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Five Broken Cameras

  • 2011
  • Not Rated
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
7,9/10
7002
IHRE BEWERTUNG
Five Broken Cameras (2011)
A documentary on a Palestinian farmer's chronicle of his nonviolent resistance to the actions of the Israeli army.
trailer wiedergeben1:56
1 Video
9 Fotos
DocumentaryWar

Dokumentarische Chronik über den gewaltlosen Widerstand eines palästinensischen Bauern gegen die israelische Besatzung.Dokumentarische Chronik über den gewaltlosen Widerstand eines palästinensischen Bauern gegen die israelische Besatzung.Dokumentarische Chronik über den gewaltlosen Widerstand eines palästinensischen Bauern gegen die israelische Besatzung.

  • Regie
    • Emad Burnat
    • Guy Davidi
  • Drehbuch
    • Guy Davidi
  • Hauptbesetzung
    • Emad Burnat
    • Soraya Burnat
    • Mohammed Burnat
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    7002
    IHRE BEWERTUNG
    • Regie
      • Emad Burnat
      • Guy Davidi
    • Drehbuch
      • Guy Davidi
    • Hauptbesetzung
      • Emad Burnat
      • Soraya Burnat
      • Mohammed Burnat
    • 44Benutzerrezensionen
    • 41Kritische Rezensionen
    • 78Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 18 Gewinne & 10 Nominierungen insgesamt

    Videos1

    Theatrical Version
    Trailer 1:56
    Theatrical Version

    Fotos8

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 4
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    Topbesetzung16

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    Emad Burnat
    Emad Burnat
    • Self - Narrator
    Soraya Burnat
    • Self - Wife of Emad
    Mohammed Burnat
    • Self - Son of Emad
    Yasin Burnat
    • Self - Son of Emad
    Taky-Adin Burnat
    • Self - Son of Emad
    Gibreel Burnat
    • Self - Son of Emad
    Muhammad Burnat
    • Self - Father of Emad
    Bassem Abu-Rahma
    • Self - Protester
    • (as Phil)
    Adeeb Abu-Rahma
    • Self - Protester
    Ashraf Abu-Rahma
    • Self - Protester
    • (as Daba)
    Intisar Burnat
    • Self - Mother of Emad
    Eyad Burnat
    • Self - Brother of Emad
    Riyad Burnat
    • Self - Brother of Emad
    Khaled Burnat
    • Self - Brother of Emad
    Jafar Burnat
    • Self - Brother of Emad
    Yisrael Puterman
    • Self - Friend of Emad
    • Regie
      • Emad Burnat
      • Guy Davidi
    • Drehbuch
      • Guy Davidi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen44

    7,97K
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    Empfohlene Bewertungen

    10thunderer48

    Rare

    It is rare to have something like this penetrate through the generally Zionist controlled media in the West. I am sure Zionists will try to label this film as "biased" and "one-sided," as usual in their intended distortion or paranoia. They might even start a campaign to lower its rating, as they normally do! But the facts and the images speak for themselves. Why is the world allowing the Israelis to get away with more land grabs and more injustice? The only reservation is that it does not explore fully the tragedy of what has been done to the Palestinians by Zionist colonization. This is not a special case. It is also similar to what happened in 1948 when almost 80% of Palestine was taken over, and the population in many cities and villages expelled and made into refugees. Hundreds of villages were ethnically cleansed, and several of them today have Israeli Jews living in the old houses owned by Palestinians (not having paid for them of course). It is almost like highway robbery. One film cannot do everything of course, but maybe it will encourages some people to dig more for the truth.
    8tetrafunk

    A compelling perspective of the conflict.

    Naturally this movie will be a minefield to review without people bringing their personal, national, or religious beliefs into the equation. As can be seen in the handful of incredibly low ratings here, this is sadly already occurring.

    This is the conflict viewed through the eyes of a Palestinian villager, warts and all and as such does not shy away from recording the trials and tribulations that the cameraman and his village (and subsequently country) are confronted with on a daily basis. The argument that this movie is one sided is somewhat valid, although how anybody could expect anything else is beyond me due to the method utilized in gaining the footage. There is no secret agenda, no propaganda, it is simply the conflict as viewed by somebody who is currently living it.

    Regardless of your beliefs, sympathies or country of origin this movie is worth your time for the rare insight, at ground level, that it provides. Whether you agree with either sides position in the conflict is a different debate entirely and should not be included in any kind of review. All I can say is if you are unfamiliar with what is occurring or unaware entirely this film will give you food for thought.
    bassammaelborno

    Power and Innocence

    Retributive Justice...Oh How Sweet It Is !!

    Today, Sunday, February 24, 2013, the Oscars will be hosting this first ever Oscar nominated Palestinian documentary, whose content, we all know full well, will never be shared with the estimated one billion worldwide viewing audience, nor will it ever be permitted to win.

    Nevertheless, it just happens to fall on the Jewish Holiday of Purim, which commemorates the deliverance of the Jewish people in ancient Persia, in the wake of a plot by Haman. It is a story recorded in the Biblical Book of Esther. Understandably, this day of deliverance has become a day of Jewish feasting and rejoicing. It is celebrated by the giving of mutual gifts of food and drink, the offering of charity to the poor, the consumption of a celebratory meal, and in addition to the prayers and the grace after the meals, there is often a public recitation of the Scroll of Esther. Other customs include the drinking of wine, the wearing of masks and costumes, as well as the exuberant display of celebrations in public. Like Hanukkah, Purim has more of a 'national' (Israel) than a 'religious' (Judaic) character, and its status as a holiday is on a lesser stature than those days ordained by the Torah. Accordingly, business transactions (including the Oscars), and even manual labor are allowed on Purim.

    As early as the 5th century, there was a custom to "BURN AN EFFIGY" of Haman on Purim.

    However, the first religious ceremony ordained in the celebration of Purim, is the reading of the Book of Esther (Megillah) in Synagogues. The Megillah is read with a scintillation (a traditional chant) differing from that used in the customary reading of the Torah. When Haman's name is read out during the public chanting of the Megillah in the Synagogues, which by the way occurs 54 times, the congregation engages in boisterous noise-making to "BLOT OUT THE NAME".

    Over time, a custom developed of writing the name of Haman on two smooth stones, thereafter knocking them together until the name was blotted out. Others write the name of Haman on the soles of their shoes, and then at the mention of the name, loudly and repeatedly stomp their feet as a sign of contempt. Most though, employ the use a loud and noisy ratchet, called a ra'ashan, or in Yiddish a grager. Although some rabbis have protested against these uproarious excesses (raucous stomping and deafening ratcheting), considering them to be a disturbance of public worship, nevertheless, these two customs in particular, have continued to be universally carried out in almost all Synagogues on Purim.

    Just a thought ?!

    I wonder if during the Oscars, the Zionists of Hollywood plan to conduct an 'L.A. Festival of Burning', wherein all copies of the "Un-Israeli" film '5 Broken Cameras' will be incinerated, not unlike that conducted by the Nazis in May of 1933, during which upwards of 25,000 volumes of "Un-German" books (predominantly Jewish) were burned ?!

    Or worse yet, publicly humiliate themselves during the announcement of the film's nomination for an Oscar award, by stomping their feet and twirling permitted Ra'ashans, in a feeble attempt to 'Blot It Out'?!

    After all, just the other day, they did attempt to prevent the film-maker Emad Burnat, together with his wife and 8 year old son, from attending, by way of harassment and intimidation at the hands of Immigration Officials at L.A.X.

    Perhaps, it was because a 'Film' or even a 'Broken Camera' in the hands of a Palestinian now constitutes a potential 'Terrorist Threat' ?!
    kadinhou

    how this can't win Oscar?

    this documentary was a true and honest eyes to what really happening in the occupied territories by the Zions in Palestine, the events show how the people of the small village Bil'in suffered by the army of the Zions that burned and killed and brook the laws, not humans laws, not world's laws, but them own laws. it has a very real touching scenes witch can make a one shed the tears without he knows, when I watched those scenes and slices from lives of real people I seen those Zions as really they are, not what their press and media whas trying to show us every day in every movie we see. this documentary make me live with El-Phil and Emad and Adeeb and Dabaa for ninety minutes and I wished to live with them some more.

    I've some many documentaries and movies,an Oscar winning ones. they can't be as good, honest, realistic and lively as this.

    I'm really wondering and questioning why this can't win an Oscar?!
    E-Magda

    Why there is no info about AWARDS ????? where is AWARD section here?

    This document received so many Awards From Sundance festival to others, Can someone explain me why the hell every other movie on IMDb has Award section popping out immediately on a website but this movie NOT????

    "5 Broken Cameras won the World Cinema Directing Award at the 2012 Sundance Film Festival. it won the 2013 International Emmy Award.The film also received the Special Broadcaster IDFA Audience Award and the Special Jury Award at the International Documentary Film Festival Amsterdam in 2011. In addition, the film won the Golden Apricot at the 2012 Yerevan International Film Festival, for Best Documentary Film, the Van Leer Group Foundation Award for Best Israeli Documentary at the Jerusalem Film Festival in 2012, and the Busan Cinephile Award at the 17th Busan International Film Festival in 2012. 5 Broken Cameras was nominated for Best Documentary Feature at the 85th Academy Awards Nominated for Best Documentary Feature in the 85th Academy Awards, and for the Asia Pacific Screen Award for Best Documentary of 2012...

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    • Wissenswertes
      Emad Burnat is the first Palestinian nominated for the Academy Award for Best Documentary Feature.
    • Zitate

      Emad Burnat - Narrator: Healing is a challenge in life. It's a victim sole obligation. By healing, you resist oppression. But when I'm hurt over and over again, I forget the wounds that rule my life. Forgotten wounds can't be healed. So I film to heal. I know they may knock at my door at any moment. But I'll just keep filming. It helps me confront life. And survive.

    • Verbindungen
      Edited into P.O.V.: 5 Broken Cameras (2013)
    • Soundtracks
      Music from the albums: Randana, Majâz, As far
      Music composed and performed by Samir Joubran, Wissam Joubran, Adnan Joubran

      Interpreted by Le Trio Joubran

      Percussions by Yousef Hbeisch

      (p) & (c) Randana - 2007

      Courtesy of Randana

    Top-Auswahl

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 2011 (Israel)
    • Herkunftsländer
      • Israel
      • Palästinensische Autonomiegebiete
      • Frankreich
      • Niederlande
    • Offizielle Standorte
      • Official site
      • Official site (Japan)
    • Sprachen
      • Hebräisch
      • Arabisch
    • Auch bekannt als
      • 5 Broken Cameras
    • Drehorte
      • Bil'in, Ramallah and al-Bireh, Palestine
    • Produktionsfirmen
      • Alegria Productions
      • Burnat Films
      • Guy DVD Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 109.983 $
    • Eröffnungswochenende in den USA und in Kanada
      • 6.674 $
      • 3. Juni 2012
    • Weltweiter Bruttoertrag
      • 146.475 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 34 Minuten
    • Farbe
      • Color
      • Black and White
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.78 : 1

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