IMDb-BEWERTUNG
4,4/10
25.729
IHRE BEWERTUNG
Um seine entführte Frau zu retten, muss Brent Magna auf Befehl eines mysteriösen Mannes fahren.Um seine entführte Frau zu retten, muss Brent Magna auf Befehl eines mysteriösen Mannes fahren.Um seine entführte Frau zu retten, muss Brent Magna auf Befehl eines mysteriösen Mannes fahren.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Ivaylo Geraskov
- Detective
- (as Ivailo Garaskov)
Velislav Pavlov
- Henchman #2
- (as Slavi Pavlov)
Dejan Angelov
- Henchman #3
- (as Deyan Angelov)
Empfohlene Bewertungen
I don't normally take the time to write reviews as I don't feel I have much to add to everyone else's take. But Getaway has been so poorly received, unjustifiably so in my opinion, that I thought I'd weigh in.
This is a popcorn movie. Nothing more. I understood that going in. It's not high art. It doesn't revolutionize movie-making, and is not even the high point of the genre. But it's entertaining, and that's all I ask of a movie. Give me some popcorn and a Coke, and dim the lights, let me forget about the world for a couple hours, and I'm happy.
The two leads are very good in my opinion. Ethan Hawke is a very capable actor, and he brought a depth to his character that I didn't expect. He expressed concern without being overly dramatic or gnashing his teeth or chewing up the scenery, and conveyed his character's limitations without appearing dumb. Selena Gomez was bright, and had the expected attitude of someone her character's age without being precocious or annoying.
Most of the plot was admittedly easy to figure out early on, but the movie still provided plenty of excitement in how it got there. There were some aspects of the story that were dismissed without explaining a lot of detail, but it didn't rely on otherwise smart people doing dumb things to make it all work, and I appreciated that as well.
I've read criticisms by others concerning the "shaky-cam" technique during the chase scenes. I didn't find that to be a problem in the least. It was much less annoying or even apparent than in movies like Transformers. I found everything was easy to follow and served the story well - I didn't think any style choices got in the way. And there was one street-level point of view sequence that I thought was especially well done - presumably a single take - that gave me a real rush.
Overall, I enjoyed Getaway, but that may be in part because I went in with low expectations due to its opening weekend box office and some negative reviews. With stiff competition this summer there are certainly better choices for your entertainment dollar. I don't know if I'd even consider this in the top ten or twenty films this year. But for cheap ticket at a matinée or second-run theater, or later as a rental it's an entertaining diversion.
This is a popcorn movie. Nothing more. I understood that going in. It's not high art. It doesn't revolutionize movie-making, and is not even the high point of the genre. But it's entertaining, and that's all I ask of a movie. Give me some popcorn and a Coke, and dim the lights, let me forget about the world for a couple hours, and I'm happy.
The two leads are very good in my opinion. Ethan Hawke is a very capable actor, and he brought a depth to his character that I didn't expect. He expressed concern without being overly dramatic or gnashing his teeth or chewing up the scenery, and conveyed his character's limitations without appearing dumb. Selena Gomez was bright, and had the expected attitude of someone her character's age without being precocious or annoying.
Most of the plot was admittedly easy to figure out early on, but the movie still provided plenty of excitement in how it got there. There were some aspects of the story that were dismissed without explaining a lot of detail, but it didn't rely on otherwise smart people doing dumb things to make it all work, and I appreciated that as well.
I've read criticisms by others concerning the "shaky-cam" technique during the chase scenes. I didn't find that to be a problem in the least. It was much less annoying or even apparent than in movies like Transformers. I found everything was easy to follow and served the story well - I didn't think any style choices got in the way. And there was one street-level point of view sequence that I thought was especially well done - presumably a single take - that gave me a real rush.
Overall, I enjoyed Getaway, but that may be in part because I went in with low expectations due to its opening weekend box office and some negative reviews. With stiff competition this summer there are certainly better choices for your entertainment dollar. I don't know if I'd even consider this in the top ten or twenty films this year. But for cheap ticket at a matinée or second-run theater, or later as a rental it's an entertaining diversion.
The "plot" follows Former race car driver Brent Magna (Played by Ethan Hawke.) Who discovers that his wife has been kidnapped by a mysterious man referred to as the Voice,(Played by Jon Voight.) Who promises to promises to return her to safety if he completes a series of broad and laughable tasks while driving through the streets of Sofia, Bulgaria in a supped up Shelby Super Snake Mustang. Along the way, he runs into the original owner of the Mustang named "The Kid" (Played by Selena Gomez.)
Now, at first glance it's very easy to see that this movie's plot and characters are there to serve as a backdrop for the action, which would at least be tolerable, if the action was any good, sadly that is not the case here. Getaway is weighted Down by it's clunky script and frantic direction. The action sequences are unwatchable, consisting of exhaustingly monotonous and poorly edited car chases. And in the rare moments where it escapes that monotony, it usually crosses the border into unintentional hilarity.
The Acting is terrible. Though in Ethan Hawke and Selena Gomez' defense, the horrible dialogue (which consists mostly of sh*t and a**hole) is to more to blame then they are.
Never has a movie been more apply titled than "Getaway". Because it's warning you to "Getaway" and avoid this clunker at all costs.
Now, at first glance it's very easy to see that this movie's plot and characters are there to serve as a backdrop for the action, which would at least be tolerable, if the action was any good, sadly that is not the case here. Getaway is weighted Down by it's clunky script and frantic direction. The action sequences are unwatchable, consisting of exhaustingly monotonous and poorly edited car chases. And in the rare moments where it escapes that monotony, it usually crosses the border into unintentional hilarity.
The Acting is terrible. Though in Ethan Hawke and Selena Gomez' defense, the horrible dialogue (which consists mostly of sh*t and a**hole) is to more to blame then they are.
Never has a movie been more apply titled than "Getaway". Because it's warning you to "Getaway" and avoid this clunker at all costs.
According to another user, this movie is "brainless fun", which I really must contend with. This movie sure is brainless, but there isn't much fun to be found here. The script is dismal, the central plot makes no sense, and the chase sequences are edited in the contemporary shaky-cam style that makes it hard to tell what is going on at some points, which really gets my goat. The whole reason I went to see this movie is to see some kick-butt car cinematography, but there is better, free content on youtube that I could have watched to whet my appetite(like Ken Block's gymkhana series or vintage rally B-group footage). To say that I am disappointed would be a lie, I had a feeling this movie would be a dud because they hardly marketed it at all and released at the end of summer, which is always a bad sign.
Ethan Hawke's performance may be the only redeemable part of this movie, as I could really tell he was working hard to make the 11th grade level dialog work. Selena Gomez's acting was predictably sub-par, it seems to me the only reason she was included in Getaway was to get guys my age into the theater. And if the two other dudes in the theater besides my friends and I are evidence, it didn't work.
In short, don't waste your time on Getaway, watch The Transporter or Top Gear instead to get your gearhead action fix.
Ethan Hawke's performance may be the only redeemable part of this movie, as I could really tell he was working hard to make the 11th grade level dialog work. Selena Gomez's acting was predictably sub-par, it seems to me the only reason she was included in Getaway was to get guys my age into the theater. And if the two other dudes in the theater besides my friends and I are evidence, it didn't work.
In short, don't waste your time on Getaway, watch The Transporter or Top Gear instead to get your gearhead action fix.
I will be the "other side" of the reviews, as i will be honest , I saw it for free... I would probably be mildly disappointed if i had payed $15... it's a "red box" movie ...worth a couple of bucks . but it wasn't that bad --like "Frankenstein theory" or other REALLY bad films lately-- If you saw "vanishing Point", this is better ,by far than that one .
In a nutshell , Getaway is , or could be called "A Lot of Cops Crashing"
Yes it is a thin plot , yes it has bad writing ,and although overall, it is highly polished, some of the camera work seems to be shot by a 9th grade A/V student,and some is crazy good, there is one shot towards the end that -for me- was incredible camera work .... it is a grill cam shot from the second car car , it is one continuous shot that winds you through traffic like you are riding a street luge, it is a clean crisp long -no scene splits- camera shot that I just loved ,
Although predictable , this film is full of action, well , car chases, Im a car nut so , who cares about Oscars when you get to thrash a highly built mustang ... it's no "shawshank" but it gets at least a five ---6.5 , from me , great action , no slow plot development , and the ending is great if not just a little predictable ....its just popcorn fun ...yes, it was fun ..dont listen to the other critics if you like any of this . I hate slow crappy movies , this is not one of those .... when i am bored , I will watch this again
In a nutshell , Getaway is , or could be called "A Lot of Cops Crashing"
Yes it is a thin plot , yes it has bad writing ,and although overall, it is highly polished, some of the camera work seems to be shot by a 9th grade A/V student,and some is crazy good, there is one shot towards the end that -for me- was incredible camera work .... it is a grill cam shot from the second car car , it is one continuous shot that winds you through traffic like you are riding a street luge, it is a clean crisp long -no scene splits- camera shot that I just loved ,
Although predictable , this film is full of action, well , car chases, Im a car nut so , who cares about Oscars when you get to thrash a highly built mustang ... it's no "shawshank" but it gets at least a five ---6.5 , from me , great action , no slow plot development , and the ending is great if not just a little predictable ....its just popcorn fun ...yes, it was fun ..dont listen to the other critics if you like any of this . I hate slow crappy movies , this is not one of those .... when i am bored , I will watch this again
I love ethan Hawke, selena gomez, and action movies. So what went wrong with this? Read on to find out.
Cinematography: Pretty mediocre shots and scenes in general. For a movie based around action and chase scenes so much, they don't do a very great job of it. 6 underground did their chase scenes a lot better.
Acting: The cast is good but performances are only okay. But with such little plot direction and mediocre scripts make for average performances. Seriously like has the director even heard of characterization?
Story: The worst part of this is the story. The whole plot is pretty much a mustang commercial the whole time. No characterization, only thing that happens is running from cops. Also what is with the indestructible mustang? I cant even count how many times it rammed, smashed and got shot at but still ran/looked fine. You cant have action 100%, of the time because then it actually is too normal and ends up being boring, which ultimately happens to me when watching this.
Summary: Not a very good movie, I love the cast and I'm a huge car guy but nothing in this movie can make me think it's any good to watch. It's very boring, extremely mundane plot and no characterization. I would reccomend not watching this one.
Cinematography: Pretty mediocre shots and scenes in general. For a movie based around action and chase scenes so much, they don't do a very great job of it. 6 underground did their chase scenes a lot better.
Acting: The cast is good but performances are only okay. But with such little plot direction and mediocre scripts make for average performances. Seriously like has the director even heard of characterization?
Story: The worst part of this is the story. The whole plot is pretty much a mustang commercial the whole time. No characterization, only thing that happens is running from cops. Also what is with the indestructible mustang? I cant even count how many times it rammed, smashed and got shot at but still ran/looked fine. You cant have action 100%, of the time because then it actually is too normal and ends up being boring, which ultimately happens to me when watching this.
Summary: Not a very good movie, I love the cast and I'm a huge car guy but nothing in this movie can make me think it's any good to watch. It's very boring, extremely mundane plot and no characterization. I would reccomend not watching this one.
Wusstest du schon
- WissenswertesThere is no CGI in any of the car crash scenes. All the crashes in the movie are real.
- PatzerWhen the city power plant is destroyed, in a truly spectacular series of explosions, the city is shown experiencing a total blackout. For the rest of the movie, there is not a single light out, not a street light, traffic light, or building light, negating the whole premise of the robbery theme.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #21.186 (2013)
- SoundtracksJingle Bell Rock
Written by Joe Beal and Jim Boothe
Performed by Steve McGowan
Produced by Michael Bradford
Courtesy of Cutting Edge Music (Holdings) Ltd.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Tẩu Thoát Nhanh
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.501.938 $
- Eröffnungswochenende in den USA und in Kanada
- 4.503.892 $
- 1. Sept. 2013
- Weltweiter Bruttoertrag
- 11.806.432 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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