Ein mysteriöser Reisender erpresst Ethan Kopek, einen jungen TSA-Agenten, damit er ein gefährliches Paket durch die Sicherheitskontrolle auf einen Flug am Weihnachtstag bringt.Ein mysteriöser Reisender erpresst Ethan Kopek, einen jungen TSA-Agenten, damit er ein gefährliches Paket durch die Sicherheitskontrolle auf einen Flug am Weihnachtstag bringt.Ein mysteriöser Reisender erpresst Ethan Kopek, einen jungen TSA-Agenten, damit er ein gefährliches Paket durch die Sicherheitskontrolle auf einen Flug am Weihnachtstag bringt.
- Auszeichnungen
- 6 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Carry-On' is often likened to 'Die Hard' for its Christmas setting and action-packed plot. The film explores themes of tension, moral dilemmas, and high-stakes scenarios in an airport. Taron Egerton and Jason Bateman receive praise for their performances and chemistry. However, some critics note plot holes, unrealistic elements, and a lack of originality, arguing the film relies on familiar tropes. Despite these issues, many find 'Carry-On' to be an entertaining, fun action thriller.
Empfohlene Bewertungen
Okay, so it kept me entertained enough to watch it until the end, however, the ending was very predictable and no twist/shock to make it more interesting. Also, there are some moments where you need to suspend belief as otherwise, you'll be rolling your eyes.
Not sure about the casting for the 'bad guy'- having watched Jason Bateman in other roles, it just didn't sit right with me and the sniper, well, preposterous!
The film is a cross between Die Hard and Phone Booth but doesn't quite pull it off, although, if you haven't nothing else to watch, it's not a bad choice to while away a few hours.
Not sure about the casting for the 'bad guy'- having watched Jason Bateman in other roles, it just didn't sit right with me and the sniper, well, preposterous!
The film is a cross between Die Hard and Phone Booth but doesn't quite pull it off, although, if you haven't nothing else to watch, it's not a bad choice to while away a few hours.
Let's be real...does anyone expect a Netflix original to be anything special these days? Not every movie has to stun with its plot and characters, and Carry-On certainly doesn't do that. The crime in this movie is completely and totally unrealistic, but who really cares? I never got the impression that this movie took itself very seriously, especially when you consider Jason Bateman is playing a villain. I generally enjoy action packed thrillers, and the fight/conflict scenes in this movie deserve some more recognition. The fighting choreography was interesting 9especially since this takes place in an airport) and the main characters aren't making stupid decision after stupid decision. Was this a great movie? Absolutely not. But OK movies exist and can still be fun if you're looking for something new to watch.
This movie has a great premise, great actors, great characters. Unfortunately, the longer the movie goes on, the more frustrating it gets. The characters continue to make decisions that make ZERO sense. The plot also falls apart quickly everything is so quickly able to be solved if the characters used any common sense.
I figured it would be an mindless action thriller. It is an action thriller, but it's hard to be mindless with how obvious the characters are making bad decision after bad decision. Too many to be even remotely believable.
Again, all the actors did a great job with their characters, there are just so many obvious flaws in the story and plot that the movie became frustrating as it end on.
I figured it would be an mindless action thriller. It is an action thriller, but it's hard to be mindless with how obvious the characters are making bad decision after bad decision. Too many to be even remotely believable.
Again, all the actors did a great job with their characters, there are just so many obvious flaws in the story and plot that the movie became frustrating as it end on.
As formulaic a film as you will find. That doesn't mean it's bad. It just means that while this is competently made, it doesn't exhibit an original thought at any point. It's sort of a Die Hard with somewhat of a wimp as the hero. I can't say I've been a big fan of Taron Egerton, our hero here, but his career did seem to take a new and startlingly terrific new direction with Rocketman and the fine mini-series Black Bird, but now there is this?! He does okay here, but it's not the best career move I can think of. Our hero's villain is played by the usually well liked Jason Bateman, but he doesn't fit this role to me and Sofia Carson, speaking of AI, does indeed look like something created by a computer. Danielle Deadwyler does what she's supposed to do well enough, but this is just a paycheck role for someone this talented. Theo Rossi is on the villain's team and stuck in a van wasted for most of the pic, but when he is finally let loose, he is gleefully evil and the most enjoyable of all to watch. The film is as far-fetched as Die Hard, just much lesser thrills, humor and excitement. It does contain some suspense and it is quite watchable and also reminiscent of Die Hard, it all takes place at Christmas!
This movie is clearly riding the tail coats of the Die Hard franchise. Unfortunately, it is hampered by very lazy, unimaginative and unrealistic writing. The characters are taking one stupid decision after another to keep the plot going. The main character undergoes a transformation in two hours that is beyond believable, and doesn't make any sense. Jason Bateman as usual is doing a very decent job, but unfortunately that cannot save the movie. Overall, quite the disappointment.
This is becoming quite a common problem with Netflix movies: big budgets, some very decent actors, mediocre CGI, and absolutely terrible writing.
This is becoming quite a common problem with Netflix movies: big budgets, some very decent actors, mediocre CGI, and absolutely terrible writing.
Wusstest du schon
- WissenswertesMost watched Netflix movie of 2024 having a total of 42 million views within the first week of its release.
- PatzerThere is no way to open the door of a 737 cargo hold from the inside.
- Crazy CreditsAfter the DreamWorks SKG logo fully appears, the camera moves through the clouds to the Los Angeles International Airport to open the film.
- VerbindungenReferenced in Film Junk Podcast: Episode 973: Carry-On (2024)
- SoundtracksSanta Claus Is Comin' to Town
Written by J. Fred Coots, Haven Gillespie
Performed by Bruce Springsteen
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Details
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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