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Paradise

  • 2023
  • 16
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
6,3/10
24.331
IHRE BEWERTUNG
Corinna Kirchhoff, Kostja Ullmann, and Marlene Tanczik in Paradise (2023)
After his wife is forced to give up 40 years of her life as payment for an insurance debt, a man desperately searches for a way to get them back.
trailer wiedergeben2:01
1 Video
22 Fotos
Cyber-ThrillerDystopische Science-FictionAktionScience-FictionThriller

Als seine Frau wegen hoher Schulden 40 Jahre ihres Lebens an ein Zeitspendenprogramm abtreten muss, lernt ein Mitarbeiter die dunkle Seite der Biotech-Firma kennen.Als seine Frau wegen hoher Schulden 40 Jahre ihres Lebens an ein Zeitspendenprogramm abtreten muss, lernt ein Mitarbeiter die dunkle Seite der Biotech-Firma kennen.Als seine Frau wegen hoher Schulden 40 Jahre ihres Lebens an ein Zeitspendenprogramm abtreten muss, lernt ein Mitarbeiter die dunkle Seite der Biotech-Firma kennen.

  • Regie
    • Boris Kunz
  • Drehbuch
    • Simon Amberger
    • Peter Kocyla
    • Boris Kunz
  • Hauptbesetzung
    • Kostja Ullmann
    • Corinna Kirchhoff
    • Marlene Tanczik
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    24.331
    IHRE BEWERTUNG
    • Regie
      • Boris Kunz
    • Drehbuch
      • Simon Amberger
      • Peter Kocyla
      • Boris Kunz
    • Hauptbesetzung
      • Kostja Ullmann
      • Corinna Kirchhoff
      • Marlene Tanczik
    • 118Benutzerrezensionen
    • 42Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Fotos21

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    Topbesetzung55

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    Kostja Ullmann
    Kostja Ullmann
    • Max
    Corinna Kirchhoff
    Corinna Kirchhoff
    • Elena (alt)
    Marlene Tanczik
    Marlene Tanczik
    • Elena (jung)
    Iris Berben
    Iris Berben
    • Sophie Theissen
    Lisa-Marie Koroll
    Lisa-Marie Koroll
    • Marie Theissen
    Lorna Ishema
    • Kaya
    Numan Acar
    Numan Acar
    • Viktor
    Alina Levshin
    Alina Levshin
    • Sophie Theissen (jung)
    Tom Böttcher
    • Nils
    Gizem Emre
    Gizem Emre
    • Eva (Clinic)
    Lisa Loven Kongsli
    Lisa Loven Kongsli
    • Lilith
    Cornelia Heyse
    • Marion (Elenas Mum)
    Andreas Windhuis
    • Vater von Elena
    Haley Louise Jones
    Haley Louise Jones
    • Luna Ackermann
    Alida Bohnen
    • Erika (AEON)
    Ulrich Wickert
    • Ulrich Wickert
    Matthias Ziesing
    Matthias Ziesing
    • Mr. Steiner
    Egle Lekstutyte
    • Mrs. Steiner
    • (as Eglė Leksuthytė)
    • Regie
      • Boris Kunz
    • Drehbuch
      • Simon Amberger
      • Peter Kocyla
      • Boris Kunz
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen118

    6,324.3K
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    Empfohlene Bewertungen

    8INTXb

    Unexpectedly very good

    I really wasn't expecting something quite as good based on the putrid 6.3/10 rating on IMDb. The production, acting, premise, are all really good. The sci-fi story is very interesting though pretty linear and mostly predictable. With that said I was fully captivated throughout the entire movie and I'm one that gets antsy easily. I haven't seen any of the actors before but they all played their parts very well and were fully convincing in their parts. I would definitely watch a part 2 of this movie if one is made. The only reason I think this movie didn't get a higher review is the subtitles and the fact that it doesn't have a single A-list actor from Hollywood.
    openyourmind-28366kfiejwkln

    Interesting premise, bad script

    It's hard for me to understand how Netflix can allow complete amateurs write movie scripts.

    They do it again and again. How can this be a sustainable business model? Put 15 million dollars in a movie based on a script that any 16 years old could have written better.

    I mean look at this mess of a script. What is this? Apart from the premise, which is not completely new but interesting, it is just complete garbage. There are no character build ups, there is no interesting dramatic goal, there are not story steps, there isn't even a central conflict, it's just a huge chaos all over the place.

    None of the characters come even close to touching us. The antagonist has one single encounter with the hero, where they both say one sentence, no conflict. We never learn what motivates her.

    The hero saves a woman that doesn't wanna be saved. His wife. Well, it's said that she is his wife, but we never really come to believe it, as there is zero chemistry between them. They tell each other "I love" you three times in a car, but there is no feeling, it's worse than in a soap opera. Two sex scenes (hello Netflix) add nothing to the chemistry. The actress isn't very convincing, but it's not only her fault. Maybe the makers should have watched some love movies to learn how to establish a bond between a loving couple, especially as this is - or rather should have been - the central motivator of the hero, saving his wife's life.

    That's his mission. Unfortunately, she doesn't rally wanna be saved and seems to have given in to her fate. Then she changes her mind and wants to be saved. Then she changes her mind again, because it would mean to harm an innocent person. Then she changes her mind again and almost kills the innocent girl, sleeps with her husband, and finally decides to betray her husband and take the lifetime of the girl, and also break up with the guy who sacrificed his life for her and get pregnant from another guy that appeared out of nowhere (is this the new "female empowerment"?). Frustrated, her now ex-husband joins the terrorist to kill some more people. Why? We never really learn.

    It's so bizarre, that it's almost funny. The script actually reminded me of Tommy Wiseau's 2003 film The Room, widely considered the worst film ever made. In this film the actor changes his mind sometimes twice within a scene.

    I wonder if the producers come to Netflix with a script so bad, or if the script is okay but Netflix ruins it with their developer team, because they want it to fit their algorithm or whatever.

    It's depressing, because the premise would have offered so much potential. For example, only the rich can afford the costly life-time transfer process, and they take it from the poor. Was that too political for Netflix? Why was this huge potential theme never harvested in the movie? Isn't that what's happening right now on this planet, that only the rich can afford top medical care?

    Well, but ignoring reality and promoting escapism seems to be the new thing on Netflix, so I guess the filmmakers ran into heavy resistance there. Sad.

    Netflix used to be cool, now it's more and more turning into a drug to numb down the oppressed workforce.
    7kosmasp

    Back & Forth

    No pun intended - actually one might say puns. But let's not get ahead of ourselves! What is life or a movie if we skip stuff - if we are made to fast forward? Or go back? Time and age wise! There are a lot of questions the movie is asking - very obvious ones (should we sacrifice so called regular folk to enrich our culture with geniuess? Make them live longer?) ... but I would argue that it doesn't really answer them ... it does go off into different directions.

    That all being said, this is an intriguing concept ... try not to get hung up on ... well technicalities (again sorry for the pun). This is meant to be ... well meant to be entertainment first, while also giving you food for thought. What would you do? And does every technology benefit the rich? Who can be deemed ... well unnecessary? Isn't every life worth something? Still if someone would want to give away ... there is a whole bag of issues there. One being that person may change their mind ... no backsies I assume.

    I like that the filmmakers took a chance and went for it. With Kostja they have a very charismatic lead ... he walks a very line about what he wants, about being a fighter for justice ... and trying to handle what his significant other may want ... all the while playing god of sorts ... there are many twists and turns ... some make more some make less sense ... just suspend your disbelief ...
    6icocleric

    Intriguing With More To Give.

    I loved the issues brought up and how it used a Sci-fi concept to highlight them, and it had some lovely details; but I think it had a bit of a slow build up. Like I feel the pacing of the film would have made an excellent TV series.

    I do feel like the concept and the things brought up were very interesting. I also felt there were a lot of side characters who seemed like they had a very interesting stories to tell that were barely touched on.

    It was overall interesting, and enjoyable it just had more to give. And I think the film suffered a tiny bit because of that. It was clearly a very well thought out concept.
    7chiaramariecapritta

    Germany did it again!

    I think that Germany is a step ahead here in Europe, lots of European production such as the French one or the Italian one are still attached at the old way of doing cinema, such as Nouvelle vague or Neorealism, Germany during these last few years has demonstrated that has a lot to offer, Dark, Kleo, 1989 and now Paradise. It was not a perfect movie, but it was not predictable and it perfectly show how fragile human nature is and how humans way of thinking can change.

    The main protagonist really did an amazing job, his character is very well written like the rest of the script. I wouldn't mind if they do a sequel to this movie. If you liked In time, you'll definitely like this one!

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    • Wissenswertes
      The difference between the ages of the actresses that played the role of Sophie is the same that of the actresses that played the role of Elena: 35 years old.
    • Patzer
      Max is talking to Erika by phone after he leaves Denys Bondar. He removes his ear bud after talking to her and puts it in his pocket. A few seconds later, the ear bud is back in his ear.

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    FAQ

    • How long is Paradise?
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    Details

    Ändern
    • Erscheinungsdatum
      • 27. Juli 2023 (Deutschland)
    • Herkunftsland
      • Deutschland
    • Offizieller Standort
      • Official Netflix
    • Sprachen
      • Deutsch
      • Englisch
    • Auch bekannt als
      • Рай
    • Drehorte
      • Litauen
    • Produktionsfirma
      • NEUESUPER
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 57 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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    Corinna Kirchhoff, Kostja Ullmann, and Marlene Tanczik in Paradise (2023)
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    What was the official certification given to Paradise (2023) in Brazil?
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