Tree muss den gleichen Tag immer wieder durchleben, bis sie herausgefunden hat, wer versucht, sie zu töten, und warum.Tree muss den gleichen Tag immer wieder durchleben, bis sie herausgefunden hat, wer versucht, sie zu töten, und warum.Tree muss den gleichen Tag immer wieder durchleben, bis sie herausgefunden hat, wer versucht, sie zu töten, und warum.
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
I think people going to see this movie are expecting wayyyy to much from a slasher movie. I'm rating it based on what I expected, and I was certainly impressed. This movie wasn't trying to be anything more than another murder movie, but what made me want to see it was the idea of taking Groundhog Day (which it fully admitted to ripping the idea from) and turning it into a slasher film. I was actually surprised it held back on gore and blood. I was fully expecting it to be all the tropes of gross-out killings, but it was instead focused more on character development and the story. I admit the characters are a bit one-dimensional, but again, it's a slasher movie. It's trying to win any academy awards here. In many ways I think it's parodying those one-dimensional characters of college trope characters and the "last girl" in horror movies because it goes all-in on establishing the main characters as somebody you're meant to hate at first. The ending genuinely took me in a direction I didn't anticipate, and then it took me back to what I was expecting, but did it in a way that I felt fresh. All in all, I had fun watching this movie, which I think what this movie was meant to be: Fun.
Saw 'Happy Death Day' as somebody who was fascinated by the concept, found the advertising interesting and good enough to warrant a view and who appreciates horror when done well. Seeing it just before Halloween as part of my Halloween celebrations, will admit to not being as bowled over by the film as would have liked but enjoying it a good deal.
As surprisingly interesting as the advertising was (and there has been some dreadful advertising this year, a notable recent example being the completely mis-marketed 'Geostorm'), it is also misleading. One would expect a truly frightening film judging from the trailers, but actually 'Happy Death Day' happened to be much more than what was indicated and wasn't what one would call terrifying or sleep-with-the-light-on-for-a-week. The good news is that 'Happy Death Day' actually makes the most of its concept, refreshing having seen films recently that had concepts that they didn't do anywhere near enough with. The not so good news is that as enjoyable as it was it did feel like something was missing.
It is easy to see why lots of people will like, and have liked 'Happy Death Day'. It is just as easy to see why it will be, and has been, a let-down for others. My opinion has shades of both, leaning towards the former. 'Happy Death Day' may be somewhat standard (while the concept is a pretty unique one, some of the story elements aren't), superficial (other than the lead character, the characters are developed very flimsily) and some parts don't make as much sense as they could and feel unfinished.
Was expecting more from the killer twist reveal, which is not as clever and surprising as one would like and the whole ending felt rather silly and rushed to me (the killer's motive also came over as really trivial for an elaborate set-up). A little slow to begin with too, it's once the concept kicks in when 'Happy Death Day' properly comes to life and maintains that energy for the rest of the film.
For all those faults though, 'Happy Death Day' is also refreshingly self-aware, almost very much aware of its standard-ness and superficiality and acknowledges it, and manages to be lots of fun, creepy-suspenseful and surprisingly thought-provoking. Gruesomely funny sums it up very well.
'Happy Death Day' is a long way from amateurish visually, the photography is stylish rather than slapdash, the editing has suitably unnerving moments and the lighting is atmospheric. Christopher Landon never lets it get too heavy while not diluting the fun or scares, and the at times haunting and at others times funky soundtrack adds a lot.
When it comes to the script, 'Happy Death Day' is full of knowing humour and never removes its tongue from its cheek, instead keeping it firmly intact throughout which proved to come off really well. It also really makes one think. The story execution is not perfect, but it's never dull and has some neat twists and turns that stops it from being predictable and repetitive.
Jessica Rothe should become a bigger star after her excellent lead turn here, she has been acting a few years before this but this is the first time where she really held my attention and allowed me to take proper notice of her. Israel Broussard is also very believable and the two have great chemistry together. The acting on the whole is solid but essentially it's all about Rothe and she is one of the main reasons why 'Happy Death Day' is worth a viewing.
Overall, a long way from perfect but quite enjoyable. 6/10 Bethany Cox
As surprisingly interesting as the advertising was (and there has been some dreadful advertising this year, a notable recent example being the completely mis-marketed 'Geostorm'), it is also misleading. One would expect a truly frightening film judging from the trailers, but actually 'Happy Death Day' happened to be much more than what was indicated and wasn't what one would call terrifying or sleep-with-the-light-on-for-a-week. The good news is that 'Happy Death Day' actually makes the most of its concept, refreshing having seen films recently that had concepts that they didn't do anywhere near enough with. The not so good news is that as enjoyable as it was it did feel like something was missing.
It is easy to see why lots of people will like, and have liked 'Happy Death Day'. It is just as easy to see why it will be, and has been, a let-down for others. My opinion has shades of both, leaning towards the former. 'Happy Death Day' may be somewhat standard (while the concept is a pretty unique one, some of the story elements aren't), superficial (other than the lead character, the characters are developed very flimsily) and some parts don't make as much sense as they could and feel unfinished.
Was expecting more from the killer twist reveal, which is not as clever and surprising as one would like and the whole ending felt rather silly and rushed to me (the killer's motive also came over as really trivial for an elaborate set-up). A little slow to begin with too, it's once the concept kicks in when 'Happy Death Day' properly comes to life and maintains that energy for the rest of the film.
For all those faults though, 'Happy Death Day' is also refreshingly self-aware, almost very much aware of its standard-ness and superficiality and acknowledges it, and manages to be lots of fun, creepy-suspenseful and surprisingly thought-provoking. Gruesomely funny sums it up very well.
'Happy Death Day' is a long way from amateurish visually, the photography is stylish rather than slapdash, the editing has suitably unnerving moments and the lighting is atmospheric. Christopher Landon never lets it get too heavy while not diluting the fun or scares, and the at times haunting and at others times funky soundtrack adds a lot.
When it comes to the script, 'Happy Death Day' is full of knowing humour and never removes its tongue from its cheek, instead keeping it firmly intact throughout which proved to come off really well. It also really makes one think. The story execution is not perfect, but it's never dull and has some neat twists and turns that stops it from being predictable and repetitive.
Jessica Rothe should become a bigger star after her excellent lead turn here, she has been acting a few years before this but this is the first time where she really held my attention and allowed me to take proper notice of her. Israel Broussard is also very believable and the two have great chemistry together. The acting on the whole is solid but essentially it's all about Rothe and she is one of the main reasons why 'Happy Death Day' is worth a viewing.
Overall, a long way from perfect but quite enjoyable. 6/10 Bethany Cox
Don't watch it if you are in for a gory slasher, but if you like a bit of suspense with (teenage) humor, you're in the right place. Watched this movie with a smile on my face, but I was still interested int he mysterious side of the movie.
On the day of her birthday, the college student Tree Gelbman (Jessica Rothe) awakes in the male dormitory on the bed of Carter Davis (Israel Broussard). She learns that she was totally wasted in the previous night and she leaves Carter to meet her snobish Kappa friends. Then she despises Carter that brings her bracelet that was forgotten in his room; ignores the calls of her father that wants to have lunch with her; visits the office of her professor Gregory Butler (Charles Aitken), who is married and is having an affair with her; and despises her roommate Lori Spengler (Ruby Modine) that gives a cupcake to her. During the night, Tree goes to a party at the Sigma house but is murdered by a hooded masked man while crossing a tunnel. Out of the blue, Tree wakes up on her birthday day on the bed of Carter and relives the day, when she tries to find who might be the killer.
"Happy Death Day" is a surprisingly good film, with the combination of horror, romantic comedy, mystery and thriller genres. The most important is the humor and Jessica Rothe´s performance is great in the role of the cynical Tree Gelbman. There are jokes also with "Groundhog Day" and teenage slashers and campus movies that work very well. Her list of suspects is hilarious and the dark humor of the alternate ending is a plus of the DVD. My vote is seven.
Title (Brazil): "A Morte Te Dá Parabéns" ("The Death Gives Happy Birthday")
Note: On 15 April 2023, I saw this film again.
"Happy Death Day" is a surprisingly good film, with the combination of horror, romantic comedy, mystery and thriller genres. The most important is the humor and Jessica Rothe´s performance is great in the role of the cynical Tree Gelbman. There are jokes also with "Groundhog Day" and teenage slashers and campus movies that work very well. Her list of suspects is hilarious and the dark humor of the alternate ending is a plus of the DVD. My vote is seven.
Title (Brazil): "A Morte Te Dá Parabéns" ("The Death Gives Happy Birthday")
Note: On 15 April 2023, I saw this film again.
Jessica Rothe is amusingly pithy and savvy playing a selfish college beauty, a spoiled sorority sister who rules the school until she is stabbed and killed on her way to a surprise birthday party by a masked lunatic. But fate plays this campus cutie an unusual hand once she discovers she's living her birthday over and over again, each time attempting to cheat death but always running into her attacker. Screenwriter Scott Lobdell isn't trying to sneak a slasher variant of "Groundhog Day" passed us--he's upfront about the similarities, even exalts in them, while toying with all the possibilities such a scenario can offer. It takes Rothe three tries to fully comprehend what's happening to her; once she formulates a plan (creating a suspect list), Lobdell mixes things up, so that the movie rarely feels repetitive. Our heroine, snarky to start, follows Bill Murray's example and becomes a better person on her twisted journey (reestablishing contact with her father, apologizing to her roommate, even causing her own demise on one occasion to prevent the cute nerd from the boys' dorm from losing his life). Director Christopher B. Landon deserves credit for delivering a modern-day thriller with lots of action but no gore and no nudity. If it isn't quite a family-friendly slasher flick, it certainly is a squirrelly, sassy one, with some big laughs counterbalancing the suspense. Good show! *** from ****
WUSSTEST DU SCHON:
- WissenswertesAccording to director Christopher Landon, Tree Gelbman's punchline, "Who takes their first date to Subway? It's not like you have a footlong," was improvised by Jessica Rothe.
- PatzerWhen Tree wakes up for the last time, you can see a camera lens and matte box pulling away from her in the bottom-left corner of the screen as she sits up in bed.
- Zitate
Tree Gelbman: [to her father] It's been so much worse. All of this running and hiding has made me so miserable. And I think I finally figured it out. I mean, it took something, like, totally crazy, but... but I'm here. And I love you. And I'm so, so sorry that I hurt you.
- Crazy CreditsThe opening Universal logo gets abruptly sucked into oblivion and then restarts, referencing the film's time loop element. This happens twice before the logo finally plays uninterrupted.
- VerbindungenFeatured in FoundFlix: Happy Death Day (2017) Ending Explained (2017)
- SoundtracksBusy Day Birthday
Written by Stephen Baird and Robert Stripling
Performed by The Trak Kartel
Courtesy of John Fulford Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Feliz día de tu muerte
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 55.683.845 $
- Eröffnungswochenende in den USA und in Kanada
- 26.039.025 $
- 15. Okt. 2017
- Weltweiter Bruttoertrag
- 125.479.266 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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