Hell & Back

"Hell & Back" poses a sharp contrast in quality between the wealth of its talented voice cast and the sheer pedestrian mediocrity of its screenplay. It's amazing that a barrage of talented and proved comics from the likes of T.J. Miller, Mila Kunis, Bob Odenkirk, and J.B. Smoove, would subject themselves to something so bland and ugly. From its choppy stop-motion style of animation, its lack of real creativity in its jokes, and its miserable color palette, there is a striking joylessness present in "Hell & Back" that is only highlighted by the film's lackluster writing.

The story opens in a failing theme-park, largely run by slacker employees Remy (voiced by Nick Swardson), Augie (T.J. Miller), and Curt (Rob Riggle). When Curt borrows a mint from Remy, taking a blood oath to pay him back before reneging on his promise shortly after, the three are sucked into a vortex that takes them to Hell, where they are seen as "mortals" awaiting sacrifice. While Curt is the only one who is set to be sacrificed, for breaking a blood oath, Remy and Augie are also planned to be executed simply because of their presence in Hell as mortals. As a result, they team up with a demon named Deema (Mila Kunis), who is searching for Orpheus, a famous spirit who is said to have saved countless mortals who's souls were doomed to perish in Hell in time before the Devil (Bob Odenkirk) decides to sacrifice the three men.

Despite the high stakes, the film feels like a constant array of tired stoner jokes written by a gang of adolescents that still find using at least two curse words in every sentence is hilarious. Admittedly, however, the film did get some laughs out of me when the small-scale, background jokes took over. Consider the scenes that involve the demons of Hell tempting the souls by having a Taco Bell/Pizza Hut counter. When one of the souls requests a pepperoni pizza, the demon informs him that they only have the Pizza Hut sign up as decoration and they are only a Taco Bell. "Welcome to Hell," the demon says whilst giggling, upon informing the poor soul. This happens a couple of other times in the film and works because of how simply outlandish and ridiculous the scene plays out, in addition to a few scenes of demons looking up the sins of the souls to see what constitutes their presence in Hell.

These scenes are few and far between, however, as the bulk of the film has Remy and Augie bumbling on to random setpieces in Hell, witnessing some crass display of juvenile gags all captured in some of the most visually ugly scenery I've seen all year. With all the lame jokes occurring and the setting feeling so dim and dingy, there's simply very little positivity in this film to keep an upbeat frame of mine. Comedies set in underworlds or places of little hope obviously have difficultly meriting this constant stream of upbeat humor in contrast to the setting, but when both elements fall apart here, "Hell & Back" doesn't have a leg to stand on, frankly.

Finally, there's a real cheapness to the animation here. The stop-motion animation is evidently rushed, as characters, especially when walking or moving very quickly, show a peculiar jerkiness to their motions that indicates that figures' poses were shifted too quickly, and thus, don't appear fluid. This doesn't occur frequently, but when it does, it makes the whole film seem off balance, and, much like the writing, poorly conceived.

I remember hearing of "Hell & Back" earlier in the year and thought it would be something of a box office surprise; we rarely get adult animated films, and if we do, they are usually so obsessed with the idea of being vulgar and animated ("Cheech and Chong's Animated Movie" and "Jay and Silent Bob's Super Groovy Cartoon Movie" to name a few) that they wind up being throwaway projects of little merit. I felt that the talented cast of this particular film would crush that stereotype and lift it up to certain quality. Unfortunately, with the startlingly silent marketing for the film and the quiet release, "Hell & Back" will likely join other contemporaries as an experiment that failed largely because of its worst tendencies.

This is a highly underrated film! Pros: hilarious dialogue, gorgeous clay animation, a strong attention to detail, and fun vibe. Cons: the humor will not be for everyone, you really have to have an open mind to intentionally offensive comedy. I love that it is a mix of high brow and low brow comedy. You have semen jokes immediately following an obscure Greek mythology snide. The demons (especially Pena and Nanjiani) and Odenkirk's devil absolutely make this film. Their attitudes to working in hell combined with clever one-liners play very well to the right audience. There is a lot more to appreciate to this film than what is above surface. I call it the funniest, most original comedy I have seen in years! My favorite piece of the film is the atmosphere. Give it a half chance. I consider this smart people making a dumb comedy for smart people. I also have not seen such beautiful and painstakingly detailed claymation since Nightmare Before Christmas. I wish I could compare it to another film, but I really can't. 10× better and more original than Sausage Party. Sorry for any typos, typed this on my phone. Bottom line: some very talented, very funny and very dedicated people made this film and clearly enjoyed making it, you should watch it and if you don't appreciate the story, appreciate the zany world, voice acting, quotable lines (welcome to hell) and incredibly detailed claymation atmosphere. Phew.

I did love the fact that the movie was a stop motion animated film, and it does have a few laugh out loud jokes, plus it is a nice Hard rated R as well, filled with mostly really dirty jokes.

But overall, the movie is pretty weak. That may explain why I did not hear about it until I just happen to past the movie theater and saw the poster. Especially, considering what an all star cast of voice overs that are featured in the film, like Susan Sarandon and Bob Odenkirk.

The animation is actually pretty dull and unattractive and only a few jokes really stood out while the rest were stale.

I think I was expecting something like Heavy Metal, and was surely disappointed with what it really was, a lame stoner flick, which would not be so bad if maybe Cheech and Chong were the guys battling their way out of hell.

HELL AND BACK review by: Mike Smith "Fat Mike"

Three friends embark on a wayward journey into the deepest, darkest depths of hell to rescue one of their own. While navigating their escape, they provoke a slew of misfit demons, a super sexy angel, an infamous Greek legend and the Devil himself.

After seeing this trailer I couldn't wait to see this independent film! The cast is full of talent and some of my favorite comedians and voice actors. Nick Swardson, Mila Kunis, T.J. Miller, Rob Riggle, Susan Sarandon, Danny McBride and Bob Odenkirk voice the main cast. I was more impressed with the costar talent made up of Brian Posehn, Maria Bamford, Kyle Kinane, Kumail Nanjiani, Greg Proops, Paul Scheer, J.B. Smoove, Dana Snyder, Paul F. Tompkins and the legendary H. Jon Benjamin as "The Tree". Unfortunately, as talented as the cast is, I felt little to no connection to the main characters.

That being said, the story is good, ridiculous and funny; the jokes are crude and at times, laugh out loud funny. The best part of this film is the animation, stop motion animation is far and few between these days and I always strongly enjoy seeing the art form.

Hell And Back is a fun ride with good adult laughs and a great cast. The only downfall I had was the lack of connection with the main characters and that this film is forgettable. But I would recommend checking it out. Cheers and remember life won't suck as long as there is a good movie to watch.

6.5 out of 10

edited by Samantha Locke

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What does that mean? Well, I jump from enjoying it to not enjoying and back again.

The animation is exquisite, the acting is exquisite, the characters are distinct and fun, the story is really clever and the music is awesome...

But the one-liners! Oh my God, the characters cannot go anywhere do anything or barely move the story along without saying something obnoxious. For every funny joke in the film there's like 20 obnoxious ones! I would have loved this in middle school when we were hitting puberty and learning how to be radical, so maybe this movie is for them.

That being said i've watched this movie a lot. There was so much atmosphere and passion in the thing that it was my go to during an emotionally trying time. It just seemed to have that very strong distracting quality you look for in good entertainment.

But it's still a 6 because there is A LOT of stupid, pointless, strangle the bobble head one-liners! It's going to kill it for most people.