56 Up

The gang is back under the directions of Michael Apted. They are now closing in on old age. Everybody is looking back rather than looking forward. Sure they look forward for their kids, but not anymore for themselves. Peter has finally return to the series, but it's only a taste. He's only giving the highlights but mostly he wants to promote his band. He still isn't completely open especially about his first marriage. That is still better than Charles who is still absent.

The question is starting to creep in on what will happen to this series if one of them pass or maybe if Michael Apted pass. This raises the question of what the future episode will look like. It will probably feel like talking to my parents and the older generations about their aches and pains. Everybody will be comparing their medical health. The part I want to see now is Michael Apted on camera. He's getting up there in age and it would be nice to see the group talk to him as an equal before it's too late.

The "Up" documentary series comprises what is surely the most impressive longitudinal study ever committed to film. It is an obvious labor of love for director Michael Apted, who has remained faithful to the project - and to its participants - for close to fifty years now.

It all began in 1964, when producers at Britain's Granada Television gathered together a group of seven-year-olds from all walks of life and interviewed them for a TV documentary entitled "7Up," focused on the hopes and aspirations of these youngsters as they embarked on a long but uncertain journey into the future. Every seven years since, like clockwork, Apted has gone back to these individuals to take a peek into their lives, examining the paths they've taken and juxtaposing those youthful aspirations expressed in the original film with the realities of their lives as they've played themselves out. (The stunning contrast between the grainy black-and-white imagery of the first film and the hi- def clarity of the current interviews underlines the extraordinary length of time the series has already covered).

In "56Up," the eighth installment in the series, its subjects are leaving the confidence and security and general good health of middle age and just beginning to confront the realities of impending old age and contemplating an array of end-of-life issues (if not for themselves yet, at least for their parents). And it is for this reason that "56Up" is one of the most poignant and insightful entries in the series (and one imagines it will only get more poignant and insightful with each successive edition). All the major issues of marriage/divorce, career and parenthood seem to have long ago been settled for most of them, as they now concentrate on their roles as grandparents and life guides for their own adult children as they embark on their own lives and families. There's less naïve hope expressed in this film and more of an acceptance of how life has turned out for the participants, though there is a marked lack of cynicism and pessimism in the way they speak about their lives. Of course, they're still young enough at this point to be physically active and fully engaged in their careers and their communities, but there's no denying that the prospect of that fast- approaching downward slope of life is weighing, at least to some degree, on these people's minds. Yet, even those who haven't yet achieved their "ideal" lives still haven't given up hope that they will one day find what it is they're looking for. For obvious reasons, it is this installment that most comprehensively captures the range of a lifetime, at least until "63Up," "70Up," etc., arrive on the scene in the lead-up to the foreordained conclusion of the series.

It's clear from watching this jumble of clips from eight distinct periods of time that each stage of life contains a set of joys and concerns unique unto itself, a universal truth that this series, by its very nature, seems singularly equipped to illustrate. It's a bit like thumbing through - an admittedly disorganized - family photo album, but with insightful commentary from the individuals involved inserted along the way.

One, perhaps unforeseen, thread that runs through this film involves the self-reflection on the part of some of the participants about their appearance in the series - the sometimes unwelcome notoriety it has brought to them and their lives, with at least one of them pulling out of the project for a time only to reconnect with it at this stage, after having come to terms with himself and grown confident in his own skin. A few even question the very value of the series itself, feeling that these brief glimpses into their lives every seven years fail to create anything close to a true portrait of their lives and of themselves as people - a concern that Apted deserves much credit for including in his final product. After all, these people, at seven years of age, did not exactly ask to become a part of this much-viewed series, and why SHOULD they want to be defined and represented by it? On the other hand, as one of the participants points out, the series really isn't about these particular individuals as much as it is about how, collectively, they serve as a sort of mirror in which the rest of us can see our own lives reflected.

Yet, something indefinable and intangible keeps many of them coming back every seven years to open up and share at least a small part of their lives with us. And for that the world shall be eternally grateful. Now onto the next installment.

Personally, I would strongly suggest watching the films in order. While "56 Up" does provide some recaps, the cumulative effect of the series is built by watching each age in depth.

The 'Up Series' represents one of the most fascinating and unusual uses of film in cinema history - a documentary life-long chronicle of the lives of 14 people starting at 7 years old, revisiting them every seven years through age 56 (so far). While I could quibble, wishing for a bit more depth here and there (especially with the women, where there's a bit too much emphasis on love and marriage at the expense of all else), and by nature the later episodes sometimes have to speed through more than would be ideal,since they have to both catch the audience back up as well as moving the stories forward, no matter. It's really an astounding, moving, frightening and uplifting document. There's no way to watch this remarkable series of films without reflecting deeply on one's own life, and how you have changed (and stayed the same) over your own lifetime.

While Michael Aped deserves every bit of credit he's received for this amazing piece of cultural anthropology,it's important to note the first film, 7 Up, was actually directed by Paul Almond, and Apted was a that point a researcher for the project.

This new episode is as excellent as it's predecessors, revealing more surprising twists in turns as our group heads towards the end of mid-life, and stare into the realities of old age. Some old friends re-appear, some have continued in directions they had been going in, and some have changed course yet again.

One thing that's interesting, and more present in this episode than earlier ones are some of the subjects questioning the objectivity and 'reality' of the series. There are interesting cases made that what we, the audience, sees isn't the truth of who these people are, but only a created character. It also (by proxy) makes one reflect on how much being in these films has affected the lives of the participants. Just as in physics, it seems to be true here as well, that the very act of being observed changes what is being observed.

All fascinating and thought-provoking stuff.

Peter is back! (He hasn't appeared since 28 Up) I know he's here in some large part to promote his band, but I'd rather have something like that where it's more creative and artistic than when John appeared in 35 just to promote his wife's charity (gosh that felt like the closest this series got to a minor scandal haha). The other great surprise here is Suzanne and Nick together (not romantically but still!) That was really wonderful to see them come together for this, and such lively and candid conversation.

Perhaps it can't be helped by the time you get to the eighth of these films, but there is so much Archival footage by this point from the previous entries that it probably does weigh the new scenes by like 40/60. That is a fairly minor complaint though given the scope of how life's changes are now about the next generations and the younger subjects do a lot to emphasize what is the same/different about the men and women who are still taking part in this (and all but like one or two are still here).

I'm also struck by something Michael Apted said to Roger Ebert in an interview back in 2006 around the time of 49 Up, which is that politics, or just points of view when it comes to how life itself and relationships have political dimensions, come out in the choices that are made about what to do with a life, financially speaking and also with a life in work or retirement (or in Jackie's case on disability).

The financial crash of 2008 also still hangs over at least a couple of the participants, and there is a comment (though think about how much Apted chose to show or leave out) about how far to the right the country has gone in the years since the 60s and 70s and you can see how a framework that keeps people working, keeps people in a system (or who are still doing manual labor like Symon) and then those who can break free of those systems make this really engaging. Even Andrew talking about global warming, though what's great is that this doesn't come with Apted pushing some agenda or something. The reality of what everyone is dealing with speaks for itself (and there's a revelation about John that... how did we not know this till now?! Dead parent!)

What's so special about these films is how much Apted has direct and simple questions that have to do with what being 56 is like, and in the scope of the series up until this point and how the personal and larger macro sense of what this series has meant is in a deeper philosophical sense. 56 Up isn't quite my favorite entry in the Ups, but that's more of a personal quibble (I also kind of wish Apted had kept to the sort of structure of who he was presenting since he stuck to showing like Tony first and Neil last and now it's sort of reversed for seemingly no good reason), but it need not matter much when the interviews are still so revealing and frank and Apted keep it being this great thoughtful gift for the audience intact.

My reaction to Peter, in other words, seems like I am reacting to a return of a comic book character in a Marvel movie, but that's the level of intimate connection that the series has done so well.

56 Up - hard to believe. I've watched 3 or 4 of these over my 53 years, and each one becomes harder for me to watch as I get older. I was suddenly a little scared when the titles for this one started; I almost walked out of the theater. What has become of this group of kids that director Apted has been following since he was 22 years old? What new tragedies had befallen them? Whatever became of the homeless guy? Would any of them finally blow up at Apted on-camera?

Probably the most unnerving thing for me was that the film would just be unbearably poignant. It seems almost god-like to be able to see how a group of 14 people's lives have progressed over a 49-year period. (Yet, as one of the men complains, viewers can't possibly know these people, even though many in Britain presume to (since this was shown on TV there, many British people have watched all 8 films).

Fortunately, however, the film isn't overly sentimental or maudlin. Still, the film is very touching and can't help but make you think about your own life and trials, what advantages you may or may not have had compared to these people, and how you would have fared given their circumstances.

One of the sadder aspects of these films is to see how life seems to have "beaten down" so many of these people. Some of the kids with bright, shiny eyes who seemed to have so much energy and hope now seem to be dejected and defeated adults. Yet this isn't true for all of them - some of the reserved, quiet kids turned out to be reserved, quiet adults. And it's not all sad - there are some good laughs and some inspiring successes. And two subjects who had dropped out returned for this segment - one to promote his band!

There are plenty of clips from earlier segments, so you don't need to rent any of the earlier ones, but I'd recommend it. You get a more profound sense of the flow of their lives by seeing at least one other one. But whatever you do, see this one.