Ame & Yuki - Die Wolfskinder

Even though this is a fantasy movie, it is notable for how real it feels. The fantasy elements inform the plot, but it is the very real human emotions and connections that fuel the movie. This feels more like a thinly veiled version of real life than something fanciful.

The movie is constantly moving, but in a quiet way. It touches your heart, not with big moments, but with small ones. It is a movie about love of all kinds, and while it is admittedly an idealized version of love, a story of the sort of unselfish, uncomplicated love that only exists consistently in movies, it is truly lovely.

It is also often quite funny, well paced, and thoroughly entertaining.

Having seen Mamoru Hosada's previous films Summer Wars and The Girl Who Leapt Through Time, I see him as the successor to Hadeo Miyazaki, who (alas) cannot live forever. Hosada is a very different filmmaker, but he has the same ability to make fantasy real and human, and to make me happy.

Watch this movie.

Wolf Children, or Ōkami Kodomo no Ame to Yuki (Wolf Children: Ame and Yuki) as its called in Japan, is hands down one of the best movies I have ever seen. Not even counting its ranking among the anime category, Wolf Children takes place in my own personal hall of fame movies. In this movie, director Mamoru Hosoda completely blows away all expectations with a film that will really touch you. Wolf Children is a story of trials, perseverance, and the love of a family. For parents, you have nothing to worry about, the full extent of violence being very little. However, it is best to watch with your children, as there are a few amazingly sad moments. Wolf Children can be seen alone, or in a group with equally satisfying results. If there is one negative point I could make on this movie, it would be the first 5-10 minutes being slow, but after the first 5 minutes or so, you become completely entranced and will wish it were longer. If you come to love this movie as I do, watch "Summer Wars" by the same director, another movie both adults and children can love.

This movie was incredibly well done. In my opinion, aside from the supernatural aspects of the characters themselves, this is a very real and down to earth story about a mother trying to raise two children who are different and the struggles she has to go through alone. I find the characters in this movie to be incredibly realistic and relatable. The music is great and it does not overtake any scene, but rather it adds to the mood of the scene it is required to enhance. As someone who, along with my sister was brought up practically alone by my mother, I feel that this movie also reminded me of her day to day struggle as well in terms of raising two energetic children without any outside help whatsoever. The animation is very crisp and beautiful as well. If you haven't seen this movie yet, go see it, and if you have any reservations (just as I did) you should go see it anyway. This movie was one of a kind.

Probably the best anime I have seen recently. From the director of 'The Girl Who Leapt Through Time' gives us this wonderful fantasy-drama. This movie is kinda resembling Miyazaki's 'My Neighbour Totoro', only the place it takes place and a bit with the characters. Other than that it is an awesome movie with a totally fresh concept as per my knowledge.

All the three main characters, a mother and her two kids were lovable. Aoi Miyazaki never stops impressing me where she appears here as a mother. Her roles from various movies are always coming with a surprise who peaking high and higher, she really rocks. The two kids' characters as well very adorable. Like the two sisters in 'My Neighbour Totoro' these two made the movie look great. Actually it was a tale about a mother who raises two wolf children. As a single parent, her hard work and dedication to the kids to grow up having a normal and happy childhood she must sacrifice her life.

When her husband dies, Hana must take care of the kids where she lacks the knowledge of their kind to give support. She finds difficulties in city to raise them so she decides to move to a rural where she can cut the communications with the other humans. Growing her own vegetables in the backyard, facing the different seasons and going through all the ups and down in life she almost achieves her ambition.

It did not look like an anime movie, it looked almost a real one with many cool and colourful frames. The story commenced with a nice love story with a little heartbreak. Then the most enjoyable parts begin with lots of laughs until the approach of the end where it brings lots of emotions before concluding with a powerful howl. It had very nice background score in all the crucial portion of the tale. In other word to say, the movie was just like what I expected and more than that. I felt the movie was short and was not ready to accept the end. You know, it is better being short and sweet than with unnecessary drag in a tale. This is a movie that everyone will love, especially kids and families. Like I said if you are a die hard 'My Neighbour Totoro' movie fan then you must not miss it. So highly recommended by me.

If you'd ever need to know why 2D animation is still relevant, or why the slew of 3D animated films can't seem to dent and push the former out of fashion, then perhaps Wolf Children encapsulates all the reasons why this is so. There's a lack of charm with the very clinical approach to animated films, especially with loads of images created digitally, and now for the 3D format, and this charm is always ever present in the traditional art form for the big screen. And don't forget that story remains king.

Director Mamoru Hosoda continues on his roll with a brand of animated films that are extremely well received, because not only are they drawn to perfection in anime style, but also his films touches the emotional core on humanity, and this will inevitably move you with his style and delivery of such strong stories, whether written by someone else, as a film adaptation of novels such as The Girl Who Leapt Through Time, or like in Summer Wars and Wolf Children, stem from his own imagination. And what a fantastic reservoir of imagination he's tapping from as well, either telling stories with relevance to a digital age, or as in this case, a fairy tale like allure that is deceptively simple, yet concealing a very strong ode to motherhood.

Yes that's right. For the most parts throughout this film, I thought it also resembled Yoji Yamada's Kabei: Our Mother, in the sense that this film takes on story proportions centered around a mother's unconditional love for her children, and the continuous strive to make ends meet and bring up her children to the best of her ability, inculcating a value system into her young ones. And the episodes the mothers encounter strengthen their resolve and determination, just goes to show the lengths they will go to in ensuring proper upbringing filled with love, care and concern. This simple narrative will undoubtedly move, only if it's done right, which Wolf Children did, complete with a fantastical element which provides a refreshing examination looking in, with a little bit of grotesque morbidity if one cannot look away from.

I dislike to use this analogy, but perhaps it may strike an immediate chord with the current generation. Twilight has progressed and shown the decision Bella made to be with Edward, and in some ways, Wolf Children is like a what if to that scenario had she decided to be with Jacob. Hana (voiced by Aoi Miyazaki) meets up with a tall, handsome stranger in class (Takao Osawa), and before you can say Twilight, they fall in love, and it is revealed that her lover is a Wolfman. Undeterred, they begin a family, and soon Hana gives birth to the titular daughter Yuki and son Ame, before tragedy strikes and the family becomes a dysfunctional one without a father figure.

Fearing that her children may be discovered to be wolf-human hybrids, with a number of scenes showing the challenges she faces such as their tantrums and uncontrollable changes, or the dilemma faced when they fall sick, she decides to uproot and move into the countryside, where life is simpler, neighbours are far away from one another, and there is room to, well, let her young ones roam in the vast grasslands and mountain sides. A new life beckons, and the film begins its homage to all moms having to struggle to bring up their children in unfamiliar surroundings, with little assistance, and plenty of inexperience.

As a storyteller, Mamoru Hosoda excelled in character development, as we journey together with Hana in her upbringing, with the children endearing themselves to you in double quick time. They are adorably designed, drawn and brought to life, whether in their human form, or in animal form. We identify with everyone easily because of the inherent humanity Hosoda gives them, whether or not we are already a mom, or reflect that onto the challenges faced by our own mom's upbringing of ourselves. And both Yuki and Ame, besides their gender, have very contrasting qualities, from young to their teens, a tale told to just about the time where teenage rebellion and the need to forge their own independence take centerstage.

There are plenty of episodes in Wolf Children that covers a spectrum of emotions, from comedy to those that will set heaviness in your heart. The innocence of the children will not get lost on you, and in fact will rub off you, while the pains of growing up will also touch a raw nerve, as Hosoda clearly knows which moments in one's teenage life to translate his story for the screen, bringing relevance the forgetting that the children were in fact more than meets the eye. And the animation is clearly Hosoda's vision in having details balanced with the occasional need for scarcity, which nailed it especially when the narrative calls for some distance either physically, or emotionally, and it's a stylistic choice that's already seen in a number of his films.

Mamoru Hosoda set up his Studio Chizu with this production, and I'm really looking forward to more stories in the coming years. Meanwhile, Wolf Children is a must watch, and a clear favourite for the year. A little pity that it's not opening on more screens, but make your way to the Filmgarde cineplexes as this remains an exclusive to the chain. Meanwhile, I'm going to look back at Hosoda's filmography on DVD/Blu!