is nothing we haven't seen done in many other films. The Purge in the end seems to only be the premise of this film to stop the age old question of "Why don't they just call the police?" in home invasion films.
To the films credit it is quite subtle, there's a running theme that the Purge is just an excuse for the upper classes to exterminate the poor, driven by all the attackers wearing prep school blazers and the person they are chasing wearing dog tags around his neck. The film also contains some strong performances, especially from Ethan Hawke (Training Day, Lord of War) and Lena Headey (Dredd, Game of Thrones) who carry the film throughout. The film also has a twist near the end which allows the audience to get inside the heads of the people during this night.
That cant be said for the leader of the Purger's played by Rhys Wakefield (Sanctum, Home and Away)whose performance is slightly cringe worthy, hes trying to be psychotic yet in control of the proceedings but it just comes across as a amateur dramatics' version of The Joker. He just never seems like a really threat and just a creepy next door neighbour.
The film also contains some bizarre and just plain weird set pieces, such as the families' son who builds a spy camera on a chard baby doll on the top of a rhino tank from Warhammer 40,000. The thing looks like a demented contraption from Sid's bedroom in Toy Story.
Overall, The Purge is an OK home invasion film, there are moments of suspense and a couple of jump scares are effective. The wasted potential of the premise is the films main downfall which could have lead to a more effective and possible original film then what we got in the end.
All in all this is a bad movie, don't waste your money or your time watching it. Trust me you'll thank me in the end.
Wusstest du schon
- WissenswertesAccording to director James DeMonaco, the famous road-rage incident awakening the idea for The Purge happened like this: He and his wife were driving on the freeway when a drunk driver cut them off nearly killing them. After both cars stopped, the other driver's lack of remorse enraged DeMonaco enough to engage in a fistfight and police eventually had to get involved. After the incident was over, DeMonaco's wife turned to him and commented how great it would be to have one free murder a year. He felt bad admitting this because she's normally a "sweet woman".
- PatzerFor a while in the middle of the movie, James has a shaped goatee and moustache, which he does not have during the rest of the movie.
- Zitate
Mary Sandin: We are gonna play the rest of this night out in motherfucking peace. Does anyone have a problem with that?
- Crazy CreditsAt the end Credits there are radio broadcasting about the Purge Night.
- VerbindungenFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- SoundtracksClair de Lune
Written by Claude Debussy
Arranged by Alfred Reed
Performed by Symfonický orchester Slovenského rozhlasu (as Slovak Radio Symphony Orchestra)
Courtesy of Naxos of America, Inc.
Published by Klams Music & Co, Inc.
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Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 64.473.115 $
- Eröffnungswochenende in den USA und in Kanada
- 34.058.360 $
- 9. Juni 2013
- Weltweiter Bruttoertrag
- 89.328.627 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1