Raaz 3: The Third Dimension

With Raaz 3, the Bhatt camp continues to explore the viewer's fascination with the afterlife and the occult, liberally borrowing plot elements from a host of Hollywood movies that have acquired a cult following. These would at least include "The Exorcist" (priest exorcism), "House of Wax" (abandoned studio), "Resident Evil" (close-ups of freaky monster), "Nightmare on Elm Street" (the girl can't sleep), "Drive-thru" and "We all scream for ice-cream" (for the scary clown).

Apparently, the Bhatt camp took the misquoted sentence "Copying from one source is plagiarism, copying from multiple sources is Research" in a plain wrong way. In the words of Emraan Hashmi from this very movie, do they think the audience is dumb enough not to care about this kind of "chutia-paa"? Come on, Mr. Bhatt, give us something original, just sprinkling some Indian flavour where Ganeshji loans a trident to the hero so he can fight Evil in the end doesn't quite absolve you of plagiarism.

The worst part is the didactic manner in which the Bhatts explain stuff about the afterlife; almost, as if Class 6 students are being introduced to a History subject. "This is called Black Magic", "This potion of water is laced with black magic", "Now you go to the world of souls where you fight the baddies", "If God doesn't answer your prayer, come to the Devil. He might help you." Every time one of these dialogues flashed on screen, I couldn't help but yawn.

The only redeeming feature about this movie is Bipasha Basu. I think she showed some strong conviction in her acting - Esha and Emraan looked jaded and Esha's histrionics were a bit over-the-top. Manish Chaudhary, I generally consider him a good actor but this time, he somewhat failed to convince in the role of Satan.

This is movie is a dumb effort to continue the RAAZ legacy.

one of the most stupid movies of all times.

The story is okay. Direction is cheap. Cast has acted dumb - all three of them. The extras are funny!

The music is bad and so is the background music.

If you watch the movie you will understand what I am talking about. I will not recommend this movie at all.

I also want Vikram Bhatt to stop making horror movies for the sake of making one.

If u really want to watch RAAZ, watch RAAZ 1.

Vishesh Films have recently found a new formula of success apart from their earlier fixed patterns of film-making, which is en-cashing the brand name of their previous hits through their so called sequels. The audiences easily relate to the 'Title' with their fond memories of the original and then opt for its sequel, expecting a similar kind of output from the same. And the Bhatts have easily managed to make some money from their last such ventures, even though they were all pretty weak films as per their subject and execution. But here in RAAZ 3 they surprisingly come up with at least something to watch, despite of having its usual flaws and drawbacks.

Beginning with its weaker points, the film strictly follows the decades old rule of Hindi Cinema wherein Horror Films must have some unwanted sex and songs too to provide the required relief to the viewers. So, RAAZ 3 also has many similar sequences wherein the camera starts from the legs itself, the heroine seduces the hero to commit a serious crime and the couple suddenly decides to lock their lips just after a terrifying moment, making you laugh instead of getting frightened. But what pinches you even more than these forced sex scenes are the songs which hinder the pace of the film hugely and don't really have some listening value too, which is usually not a feature of Vishesh Films. Background score also remains screechy and loud which fails to create any kind of terror needed before all those horrifying moments on the screen. In fact, while watching it I fondly remembered the subtle and intelligent use of minimum background score by the South Asian film- makers in their brilliant Horror films such as RINGU,SHUTTER, JU-ON and many more.

In short if you edit out that one funny kissing scene and all the songs from the film, replacing its routine background score with an experimental one, then RAAZ 3 does become a watchable movie (better than many recent trashy projects) having few positive points as mentioned below.

As its very first plus point, though not anything fresh but thankfully it does have a believable storyline written around the subject of love, jealousy and competition involved in the film business itself. One may call it completely imaginary and superstitious but there have been real life unconfirmed stories of allegations made by actors on each other of using Black Magic in the past. And that only becomes the basic premise of the storyline in RAAZ 3 which was also earlier used in HO SAKTA HAI (2004) and PHOONK (2008).

Secondly, the film cannot be called only a Horror movie as it does have some human relationship angles incorporated in its script which actually help in converting it into a one- time watch. So its not the same old, ugly looking Ghost following the whole cast and killing them one by one to take his revenge. R3 has got the elements of sibling jealousy, love and hatred along with an undercurrent of GUILT running throughout the film, felt by its lead hero Emraan Hashmi. Though I wished that this guilt factor could have been used more brightly in its second half but still the director doesn't waste it completely.

Thirdly RAAZ 3 also has few appreciable scenes like the one where Bipasha meets the Black Magic man for the first time, the climax confronting the Ghost and the Cockroach attack sequence post intermission which can easily be rated as one of the boldest suggestive scenes filmed on a lead actress in the recent times.

Regarding the performances, honestly there is nothing exceptional but still Bipashaemotes well caught in the rage of jealousy against her rival actress. However I really didn't find her enjoying her dances at all. Esha does much better than her previous films in the role of the victimized lady and Emraan Hashmi surprisingly plays it real cool in a controlled manner which works at times. Manish Chaudhari as the Evil Spirit doesn't get much scope but he still excels in his few scenes. The film's cinematography together with a fine art direction (Indoor Sets) manages to take you in and out of world of spirits successfully. Hence they all work together to a certain extent, majorly because the director remains focused on his story- telling too along with the Horror genre of his film.

Moreover, unlike Vikram's last venture (DANGEROUS ISHQ), he doesn't rely excessively on either the 3D factor or the Special Effects used, which eventually brings in a certain kind of balance in the film resulting in a better product. That is if you watch it in 3D then you are sure going to get many things coming on to you as expected. But if you prefer watching it in 2D then also the film remains the same as it is not hugely dependent upon the technology to generate any bigger impact.

In all, RAAZ 3 may not be anything great or path-breaking but it still has its moments which might work more in the smaller centers where the sex-horror genre has certainly got a mass appeal.

Plot of the movie is quite familiar and very much predictable(as per shown in promos)...

Plot :A superstar (Bipasha)is at the verge of her downfall, she wants to seek revenge on the New rising star (Esha). She chooses the path of evil(Black magic). A director(Emraan) who is under her debt and is in "Love" with her helps in doing this.

Note: Trust me, what follows next is very much predictable and like every other movie of this kind. So we see the movie only to know how it is Executed!!!

I Liked : Few shots(2/3) in first half which were quite scary, like suddenly some weird face appears on screen. Bips-Imran scene where she convince him to help her(Far better than Jism2).Bipasha Basu's acting was quite convincing and enjoyable(Compared to other actors), but cannot be even compared with RAAZ.

I "Laughed" and "Cried" at Times Because of : Plot holes. There were many places where whatever was going on Looked childish and ridiculous. The Other world "Aatmaon ki dunia" is not at all convincing, we don't get to know what this world exactly is...When Bips decides to kill Esha we get to hear a dialog as dump as,"Satana/Tadpana to SHAITAN ke hathon me hai par maut BHAGWAN ke hathon me" (Then how come that Atma was able to kill Maid and Priest). Bipasha has to "****" that Atma to provide him strength to kill Esha!!! It was really very Ridiculous and towards end Bipasha is shown breaking the door with a single kick, and kills the doctor(She would have killed Esha instead anyways she became a murderer!!! LOL )... Even the dialogs are damn dumb(You can really enjoy passing comments on them if watch this one with group). At places Emraan's character don't react at all... At one place we see, a person next to Esha is cut into Head and body... She screams and a ZERO expression Emran says "Calm down!!! lets go from here." as if its regular for him to see all this.

There are many more places where we think 'What the crap is going on!!!'.Some dialogs are really weired and ridiculous. End is not very convincing. Overall unlike RAAZ this movie has nothing to live up to the name "RAAZ3" and "Bhatt camp" movie.

"Raaz 3" cleverly utilises the success of the franchise and ropes in from the original the director Vikram Bhatt and actress Bipasha Basu (thank God, Dino Morea was permitted to stay away!).

Writer Shagufta Ali fences the plot quite well - a waning actress who can go any lengths to retain the crowning glory and succumbs to making use of black magic as a weapon of destruction.

Bipasha gives her best shot however appears she was over-doing it and if I may dare say flaunting her body she has toned over the unemployment years. Emraan Hashmi's character is not well etched out. Eesha Gupta manages a decent performance considering she is a newbie in comparison. And yes, Bipasha & Shagufta as half-sisters - bad writing.

Songs are OK carrying the signature Mahesh Bhatt feel. Director Vikram Bhatt who has developed core competence in the genre of horror does a decent job. On that note, the writer could have polished the edges to give that sheen it warranted.