God Help the Girl

although I'm sure I could have never been so obnoxious.

three young adults drone on about music and the meaning of life. despite the global recession, glasgow is a pretty peachy place to live; there's a distinct lack of food insecurity, job scarcity, impossible rent and heating bills. that guy who chats you up at the gig isn't a total skeeze. maybe this is is all on purpose; maybe it's supposed to be a fantasy.

I've been following b&s for quite a while, despite the twee label. reading thru old interviews many of the events of the fiim are in fact quite autobiographical; there's a depth to the music which has been earned. I got the distinct impression that ms browning did not have quite that same depth, furthermore she seemed to struggle to relate to her character. this is fine is mr murdoch's intention was to create a light romantic-comedy-musical, but if so, why include the darker elements? it's possible that I'm entirely too close to the subject matter. a painful watch, and, what's worse, poorly acted.

**edit** let's face it; this really wanted to be a film about ME but murdoch was either frightened of being so honest or didn't think it would sell tickets. as someone who had ME, I know what he is trying to say but won't say. it doesn't work! I can totally understand the compartmentalization at stake here: the need to exist in a state of semi-bourgeois lightheartedness; to lie; but the script betrays itself.

maybe some day someone can write a feature film on what it's like to have your life totally stripped away from you before age 20; to exist in a twilight zone of the barely living; to have to pretend that it's not happening to you and you are "only" anorexic and depressed. this wasn't it!

God Help the Girl is a very unusual film because it is like combining an old fashioned musical with a modern angst-ridden coming of age movie. The overall results are extremely enjoyable and I was surprised that this hip film still appealed to a tragically un-hip old fogy like me!

Emily Browning plays Eve, an exceptionally depressed anorexic young woman who has been getting in-patient treatment for her illness. However, she disappears one day and soon meets a very nerdy looking guy, James. They are later joined by James' friend, Cassie, and the trio decide to form a band. Now this isn't the normal sort of indie/hipster band and the trio find that they actually have a really great sound (I was very impressed by the singing). What's next? See the film.

Throughout the movie, Eve breaks into song and the film has little surreal breaks during which the lyrics tell about her life and inner struggles. While Gene Kelly or Dick Powell might have done this during the golden days of Hollywood back of yesteryear, this is not something you'll see in films today. This gives the movie uniqueness. This, combined with the real likability of the quirky characters, gives the movie a charm that make it impossible to dislike. Try it yourself...I think you'll probably feel the same. And, you might just find yourself singing along with Eve or breaking into song yourself after the movie has ended.

There was a lot to like about God Help the Girl but despite a few good individual scenes, but it didn't flow together as a story that well. Maybe writer/director Stuart Murdoch needed more creative feedback and better editors than he got. Certain scenes and characters just show up out of nowhere with little connection to the rest of the story, like the WTF scene of Eve going on a bender with some girl we never see before or since. The main character of Eve was weakly written. Her past and her motivations were vague. The movie would have been far better with James and Cassie as main characters and Eve as a side character.

You could see God Help The Girl as a culmination of Belle & Sebastian's (a band named after a fictional band that Murdoch's songwriting centered on) characters and themes spanning their nearly 20 years as a band. James, Cassie and Eve seem derived from the archetypal characters from B&S's songs. The movie though develops them in a shallow and haphazard way that doesn't really do justice to the insights and characters brilliantly explored in the individual songs. I think Murdoch could make a good movie, but God Help The Girl was just so-so. The music was excellent at least.

Having read the reviews, I wasn't really sure what to expect when I began seeing GHTG. I should say that I have been a B&S fan since 1997 or 1998 when I discovered "If you're feeling sinister" and I have all their releases up until 1998 as well as the debut album of Gentle Waves. Their music has really influenced me as a person and I really was curious of what a film based on their songs would look like.

I felt happy watching GHTG but it was also really emotional. Being in my mid-30s it reminded me of my dreams as a teenager and I began asking myself if there's still time to accomplish them. I strongly identified with the character of James and his search for the perfect moment, which makes it impossible to enjoy life. I recognized Eve in the many talented, self-destructive, impulsive people I have met in my life and all the opportunities I had to make my life a little more interesting.

GHTG is full of color. The characters dress up in all kinds of costumes, and yes it is unrealistic but I think what many fail to realize is that our fondest memories are usually very different than what we really experienced. Everything is more colorful and stylish in our memories, like a Belle and Sebastian album cover.

I had read that there is no plot to the movie, but I don't agree at all. I think both Eve and James are wonderfully developed characters and Cassie is also an interesting character whose presence makes the story better. And the music is also wonderful. I was very pleased with Emily Browning's singing performance. She not only has a great voice but she also seemed to be really invested in the songs which made her character more believable.

I loved the film's bittersweet ending as well as the many funny and awkward moments (James fighting his drummer, James and Eve showing up at Cassie's house or the drunk Scottish boys whose accent Cassie couldn't understand). This may not be a film for everyone, but I think the world would be a better place if more people listened to Belle & Sebastian and all I can do is thank Stuart Murdoch, the actors and everyone else involved in making this film.

I remember back in 2008 when I stumbled across the God Help the Girl album. A huge B&S fan, it was recommended by the I Tunes bot, and while i usually pass on those, I couln't help but be intrigued by a musical with music by Stuart Murdoch.

Loved the album, couldn't wait for the movie, though at the time, details were sketchy at best. As years past, the album remained a mainstay on my pod rotation, but I'd essentially forgotten that it was intended as a soundtrack to something.

Then a few months back, I came across the God Help the Girl, the actual soundtrack, and found that it was finally coming out. I knew it was a small Indie movie, and it would be a while before I got to see it, and I expected that. Then last night, the Gods of awesome smiled upon me when my wife told me that it was On Demand in the In Theatres section. And all was well.

Anyway, to the movie. Again, it is what I expected. To some up the story, such as it is, you only need two words; hipsters and music. It is all shot in very retro fashion, and nails that part. Like the Beatles movies of the 1960s, the story is essentially a vehicle to travel from song to song, most of which are essentially music videos, and shot as such. And again, knowing what to expect, that's wonderful. What's even better is that the actors are well aware of this. Emily Browning may mot be Jennifer Lawrence in terms of name recognition, but she's a bigger name than I would have expected here, and effortlessly believable.

The only blemish is that some of the songs feel shoehorned in. Act of the Apostle (which is actually Act of the Apostle II in the B&S catalogue,) feels random and out of place as an opening number. Again, such is the nature of this type of film, but this one feels like they just wanted to eek i in, so used it as an opening number. Also, the title song, as well as my favorite, Perfection as a Hipster are not done justice, especially the later, which plays softly in the background via the radio, though be it in an appropriate scene.

All and all, like the afore mentioned Beatles films, this ones about the music. While the acting's wonderful, the story isn't going to reel you in. My recommendation is to listen to the music first, be it the 2008 studio album or the movie soundtrack. Or both. If you like the music, watch the movie. If not, you'll probably be, dare I say...bored out of your mind.