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Die Königin von Versailles

Originaltitel: The Queen of Versailles
  • 2012
  • PG
  • 1 Std. 43 Min.
IMDb-BEWERTUNG
7,1/10
13.926
IHRE BEWERTUNG
Die Königin von Versailles (2012)
A documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.
trailer wiedergeben2:32
1 Video
7 Fotos
Dokumentarfilm

Füge eine Handlung in deiner Sprache hinzuA documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and ... Alles lesenA documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.A documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.

  • Regie
    • Lauren Greenfield
  • Hauptbesetzung
    • Jaqueline Siegel
    • David Siegel
    • Lorraine Barrett
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    13.926
    IHRE BEWERTUNG
    • Regie
      • Lauren Greenfield
    • Hauptbesetzung
      • Jaqueline Siegel
      • David Siegel
      • Lorraine Barrett
    • 69Benutzerrezensionen
    • 128Kritische Rezensionen
    • 80Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Gewinne & 27 Nominierungen insgesamt

    Videos1

    Theatrical Version
    Trailer 2:32
    Theatrical Version

    Fotos6

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    Topbesetzung19

    Ändern
    Jaqueline Siegel
    Jaqueline Siegel
    • Self
    • (as Jackie Siegel)
    David Siegel
    David Siegel
    • Self
    Lorraine Barrett
    • Self - Real Estate Agent
    June Downs
    • Self - Next Door Neighbor
    Phillip Froehlich
    • Self - Vice President, West Resorts
    Marissa Gaspay
    • Self - Nanny
    Tina Martinez
    • Self - High School Friend
    Virginia Nebab
    • Self - Nanny
    Jonquil Peed
    • Self - Niece
    • (as Jonquil)
    Wendy Ponce
    • Self - Housekeeper
    Richard Siegel
    • Self - Son
    Victoria Siegel
    • Self - Daughter
    Katie Stam
    • Self - Miss America
    Terry Vaughn
    • Self - Westgate Employee
    Cliff Wright
    • Self - Limo Driver
    Alyse Zwick
    • Self - Miss New York 2009
    George W. Bush
    George W. Bush
    • Self
    • (Archivfilmmaterial)
    • (Nicht genannt)
    Laura Bush
    Laura Bush
    • Self
    • (Archivfilmmaterial)
    • (Nicht genannt)
    • Regie
      • Lauren Greenfield
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen69

    7,113.9K
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    8chaz-28

    The filmmaker did not aim to exploit these classless, tasteless billionaires; they took care of that themselves

    Schadenfreude - pleasure derived from the misfortunes of others. The entire audience at the screening of The Queen of Versailles experienced this feeling about the Siegel family; they are truly atrocious people. Two years ago, David and Jackie Siegel were billionaires. They had planes, Rolls Royces, multiple nannies for their seven kids, hosted parties for the Miss America pageant while David flirted with the contestants, and sat on a golden throne in their Orlando house during interviews for this documentary. They also began construction on a mansion called Versailles, a project which would become the largest house in the entire United States.

    It appears the filmmakers wanted to document the rise of this monstrosity of a house and display the lifestyle of the obscenely rich. Even better, these rich people liked to flaunt in front of the camera, not enjoy their splendor in private ala Bill Gates. David Siegel proudly claims he is individually responsible for George W. Bush winning the state of Florida and therefore the presidency; however, he chuckles that what he did was not exactly legal. Oh yes, schadenfreude. David called himself the 'King of Time Shares'. He built 28 resorts and an enormous building on the Vegas strip, parceled them up, and sold them 52 different times to vacationers. Then, in what must have exceeded all of the filmmakers' expectations, the recession hit and everybody in the country stopped buying time shares.

    The Siegels were billionaires and yet, they had no savings. They paid cash for the Versailles house and only later put a mortgage on it because that meant millions more in ready, liquid money. They put nothing away for college funds for their kids. In fact, Jackie stares at the camera exclaiming her children might actually have to go to college now. The Siegels can no longer keep up with the Versailles mortgage payments and put it up for sale unfinished for $75 million. The housing market just crashed, tens of thousands of families are entering foreclosure, including Jackie's best friend, and the Siegels are trying to move a $75 million dollar mistake. The realtors may not be quite up to the task of marketing the house since one of the agents exclaims how unique Versailles (pronouncing it Versize) is.

    Nobody is buying time shares, therefore, there is no money coming in to the company, and David lays off 7,000 employees. He also fires 19 household servants. Dogs run around crapping all over the house and nobody picks it up. A lizard dies of lack of food and water, a fish floats at the top of its filthy tank, and one of the kids exclaims, "I didn't know we even had a lizard." Don't worry, Jackie still compulsively shops to add to the ridiculous piles of 'stuff' that the kids do not even know they have. She also maintains her plastic surgery regimen. Jackie's chest has enjoyed being a a third character in this whole mess.

    Other than the Michael Moore type of documentaries which have a stated agenda, filmmakers are thought to be neutral arbiters. They film the action, interview the subjects, and edit it in a way fair to all the players. However, no matter how one edits the footage, the Siegels are going to come off looking like some very horrible people. David is 30 years Jackie's senior and now that their funds are rapidly dwindling away, he is starting to get tired of his third wife. He hides in his office (a couch in front of a flat screen surrounded by papers and food scraps) to enjoy being away from the chaos which his house has become.

    You will not envy the Siegels. They still have more money than you do, but you would never switch places with them. I walked out of the theater with a new appreciation for my situation in life knowing that most of us are normal folks going about our business and enjoy time with our family and friends. The fact that there are folks like the Siegels out there, who by the way are shocked a bank bailout did not filter down to them, makes you shake your head in shame of the human race.
    8rooprect

    A great documentary, for reasons you might not expect

    After reading the top 2 IMDb reviews for this documentary using words like "appalling", "revolting", "tasteless", "classless" and everything short of "Nazi" to describe the subjects, I figured this would be a fun way to forget my own financial inadequacies by relishing in the multi-million dollar tragedy of a bunch of monsters who deserve to suck slime. So with that in mind I poured myself a cup of fresh blood and got my vampire on.

    Immediately I was "disappointed" because, aside from having a pair of ivory tusks displayed in their living room, these people didn't display anything worthy of being flogged publicly as I was led to believe. Sure, their lifestyle was extravagant to a fault. But, ask any third-world kid who can't afford a pair of shoes, and you'll learn that extravagance is relative. No matter, thought I, wiping some drool off my non-designer jeans, this show is just getting started; I'm sure they'll spit on a few beggars in good time!

    Actually quite the opposite. As the family begins to realize it's financial decay, instead of telling the laid-off employees to eat cake, Jackie actually started donating goods and volunteering at a local charity for their benefit. Aw man, way to kill a good feeding frenzy, thought I. Well, at least I can still hate her for all the excessive cosmetic treatments she keeps getting for her own vanity. Oops, wrong again. Those of us paying attention soon realize that she's not doing it for sheer vanity's sake but to try to please her husband as psychologically she seems insecure in that department. And as we learn more about the titular Queen of Versailles, we see many parallels between her and the other unfortunate queen, Marie Antoinette in her paper mâché marriage to Louis XVI. Yes, the interpersonal drama runs thick, between all family members in different ways. And just as the French eventually realized that they maybe went a little too far with that whole guillotine thing, you see that the Siegels, while guilty of clueless indulgence yes, don't nevessarily deserve to get their financial heads lopped off. These people are not aberrations of humankind as you'd been led to believe by some reviews, but instead, this is the story of a normal American family that has been subjected to abnormal extremes.

    True, the husband (a man of 1 emotion: stoic), did at one point talk about how he personally got Bush re-elected by means that "may not have been legal", but he immediately counters it with "but then we got involved in this Iraqi War, so maybe I didn't do that much good after all." That statement is the key to understanding this powerful documentary. It is NOT a spectacle of seeing Emperors thrown to the lions. Rather, it is a very Faustian tale of pride and arrogance that gets the best of humans, and humans eventually accepting or at least admitting to the possibility that they were wrong. I'm talking about all humans, not just these people.

    I have to hand it to the tragic family for bearing their downfall much more nobly than their rise. In the end (especially after watching the deleted scenes showing more of their human side), I felt good--not because I had just witnessed a gruesome car crash like other viewers, but because these people (except maybe 1 individual? I won't spoil) had all evolved into something better.

    In that respect, this is a very complex story which requires your full attention. It's not like a sporting event that has 1 good guy, 1 bad guy and 1 outcome. It's really one of the best illustrations of pride under pressure. And although my greatest financial hurdle consists of how to pay my $75 parking ticket, I can somehow associate with these ex-billionaires on how money, and lack thereof, changes us all.
    cherold

    The struggle of very rich people forced to live like sort of rich people

    There is a famous, though fictional, exchange in which F. Scott Fitzgerald says "The rich are different from you and I" and Hemingway replies, "Yes, they have more money." That quote suits this film's central character, Jackie, whose tendency towards excess is magnified to an insane level by seemingly limitless wealth.

    The movie is about how Jackie, her tycoon husband David and their children and employees deal with a crushing recession that forces them to struggle to live within their means.

    Even though they are never broke, they genuinely do struggle because Jackie has satisfied too many whims, filling her house with pets and children and furniture and other things that require servants and lavish spending to keep going.

    The movie could easily have caricatured Jackie, whose giant fake breasts and obsessive shopping are qualities that could make her seem white trash, but she comes across as a reasonably intelligent, generally nice person who simply has no concept of "enough." If she were poor she would probably be in debt because she collected memorial plates or something, but because she's rich she has collected everything.

    David is less likable, a cold, brusque businessman with a sense of entitlement. As the movie begins he shows overwhelming confidence; it's easy to see how the sort of person who can build up a big business is the sort of person who never has insecure thoughts like, "did my wife marry me for my money." David claims in the movie to have personally made GW Bush president, but even though he expresses doubt about whether that was a good idea, because of the wars that resulted, after this movie came out he threatened his employees with job loss if Obama beat Romney, so I'd say he is as awful as he seems in the movie.

    One of the best qualities of this movie is how non-judgmental it is. It shows its characters being both thoughtless and thoughtful and it gives them a chance to represent themselves to the camera; it's a movie that has no interest in being a hatchet job. At the same time, it juxtaposes their problems with those of one of their nanny's, whose situation is far sadder; it also has no interest in being a whitewash.

    The even-handedness of this film means you are free to see the characters as you like. Some reviewers here reacted very differently from me, seeing David as a hard working businessman stuck with a white trash gold digger, or seeing them both as odious monsters. If you hate the rich, that will probably be your reaction, but if you *are* the rich, you would probably see this as a reasonable portrayal. In fact, if you're rich enough you probably wouldn't see anything wrong with the way they live. (Rich people are different than you and I; they think living like millionaires is normal.)

    Overall this is a very engrossing and admirable film that made me feel some sympathy for people who, in the natural order of things, I would consider leeches on the belly of America.
    7Lejink

    American nightmare

    I normally run a mile from real-life documentaries like this but ghoulishly fascinated by the story-line here, I found myself rubber-necking this car-crash of a family saga from start to finish. An allegory of the burst bubble of the latter-day "greed is good" dynasty, we follow the progress of billionaire David Siegel's self-confessed riches to rags story as he and his sprawling, dysfunctional family struggle to adjust to rain after the sunshine years as his billion-dollar timeshare empire crumbles as the credit crunch bites.

    So, instead of the no doubt originally intended homage to Mammon, as Siegel and his plastic, boob-enhanced ex-Mrs America "trophy-wife" (named as such by her own daughter!) airily plan to build the biggest private house in America (going from a mere 18 to 30 bathrooms in the process), we get a much darker tale, as Siegel retreats away in his dressing-gown from his young family into his den, desperately making calls which he hopes will return his opulent lifestyle to him and his family.

    His wife, Jacqueline, the erstwhile title character of the movie is similarly seen changing from boasting about wearing ostrich-feather Gucci pants to suffering her husband's testiness over leaving too many house-lights on, while still undergoing her periodic face-peel and Botox injections, hardening her face into a mask, ill-serving the emotional traumas she's obviously experiencing.

    As a modern-day morality tale on the old maxim of be careful what you wish for, it could hardly be bettered as not one of "David's Friends", prominently pictured in his household come to his rescue as his business empire crumbles and leaves his prestigious West Gates luxury building in Las Vegas as another white elephant totem to excess.

    As usual with American documentaries like this, it's hard to take your eyes off the mess you're witnessing. The film doesn't seek to pity the family's plight but does inadvertently lampoon its subject although it has to be said most of the damage is self-inflicted.

    Proof, if it were still needed, that pride surely comes before a fall, although here the fall is cliff-sized.
    UNOhwen

    All that money (on DRECK!), yet she can't afford to take care of her TEETH!?!?

    Before I say anything, let me be clear: Ms. Siegel comes off as a nice person. I honestly do like her.

    I just find what she is representative of disgusting: A generation that has ZERO regard for ANYTHING other than SELF GRATIFICATION - in EXCESS.

    Within the first 5 minutes of The Queen Of Versailles, you are exposed to so much of the conspicuous consumption of this clan - it's like watching a modern-day Beverly Hillbillies.

    Ms. Siegel has obviously not skimped on her 'upfront assets,' nor the many (nauseating) 'outfits' (some - featured in horrid 'paint-by-numbers'-like paintings) that look more like PIECES of togas, to focus does attention on her aforementioned assets.

    Yet, also within these first few minutes, one is shown Mr & Mrs. in close-up, and, it's very apparent - from the yellowed, really bad looking - teeth, that what's most important to Ms. Siegel ISN'T oral hygiene.

    It's sad (for me) to say 'I wasn't surprised' at that, as this society in general has devolved into people living (mostly) on credit - and most of them, living on credit they should've ever been given.

    As for the tale of Mr. & Mrs. Siegel, Mrs. Siegel's story is a modern day 'rags-to-riches' tale, which I don't say kindly.

    In the 'old' days, that type of tale would've been about someone who started by selling newspapers on a corner, or working in a mailroom, and their HARD WORK eventually led them to becoming a big muckety-muck.

    In Mrs. Siegel's tale, we're told of how she started at IBM, then gave that up to move to NYC (to 'model') where she married a man (it's not a stretch to figure if he had big money prior to this marriage), with whom she moved to Florida to (sigh) 'model' and enter beauty pageants.

    Through these 'jobs,' Mrs. Salamon (her name before becoming Mrs. Siegel) met her future husband and film co-star, Mr. Siegel.

    The reason Mrs. Siegel gave up working at IBM is NOT because of anything more serious than a fellow worker saying he built a countdown clock program that counts down the time until he retires - at which point, he said, his life would begin.

    It depressed Mrs. Siegel, and was the 'reason' that Mrs. Siegel decided work wasn't for her.

    Seeing this - as a person who's parents put me through the best schools, and wanted the best for me - is sickening.

    In Mrs. Siegel, we see a person who's a microcosm of the greater ills and shallowness of today's society (America in particular) which places 'hard work,' EDUCATION (!) at the BOTTOM of the list, with 'is he/she rich?' fame, and (oy!) celebrity at the top - as a very, very sad state of affairs.

    So, while I do like Mrs. Siegel (I'm no fan of Mr. Siegel, who around the time this was being made had financial setbacks and just comes off as odious), I'm utterly repelled by what they stand for as a couple, and to this country as a whole.

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    Handlung

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    • Wissenswertes
      With the upturn in the economy, the Siegels now completely own the Versailles property. It is now the fourth most expensive house in the United States.
    • Zitate

      Lauren Greenfield: How are you personally responsible for the re-election of George Bush?

      David Siegel: I'd rather not say because it may not necessarily have been legal.

    • Verbindungen
      Featured in De wereld draait door: Folge #8.55 (2012)
    • Soundtracks
      Rudolph the Red-Nosed Reindeer
      (uncredited)

      Written by Johnny Marks

      Performed by Marissa Gaspay

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 16. August 2014 (Japan)
    • Herkunftsländer
      • Vereinigte Staaten
      • Niederlande
      • Vereinigtes Königreich
      • Dänemark
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • The Queen of Versailles
    • Drehorte
      • Las Vegas, Nevada, USA
    • Produktionsfirmen
      • Evergreen Pictures
      • BBC Storyville
      • Impact Partners
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    Box Office

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    • Budget
      • 1.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 2.401.999 $
    • Eröffnungswochenende in den USA und in Kanada
      • 51.326 $
      • 22. Juli 2012
    • Weltweiter Bruttoertrag
      • 2.495.706 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 43 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital

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