IMDb-BEWERTUNG
5,4/10
11.029
IHRE BEWERTUNG
Auf der Fahrt zu einem Musikfestival in Irland verirrt sich ein neues Paar und wird dann von einem Peiniger mit einem unbekannten Motiv angegriffen.Auf der Fahrt zu einem Musikfestival in Irland verirrt sich ein neues Paar und wird dann von einem Peiniger mit einem unbekannten Motiv angegriffen.Auf der Fahrt zu einem Musikfestival in Irland verirrt sich ein neues Paar und wird dann von einem Peiniger mit einem unbekannten Motiv angegriffen.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
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The reactions at the Frightfest in London where this was playing were ranging from "liked" to "totally hated it". There weren't too many people who were completely taken aback by the story (if you can call it that). Two people in a car and "absolute fear". Or something like that. It has its fair share of moments and I wouldn't say it's a waste of time to watch. But I'm pretty sure many people will get fed up with the characters and the twists.
There should've been a little more work on the script and there might have been better dialog and better overall options. The shooting style is optimal for low budget and it did suit the movie. But it didn't elevate it enough to make it something that will stand out. "Them" and a few other horror gems have done terror in a far better way. With characters the viewer is actually rooting for
There should've been a little more work on the script and there might have been better dialog and better overall options. The shooting style is optimal for low budget and it did suit the movie. But it didn't elevate it enough to make it something that will stand out. "Them" and a few other horror gems have done terror in a far better way. With characters the viewer is actually rooting for
I don't mind weird when it's done well. Take something from David Lynch or the new UK king of weird Ben Wheatley and it can be mesmerising despite unexplained parts of the plot or mysterious characters. In Fear writer and director Peter Lovering looks to have taken this approach but has got it badly wrong. Many people have already mentioned the holes in the plot, its like a blooming Swiss cheese. Just imagine you have been attacked by a crazee wearing a mask only to escape to the car and race off down the road and then hit someone. would you a( Stop and go back to check if the person is alright or b)get the hell out of there? You guessed it, our intrepid hero and heroin go back. Ridiculous. A man and a woman in a car get the lost in the Irish countryside and strange things happen apparently because of a spilt drink in a pub. The end defies description never mind explanation. Watchable though.
It's astonishing how they manage to induce terror with just a couple of actors, a car, rainy weather, and the wilderness. This is a case of low-budget filmmaking done well. Jeremy Lovering is an Edgar Wright collaborator, and his frame choices (with plenty of close-ups of the protagonists' worried faces) instantly draw you into the film. The score is also quite effective and adds to the creepy mood. The plot presents a total nightmare for folks who suffer from panic attacks - travel horror may not be a genre recommended for those people. The storyline progression is somewhat questionable, but the pacing remains apt.
The first key jumpscare happens at an unexpected juncture, and I think the film deserves some points on that front. The entry of the third character deflates the tension to some extent, yet the performances (of all three) keep you invested. Even from a psychological horror standpoint, the plausibility of certain developments lack finesse especially towards the end of the film. Nonetheless, I think it's a solid exercise in building tension and the atmospherics really add to that. If you liked Dead End, there's a good chance you'll savour this one too.
The first key jumpscare happens at an unexpected juncture, and I think the film deserves some points on that front. The entry of the third character deflates the tension to some extent, yet the performances (of all three) keep you invested. Even from a psychological horror standpoint, the plausibility of certain developments lack finesse especially towards the end of the film. Nonetheless, I think it's a solid exercise in building tension and the atmospherics really add to that. If you liked Dead End, there's a good chance you'll savour this one too.
First of all, the acting in this movie is pretty darn good, but other than that i can't give it any other merits. The dialogue and the way the characters act makes it so unbelievable that the movie becomes painful to watch. It's hard to become immersed when you are screaming at the characters to be smart for a few seconds. The plot is so full of holes and boring that it feels like you just want it to end after a half hour. the setting is perfect for the horror genre, unfortunately there is no horror, not even any suspense. Nothing ever changes in this movie so you feel like one scene is constantly on repeat. The whole movie feels as though it's stuck in it's first five minutes and nothing gives this movie the nudge it needs to become truly frightening. I really can not recommend this movie to anyone because it has nothing positive from any genre out there. This movie is a pass.
... just the way I like it ! So yes, of course I will be pretty subjective in this review (but aren't everyone else in theirs, after all ?)
In current horror movie era flooded with zombies, haunted houses and paranormal activities, little movies like this one come as real refreshment. To be honest it's more mystery/thriller/suspense than horror, but nevertheless.
Simple plot (Man and woman in a car, lost in a maze of narrow roads at the countryside trying to find a secluded hotel they reserved on internet), combined with nice visuals and directing/editing is just what I wanted to see from a movie. No two and a half hours of over the top action scenes, no special effects, CGI monsters, ghosts and flying sheets ... just a little mystery and healthy dose of suspense.
Yes, the main protagonists maybe don't do and act how one would expect "normal" people to do in such situation, but it's impossible to predict anyway how "normal" people would behave in every situation. This is good enough.
I must say that I find recent British movies (to name a few I can remember without looking at my voting history: Truth or die, The Seasoning House, The Cottage ...) more appealing to me than ones from Hollywood. I think if you hated "Cabin in the woods" or you're just tired of movies like that, there's a big chance you'll like "In Fear"
In current horror movie era flooded with zombies, haunted houses and paranormal activities, little movies like this one come as real refreshment. To be honest it's more mystery/thriller/suspense than horror, but nevertheless.
Simple plot (Man and woman in a car, lost in a maze of narrow roads at the countryside trying to find a secluded hotel they reserved on internet), combined with nice visuals and directing/editing is just what I wanted to see from a movie. No two and a half hours of over the top action scenes, no special effects, CGI monsters, ghosts and flying sheets ... just a little mystery and healthy dose of suspense.
Yes, the main protagonists maybe don't do and act how one would expect "normal" people to do in such situation, but it's impossible to predict anyway how "normal" people would behave in every situation. This is good enough.
I must say that I find recent British movies (to name a few I can remember without looking at my voting history: Truth or die, The Seasoning House, The Cottage ...) more appealing to me than ones from Hollywood. I think if you hated "Cabin in the woods" or you're just tired of movies like that, there's a big chance you'll like "In Fear"
Wusstest du schon
- WissenswertesAlice Englert and Iain De Caestacker were not told what would happen during filming other than the basic setup of the story so that a lot of their shocked reactions were genuine.
- PatzerIn the first ten minutes, whilst Tom is unlocking the gate, Lucy leans out of the car wearing a red jumper. The shot changes and she is shown wearing a brown coat. She gets out of the car in the red jumper again and is then shown putting on the coat.
- SoundtracksConversation with Death
Performed by Alice Englert
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Details
Box Office
- Weltweiter Bruttoertrag
- 274.660 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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