Cäsar muss sterben

The concept is very original, giving criminal prisoners the opportunity to produce a Shakespearer play in prison, the plsy being "Julius Caesar", and each prisoner allowed to speak in his own dialect. The result is a very stylistic and primitive alternative Shakespeare, mainly shown by rehearsals, and especially Brutus makes a very good performance. The text is considerably mutilated, only the action scenes are mainly presented, and there is not one woman in the whole performance. Still, it's an interesting representation, like all the films of the brothers Taviani are, and the main credit is the original angle. Most of the film is in black and white, to which the colour sections present a great efficient contrast. The theatre performance turns into a tremendous success, in spite of some arguments among the prisoners.

A week has passed since I watched "Cesare deve morire" and I am still trying to decipher the multiple layers on which this film has worked in my mind. The brothers Taviani have directed a masterpiece of 76' which however is so dense in content that the time is waxing inside one's own memory.

The Tavianis are documenting the mis-en-scene of a Shakespeare piece inside a prison. Probably the most impressive element of "Cesare deve morire" is the performances of the inmate actors. The fact that the film is shot as a documentary in its natural setting spreads the film in two layers which are seamlessly weaved on each other. On the first level we see the prisoners who are passionately rehearsing the lines of their characters and on the second level we stand on front of Cesar, Brutus and Antonius discussing in the alleys of Rome. As in the case of Bergman, the brothers Taviani are very successfully studying the relationship between theater and cinema.

This prison setting is extremely symbolic and renders the actor performances utterly intense. It feels as if the prisoners, lacking their physical freedom, are getting deep into the skin of those new personas seeking the experiences which prison has deprived them of. The performances are so convincing that one has to contemplate on the nature of human destiny. Could it be that one's social condition or even coincidences could make the same persons capable of the best and of the worst? Moreover, the film leads to an unavoidable rumination of the concept of freedom in all its forms.

A stark black and white photography pronounces the prison architecture and recreates ancient Rome in its bare corridors. The photography is perfectly self-standing and it would be of great artistic value even in the absence of a plot. The black and white may emphasize the lack of freedom of the inmates but also allows the spectator to ignore redundant information and to concentrate on the performances of the actors. It is remarkable how architectural beauty arises even in a prison. The common spaces are illustrated exceptionally well and after a while one feels lost in a limbo between the prison and Rome.

Finally, although the audience reaches catharsis after the end of Shakespeare's narration the narration of brothers Taviani remains unresolved into ones psyche. I personally believe that "Cesare deve morire" is one of those rare cinematic experiences that are capable to shake away well entrenched beliefs. That alone would make the film worth seeing. Gladly, those 76' are so much more.

It's rather discardable. The directing brothers were frustrated as they tried to create something as interesting as Kaos, Fiorile or Luisa Sanfelice. If this is up to the Golden Berlinese Bear, it's a sign of how low the level of current productions is. This is meta-theatre, set in Rebibbia, a high-security prison in Rome. The performers are real life convicts. "Cesar must die addresses the links between drama and reality , but working with amateurs didn't help. The film may be useful as kinda sociological propaganda, but it never qualifies as 'Cinéma vérité,' the meta-style of fiction-documentation filmmaking developed by Edgar Morin and Jean Rouch, inspired by the former theories about Kino-Pravda. I do call it a kind of Reality Show, though. Aren't Inmates Survivors & Big Brothers who are Keeping Up with the Roman Kardashians after all? ;-)

I saw this at the Palm Springs Film Festival and was blown away! As soon as the movie began, I could tell it was a movie that I should pay attention.

The plot is a performance of Shakespeare's Julius Caesar by a group of real-life prisoners in an Italian prison. I loved how the prisoners could relate to the play by seeing the parallels in their own lives--the power lust, deceit and betrayal. The more the prisoners understood the play, the more they became immersed in their roles.

There have been many attempts to make Shakespeare palatable to the modern audience. This was my favorite iteration because it showed the actors trying to understand it, just as an audience might try to find the relevance. As a high school student, I found Shakespeare and Roman History boring. It wasn't until I hit my 40s did I realize this history was more violent than the Sopranos.

I don't know if this movie has ever been widely released. I highly recommend seeing it if it ever comes to your town.

Perhaps its the beautiful rolling sound of the Italian dialogue telling the story of Julius Cesar that made this enjoyable at least to the auditory sense. Perhaps it was that the language was sometimes amended to be more modern and meaningful. Perhaps it was the explained parallels of some of the prisoners experiences that helped to make the context more understandable. No matter, it was a thoroughly great way to start the Sydney Film Festival. The fact that this was a script within a script set in a prison using some real life prisoners didn't detract from anything in this film for me - I go to the cinema generally looking for a story, a fabrication, an unreality dressed in reality. I liked the gritty black and white, the sub-line of the prison life and setting. Yes, perhaps a prisoner saying he now felt caged etc didn't have to be said because it was obvious, but all in all a very enjoyable watch. I was engaged and participating from beginning to end. For me, one of the better versions of Julius/Shakespeare and a nice twist on an old but everlasting story.