Füge eine Handlung in deiner Sprache hinzuIn the early 1600s, Countess Elizabeth Bathory slaughtered more than 600 young women, believing that if she bathed in the blood of virgins, she would stay young and beautiful forever. Still ... Alles lesenIn the early 1600s, Countess Elizabeth Bathory slaughtered more than 600 young women, believing that if she bathed in the blood of virgins, she would stay young and beautiful forever. Still alive today, she's found a perfect hunting ground for her 'botox' as an abstinence educato... Alles lesenIn the early 1600s, Countess Elizabeth Bathory slaughtered more than 600 young women, believing that if she bathed in the blood of virgins, she would stay young and beautiful forever. Still alive today, she's found a perfect hunting ground for her 'botox' as an abstinence educator in conservative America, and the young ladies of San Griento High are poised to be her n... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Paul
- (as Eduardo Rioseco)
- Jan
- (as Maria McCann)
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The film is less of a bloody romp than it is a snappy mystery laden with teenage drama, but it's aptly fun and engaging. The fast pace of the narrative flow can be waved off with consideration that it's clearly geared toward a young audience, a bent echoed in the soundtrack and dialogue. Despite that youthful glow, solid film-making should mark the movie enjoyable for most.
The cast, above all, is really great. Allison Scagliotti is sharp and endearing as protagonist Leah, a forward-thinking leftist student journalist who alone is deeply skeptical of the activities at her school. Young Scagliotti has proven herself time and again in roles comedic, action-oriented, and dynamic, and she portrays Leah's determination and wit with the practiced skill of a great talent. Prominent opposite her starring role is Louise Griffiths as antagonist Liz Batho, bearing a cold, dark, but entrancing poise befitting such a calculating (fictionalized) historical figure. Yet the supporting cast, in considerably smaller roles, are just as swell, including Francia Raisa as Leah's best friend Katharine, and Eddy Rioseco as love interest Paul. Even Diana Chiritescu, given few speaking lines as Batho's servant Ilona, is pretty outstanding, and Amy Okuda brings the same spark of derisive smarm to high school queen bee Ashley, here, as she gave Tinkerballa in Felicia Day's ground-breaking web series, 'The guild.'
Costume design, wardrobe, hair and makeup, filming locations, set design and decoration, and art direction are far greater than we would usually expect from a film of this tenor. Even for as little as fight choreography plays into the production, it's highly enjoyable; likewise for special effects. Somewhat stereotypical as the soundtrack is for a movies aimed at younger audiences, it's still a small treat for our ears.
While the direction isn't particularly remarkable, the writing is thoughtful and intelligent. From jabbing at rightwing nonsense to playfully intoning progressive ideals; from catty teen sniping to cheeky one-liners and friendly cajoling - the dialogue is keen and entertaining. The narrative, if uncomplicated, is written well - coherent, engrossing, and whole. There's not a great deal of depth to most of the characters, but the assembled cast inhabits their roles so capably, and believably, as to inject more personality than we're led to think they had on paper.
Truthfully, I had low expectations going in; I gather a sense that 'Chastity bites' hasn't been well-received in the grand scheme of things. But I should know better by now - I've seen enough movies dismissed by others, that I've greatly enjoyed, that counting out a feature before I see it for myself is a mistake. I think this is really well made, and simply fun.
I won't pretend it's perfect, because it's not. Admittedly the premise portends more visceral content than what we actually get. Any viewer who isn't receptive to more lighthearted, feel-good fare should probably look elsewhere. Yet the film, as it is, doesn't ever actually pretend to be anything it's not. If a little cheesy, 'Chastity bites' is a solidly crafted picture, and worth watching if you come across it.
While the movie certainly was watchable, I was left with a sense of 'was that really it?' once the movie came to an end. It felt somewhat forgettable, so I hadn't exactly been missing out on a particularly stellar horror comedy experience here. So writer Lotti Pharriss Knowles didn't really manage to win me over with the script delivered for director John V. Knowles to bring to the screen.
The acting performances in the movie were good. I wasn't familiar with a single actress or actor on the cast list, and that is actually something I enjoy. Why? Well, then there are no associations to previously portrayed characters in other movies. And it is always enjoyable to get to watch new and unfamiliar talents on the screen.
Visually, then "Chastity Bites" wasn't outstanding. Not that it was not good, but there just wasn't any real special effects in the movie of noteworthy mentioning.
Watchable, sure, but hardly a memorable horror comedy movie. And this is not a movie that will ever find its way back a second time to my screen.
My rating of "Chastity Bites" lands on a flat five out of ten stars.
This is actually quite a profound and problematic entry that seems to have a lot going for it both ways. One of the biggest issues against it is the fact that there's just no end to the rather lame comedy that runs through this, since it tends to think that the humor derives from the social about-face many of the women portray themselves to be, being in a club intended to push virginity and chasteness among the local kids but being the biggest sluts on campus when no one's looking, and that humor tends to get old very quickly since it's not a funny joke to begin with. That it thinks otherwise means that the large majority of time here is spent doing this without offering a lot of humor on other topics while the film's other topic of concern, how her rampant bloodlust is mistaken for the eccentricities of European society is nowhere near original or clever and makes them out to be even more clueless than they really need to be. It all makes for rather enjoyable teen-comedy tropes that work well with the influx of the burgeoning horror found in the true identity angle that slowly works its way into the later half, but that doesn't mean the rest of the time is all that enjoyable. It's only when it starts being a little more serious with the house raid to uncover the secret ceremony does it all work out in the end with a strong assault that includes numerous encounters with her protectors and the final battle itself, which does make for a rather enjoyable enough time even if there's a lot of problems with it.
Rated R: Graphic Violence, Graphic Language and continuous sexual topics.
But if you have a heart for horror comedies that have a low budget ... and poke fun at cliches too. While using some of them of course ... still you could do worse and the acting is ok overall ... again, predictable but fun.
Wusstest du schon
- WissenswertesThe use of the color red was very controlled during production, appearing only when Liz is present (such as the high school auditorium and her home) or during the murders.
- PatzerIn the 83rd minute Liz lunges at Leah with a knife. In the closeup next shot, the knife is no longer lunged but dragged across Leah's sternum. cutting her.
- Zitate
Liz Batho: And now, it is time to complete these black rites as the midnight hour draws near. I make this unholy sacrifice of Alban Elved to the prince of darkness. Dark lord, restore my youth and beauty, and I will continue to serve only you... forever!
Leah: Not so fast, you eurotrash hell whore.
Katharine: Leah!
Liz Batho: Leah. You little brat. I knew you'd make an appearance here tonight, just as your ancestor did on this night, so many moons ago.
Leah: What does that mean?
Liz Batho: I knew I recognized your bloodline the moment I saw you, cousin.
Katharine: Cousin?
Liz Batho: Yes. Your friend, Leah, is a direct descendant of Emperor Matthias II, who condemned me to death by walling me inside my bedchamber. But my power was strong, and a fortnight after they buried me in the cold earth, my devoted coven brought me back. They hid me for many years until I could reclaim the castle and continue this unholy ritual that has given me... eternal life. And now, I shall take especially sweet revenge by bathing in the blood of my enemy's great-great-granddaughter.
Katharine: Leah!
Leah: Go for it, bitch. You know, I thought you might try that tonight, so I made it a point to lose my precious virginity before stopping by.
Katharine: You did? Was it with Paul?
Leah: You bet it was.
Katharine: Oh, wow. Good for you.
Liz Batho: Silence! No matter. I have other ways of torturing you.
- VerbindungenReferenced in The 50 Best Horror Movies You've Never Seen (2014)
- SoundtracksMoonlight
Written by Moses Harris / (BMI)
Performed by Kid Static w/ Aaron Azure
Courtesy of Cobra Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Укусы целомудрия
- Drehorte
- Los Angeles, Kalifornien, USA(filmed in)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1