Baavgai Bolohson

Really very good. Poignant socio-economic portrait of city life in modern Mongolia, more particularly of poor people who wish to get by by acquiring a good education, among other things. The harsh and cruel side often associated with extreme poverty, hard to receive, is relevant, effective and striking. We also see all the resilience, mutual aid and generosity that human beings can demonstrate. The point presented can be transposed almost anywhere in the world, even in so-called rich countries. Excellent soundtrack to support the story. The recurring musical theme is very beautiful and moving. However, at the beginning of the film, there is an error in the translation of a mathematical term, in the subtitles, surely coming from the fact that the translation was done from Mongolian to English, then to French (confusion between ''integrals'' and ''integers'' which gives ''integers'' in the translation rather than the correct term ''integrals''). A relatively open ending, as is customary in films from the Orient. This work presents us with beautiful life lessons. Good duration.

In a one-room ger in the Mongolian capital, Ulaanbaatar, lives lanky teenager Ulzii; his widowed, alcoholic mother; and his three siblings. His mother is unable to earn enough to feed all her children and it falls to Ulzii to supplement the family income by doing odd-jobs - unloading a van or delivering meat, for example. But he has a special, intuitive talent for physics, and an inspirational schoolteacher suggests he enter the national physics competition (yes, such things exist - introducing the film at the 2023 London Film Festival, editor Alexandra Strauss explained that although this film is a work of fiction, it is based on a documentary). If Ulzii wins, he will get a scholarship. But with all of his family responsibilities, can he put in the time required for study?

For Western audiences, a film from Mongolia is a rare treat. As well as the central plotline, the film also provides a look at modern Mongolia, where ancient traditions meld with today's way of life: in one scene Ulzii is sent to visit his aunt in her modern, high-rise flat in order to place his big toe in his infant nephew's mouth - this, apparently, is a sure-fire way to cure a facial rash. As the film progresses (writer/director Zoljargal Purevdash cleverly marking the passage of time by every so often changing Ulzii's hairstyle) we see Mongolian teenagers acting like teenagers anywhere: play-fighting, playing sports, lusting after a pair of stylish trainers.

The adventures of a physics student does not sound like a promising subject for a film and it is interesting to speculate whether this film would have worked if it were set in the UK or US; I suspect not. But set in a country that rarely features in Western entertainment, it works a treat.

I know next to nothing about Mongolia, which was an additional reason why I wanted to see this fantastic film. So thanks to it, I travelled around this country and saw both the new-built capital city as well as the outskirts and the countryside, where the main character, a teenager Ulzii lives with his troubled mother and three younger siblings. I've seen colder winters, but without enough coal and wood there's no way of surviving in the yurt.

From what I understand it is not in the culture to ask for help when in need, so Ulzii is faced with decisions to make, which leads him straight into adulthood.

This heartwarming picture reminds us of so many essential things such as responsibility for the young in the family, the importance of education, caring for the climate both in your yurt and your world, modest living and many others. I left the cinema with a smile on my face and in my heart.

'If Only I Could Hibernate' is a must-watch for anyone who appreciates cinema that not only entertains but also inspires and moves. It's a beautiful reminder of the power of storytelling and the art of film.

From the very first scene, it captures the viewer's imagination, taking them on a journey that is as heartwarming as it is thought-provoking

The performances in this movie are nothing short of stellar. Each actor brings a level of authenticity and emotional depth to their character, making the story come alive in the most beautiful way. Their ability to convey complex emotions with subtlety and grace adds a layer of richness to the film that is truly captivating.

First of all, i think this is the first ever Mongolian film that represented actual reality of Mongolian suburb life which is below average living family. As of my perspective, some people do not aware of the situation of other people's living situation because they never had a chance to experience those situations even if we live under same society, government and country. Maybe this film will give people an inspiration and to being grateful for what they have now.

The slangs, it is pretty disturbing i would say but it is not fake at all. The way this film is just being the mirror of reality but not focused on make people like some other mediocre movies.

Raw and real, i will say.