Empire of War - Der letzte Widerstand

the bad: there is a lack of a decent plot, the movie is more an assembly of different episodes that happened during the famine, told through the eyes of a former landlord and his family. Unfortunately most (if not all) of these episodes are cliché' and predictable (there is a pregnant woman, guess when she will deliver; there is a girl with a cat, guess what will happen to the cat; there are corrupt officials out to buy women for their own pleasure, guess who they will buy;). The episodes told are so many that there is no time to sympathise for a character, or at least that was my feeling. Most scene are a brutal graphic depiction of what hunger is, but I found it less involving than, for example, Fires on the Plain.

the good: the subject treated is historically important, especially the fact that the government was aware/unaware able/unable to do something to prevent this catastrophe. The action scenes (the bombing of civilians) are shot with mastery and makes you feel uncomfortable all the way through. What I found more interesting though (but haven't seen anybody pointing it out so far) is that Feng Xiaogang is indirectly (and very subtly, of course) criticising todays government. There are many parallels with what is happening now in China, the top leaders who lost touch with the people, corrupt officials who take money and women, foreigners who have to point out faults of officials, Chinese against Chinese with their insatiable hunger for wealth. Even the Japanese, though enemies, are depicted as more human than the Nationalist officials.

The Ugly: Tim Robbin's role, or the whole religious part for that matter. It doesn't add anything to the, already thin, plot. Also why Christians and not Buddhists or Daoists?

Overall it's an interesting movie to be watched, not only for the famine, but also as a new step for Chinese cinema becoming more international.

6/10

A well made and serious film you shouldn't miss.

Back to 1942!How many movie-goers were born before 1942? I think very few...

The film is all blood and tear in Chinese history-if you ever read any Chinese history you would know a bit of how the corrupted national party of China ran the country(how they handled the famine) and the history of Japan invaded China (how cold blood of their behaviour against civilians)at the time.

To younger people who never experienced war and hunger...please don't expect entertaining plots.

It hurts. It really hurts. I watched my people suffer, I watched familiar faces suffer multiple blows, I watched this land suffer.

Many things not only happened in the past, but in different forms now. Many pain others really will never know, they may be cynical, perhaps shed a drop of crocodile tears, who can really understand? Have not experienced the suffering of others, do not condescending criticism.

Civilization can only develop in the heyday, the dark years to live as the only hope. When I realized that I was a part of history, I lost the ability to stand aloof and detached.

A grain of dust of The Times, falling on the ordinary people are thousands of pounds of stone. It is not so serious, do not see, surrounded by fear will not believe. This movie is about the past, but it is never just the past. Many old ideas will not be changed, and happiness will not really come.

Feng Xioagang can be considered China's - possibly Asia's - most substantial film maker. His output is increasingly imposing and his box office clout means that the content of his work must come under intense official scrutiny. That made the IF I WERE THE ONE movies quite amazing as an expression of the notion that to be rich is glorious.

BACK TO 1942 is clearly a tent pole movie for the Chinese cinema and then carries a double load. It is an intense, long, demanding account of the 1942 Hunan famine and refugee exodus, made more terrible by the parallel war with the Japanese and also a revision of history with Chiang Kai Shek now shown as both calculating and remote, as well as caring and authoritative but only a support player in the story of the land lord and serf reduced to destitution on their awful journey.

Intriguingly, Theodore White writer of sixties Wolper Documentaries and "The Mountain Road" shows up effectively in the person of Adrian Brody, as a character.

Master crafted, some of the staging is exceptional. The bombing raids are great set pieces and the film manages to keep disaster chic in hand, even if it's so grim.

Essential for the serious movie goer, a strain on the casual entertainment seeker.

In 1942, China and Japan are in war. In Henan, the drought brings famine to the locals, but the wealthy landlord Master Fan Dianyuan (Guoli Zhang) has enough grains and food to supply to the villagers. Out of the blue, the village is looted by a gang of bandits that kills Fan's son and burns down the village to the ground. Master Fan is forced to flee with his wife, daughter and daughter-in-law and his servant Shuan Zhu (Mo Zhang) and they join the refugees. Along their journey, they are rob by the Chinese soldiers and bombed by the Japanese airplanes. Soon the starvation reaches Master Fan and his family with tragic consequences. Meanwhile he stumbles on the road upon the snoopy Time correspondent Theodore Harold White (Adrien Brody) that heads to Henan to investigate the famine and finds evidences of cannibalism among the survivors of the starvation.

The underrated "Yi jiu si er", a.k.a."Back to 1942", is a magnificent and heartbreaking Chinese epic, with the sad drama of the Second Sino-Japanese War. The plot follows the journey of the landlord Master Fan from his wealthy village to the need to selling his daughter to prostitution for food. The only problem is that it seems that in Mandarin the character speaks less to say the same thing in English. Therefore, it is hard to follow the English subtitles in the Blu-Ray and the end of some sentences is lost. But anyway, it is difficult to understand how an intelligent viewer can rate this film with less than eight. My vote is nine.

Title (Brazil): Not Available