Variações

I was expecting more. I mean, sometimes the plot of Variações is shallow. I finished this film without knowing anything new about this great artist. The movie shows us just the fight of António to be a singer and one important relationship in his life, however never goes too far and it's afraid of explore the deepest points of his life and personality. However the cinematography, the scenarios and the "clothes" are incredible, it portrays very well the portuguese culture during the 70s/80s. I also loved Sérgio Praia's performance, he's amazing and I hope to watch him in more great productions.

It's not perfect, but is the movie that Portugal needs to show to the world how we can also do great films, we just need dedication and passion as a lot of people from this crew had.

When entering the movie, I didn't know much about António Variações besides the great artist he was and his unique way of dressing. The movie shows his biography in a superficial way and focus more on the music he wrote. In my opinion, it should be more balanced with his personal life, tastes, way of thinking and feelings. Also, the movie doesn't explain how he got "Variações" since his name is António Ribeiro. I enjoyed the way they recorded and the work of the main actor, but I simply feel the need, after seeing this movie, to search more about Variações, some things that the movie couldn't explain. However, it is nice to see that there are more options in the cinema besides the same and usual movies, specially in portuguese with this quality.

Portuguese cinema had a great evolution in this decade. Movies such as "La Cage Dorée", "Blood of My Blood", "Parque Mayer" or "Jogo de Damas" are some of the films that prove it. "Variações" joins this list and brings something new that few films bring with them: a love letter to the cinema. Although the budget in Portugal is small it is amazing how they can create films of this large size. João Maia was fantastic as a director as well as a screenwriter, the cinematography is very effective, a wardrobe that could have been better invested, but a great and fabulous makeup and hair styling. Sérgio Praia's performance is praiseworthy and deserves all the awards and a few more, I even dare to say that he should be the first Portuguese actor to compete for the Oscar nominations. Between "Parque Mayer" and "Variações" I don't know which one can compete for the nomination for Best Foreign Film at the Oscars. But one thing is for sure this movie will make our Portuguese people cry.

If it were for the acting, the photography, the custome design and the sets this movie would be a 10/10. It starts brilliantly, the beginning gives us hope of learning who António is, however it quickly becomes shallow. The character development just isn't there, the characters never come to life. The basic question of how Antonio Ribeiro became Variações is never answered, this movie was saved from being a let down by the actors.

I was positively impressed with João Maia's film and, above all, with the way Sérgio Praia incarnates the character of António. There were moments when real footage of the time was interposed and I was so much immersed in the actor's performance, that I could not tell which was which.

Afore going, I had seen some negative critiques, namely from the actual singer's brother, who claimed the film focused too much on the homossexual issue and less on the artist's career. I couldn't disagree more, for two reasons.

First, it is simply not true. The film focus mainly on the creative genius of the artist and his internal agony to create his art.

Second, yes, there is some attention brought on his love relationships, especially the one with Fernando Ataíde, but notice this: it's a biographic picture and sexuality is a central aspect in anyone's life - it is only natural that, in a film about the artist's life, some importance is given to his more fleshly passions. Furthermore, we are talking about Portugal in the 70's and 80's, a time when homossexuality was much more than a mere personal detail.

What I found to be missing in the film was any significant reference to the period António Ribeiro was in the war in Angola and his television debut by the tv host Júlio Isidro.