The Rocket

Trekking through the dangerous jungles of Laos, 10-year old Ahlo (Sitthiphon Disamoe) is determined to convince his superstitious family that he is not a lightning rod for bad luck.

Blessed with a nutty uncle obsessed with James Brown (Thep Phongam) and caught in the middle of a village relocation program over the building of a dam, Ahlo's eventful journey takes him through the scarred landscape of his home, littered with Vietnam-era bombs that are still waiting to go off.

Australian writer/director Kim Mordaunt was inspired to make this wistful, often lyrical film after his 2007 documentary Bomb Harvest, which told of the annual toll claimed by the unexploded bombs in Laos.

Thankfully he layers the unavoidable political notes with real warmth, humour and character, a quality that clearly benefited from using a mix of professional and non-professional actors. Mordaunt also knows how to use irony without pushing it; as Ahlo aims to prove his worth at a big rocket festival, we're reminded that The Rocket is not a political allegory, it's an offbeat, celebratory coming-of-age story about a kid.

There have been some outstanding child performances this year including that of Tye Sheridan, Liam James, Kacey Mottet Klein, and others, but none better than little Sitthiphon Disamoe's in Kim Mordaunt's The Rocket. A hit at the Berlinale, The Rocket also took top prizes at the Tribeca Film Festival including the Best Narrative Feature, Audience Award, and the Best Actor award for Disamoe. An Australian, Laotian, and Thai co-production, the film can be accused of being formulaic, but it is so full of spirit and genuine warmth that it more than earns its audience appeal.

Shot in northern Laos, Mordaunt does not hesitate to remind of us of the legacy of American bombs dropped during the Vietnam War and still visible in the vegetation, nor does he flinch from depicting the reality of poverty and exploitation. In the film, Ahlo (Disamoe) is a ten-year-old full of high energy but burdened with having to prove that he is not the carrier of bad luck. Born in a small hut in a remote Laotian village, Ahlo is a twin whose sibling died during childbirth and whose grandmother Taitok (Bunsri Yindi) proclaimed that he was cursed from the outset. Sadly, distressing events in his young life seemed to give credence to the prophecy.

As their village was being torn down to make room for a dam, Ahlo (now ten-years-old) and his family are relocated to a shantytown that is worse than their former home; the boy's mother Mali (Alice Kaohavong) is involved in a tragic accident, and Ahlo's relationship with his father Toma (Sumrit Warin) becomes distant and strained. Feeling alone, he develops a friendship with Kia (Loungnam Kaosainam) a young girl whose family died from malaria, and who lives with her quirky "Uncle Purple," (Thep Phongam), a heavy drinker and ex-soldier who models himself after American singer James Brown.

After taking food from a holy place, Ahlo's attempt to return it causes serious problems for his family and they are forced to go on the road looking for a new home. When they stumble on an annual rocket festival where top prizes lure participants to build and launch the best rocket into the sky to beseech the sky gods to bring rain, Ahlo seizes the opportunity to bury his image as the carrier of bad luck. While The Rocket requires a suspension of disbelief, it is only a small possibility that you will leave the theater unmoved.

Tired of the Oscar race and its obviously-baiting nominees? The Rocket, set in Laos, is more unusual and imaginative than anything you will see, even Her, under the Oscar umbrella. Ahlo (Sitthiphon Disamoe), a surviving Laotian twin at birth and therefore potentially bad luck for his family, travels with his family and two friends to find a new home after being displaced by plans for another dam.

Not only is Ahlo played by a new young actor who keeps your sympathy, but also Kia (Loungnman Kaosainam), his girl friend (he can't be more than 10 and she about 9) is equally charming and intelligent. Their journey is plagued by setbacks, yet Ahlo remains intrepid and creative as he finally plans to nix this curse and become a hero.

So far the film is filled with bizarre adventures, mostly suggesting he is a curse on the family as bad luck plagues it (It's not Little Miss Sunshine's pleasant turbulence; however, Rocket's family is an eccentric crew). One of the most interesting fairs to be seen ever in film is the Rocket Contest, held each year to send missiles to the clouds to induce rain, to "poke the gods' arse," or something like that. This event is the Holy Grail of the family's journey, a way to gain prize money and to counter the bad karma of Ahlo's birth.

The natural performances of Beasts of the Southern Wild echo in The Rocket, both leads believable as intrepid young, underprivileged waifs of pluck and imagination. The relationship between Ahlo and his loving but too vulnerable father, Toma (Sumrit Warin) is reminiscent of father and son in Vittorio DeSica's Bicycle Thief. Caitlin Yeo's original score, never obtrusive, like the film itself, tells the story with dignity and respect for the characters.

Writer-director Kim Mordaunt has balanced the disparate elements perfectly. And best of all, it is not some exploitative tome about the emerging third world. It's about family! Its formulaic nature and slight drift to the sentimental do not keep it from being an original work of merit.

The Rocket, winner of the World Narrative prize at the Tribeca Film Festival, is one of the year's best movies with a plot as imaginative as anything else out there.

Wonderful documentary style story. Scenes still have great impact on me. The casual acting styles of the children were captivating & led to credence all the way through the film. Confronting issues & imagery were simply presented without sentimental or 'fluffy' enhancement. The stories of each character were presented so realistically by apparently unsophisticated actors, with the cinematography displaying facial & scenic imagery so beautifully & again simply, so as to encourage the feel of realism & the documentary style. Would expect more awards to be coming this films way. Started out as a 'bookclub' task & left me with a lifelong impact.

"Its not ones birth star decides whether he is lucky or unlucky, its his inspiring deed that decide whether he is lucky to others or not'' well, luck is just an unpredictable phenomena, its not something that to be imposed on the basis of time or situation.

2013's Australian's Lao movie ''The Rocket'' neatly narrates the story of a boy by the name Ahlo who was fist believed to be the curse to their family later turn out to be an actual lucky champ to the entire village, this movie is about the tribal family who migrate in search for the permanent settlement but faces various problems due to Ahlo's mischief, the entire thing turns around when Ahlo shows an interest to participate in a traditional rocket competition to score a prize money for his family settlement, but entire family disapprove his intention of participating in the competition because of his bad luck, in such situation Ahlo's only hope was his friend 'Purple' who helps him in building a rocket for the competition, villagers believed that the rocket which goes high in the air explodes the cloud and brings rain, Ahlo's strong dedication and hope makes him the winner of that competition and at last his rocket brings rain to the village, thus Ahlo turn to be the lucky one.

The way the movie had been taken is so fantastic, entire making is fine and neat, those little artists are just mind blowing, this film has come very well with great realistic performance by the entire cast, irony, emotion are properly mixed and presented together, it's an awesome work with some little mega-mini talents.