Walesa. Czlowiek z nadziei

The formal opening of the 25th Polish Film Festival in America played to a packed house. Dignitaries, filmmakers, and sponsors from Chicagoland's Polish community and from Poland lent an air of glamour to opening night, as movie fans eagerly awaited the screening of legendary Polish director Andrzej Wajda's "Walesa: Man of Hope." The master film director himself was given the festivals "Wings" award for lifetime achievement in cinema, and he sent a video greeting that served as the perfect introduction to the film.

An Oscar winner and frequent nominee in the foreign language film category, 87-year-old Wajda said that his latest film completes a trilogy begun in 1977 with "Man of Marble" and continued in 1981 with "Man of Iron." An unfiltered portrayal of Lech Walesa, the Polish shipyard worker whose leadership led to the fall of the Soviet Union, the two-hour film stars Robert Wieckiewicz, who transforms himself into a startlingly convincing representation of the leader of the Solidarity movement. Wajda masterfully mixes news footage from the period with the fictionalized version of the Nobel Peace Prize winner's life and times. This is a compelling film that neither idolizes nor demonizes Walesa, who ultimately became president of Poland but soon tumbled from grace and revealed himself to be something less than a giant among men. It is the story of a man who fulfilled his destiny and changed the world through determination and a gift for tough, direct speech.

WALESA: MAN OF HOPE tells the story of the rise and rise of Lech Walesa, who led the Solidarity movement in the Seventies and Eighties, and helped bring about a revolution in Poland. The story is a familiar one of an iron-willed person whose commitment to the cause overrides everything - even his family. Despite being jailed on numerous occasions, and threatened with everything, including lifetime imprisonment, Walesa (Robert Wieckiewicz) remains sternly committed to his cause, and thereby helps bring about change in a rapidly disintegrating communist regime. Wieckiewicz's performance is just wondrous; he remains utterly convincing in the role, showing the weak as well as the strong sides of the character as he tries to bring up a family of six children while showing loyalty to his fellow-workers. Structurally speaking, Wajda's film follows a familiar path; we are encouraged to sympathize with Walesa, even if we doubt his methods sometimes, as someone who genuinely fought on behalf of the workers he tried to represent. For those unacquainted with the nuances of Polish history during this period, WALESA: MAN OF HOPE offers a useful lesson. Its message remains as significant today as it did three decades ago; even today, there are those - in the Soviet Union in particular - who are resisting the authorities' attempts to suppress them for similar motives. WALESA: MAN OF HOPE offers hope for them as well as for anyone pursuing the cause of freedom.

Biopics can often be dull affairs and 'Walesa, Man of Hope' does not initially inspire, with its corny subtitle and hackneyed framing (the man giving an interview in which eh looks back on his life). But Lech Walesa was (and is) an genuinely interesting man who moreover was cursed to live in interesting times: a not-so-humble ordinary man who more or less appointed himself to lead a group of striking miners in Poland, a rabble-rouser yet a realist, and arguably the leading global symbol of resistance to the late-era communist dictatorships in eastern Europe. Film-make Andrzej Wadja lived through this time himself, and while his portrait of Walesa is compelling though simplistic (his strengths, it is suggested, did not lie in his subtlety of character), we also see exactly how the regime retained power. Some of my favourite moves were made by Kieslowski in the hopeless aftermath of the period of martial law imposed in the early 1980s; this film tells us more about why that martial law was imposed, and also, why the hopelessness it inspired was ultimately misplaced. The Communist officials come across as less pure evil, but as ordinary people themselves, who've talked themselves into a position where they perceive they have no choice but to run a broken and oppressive system. Walesa challenged them and ultimately was a major force for change. And Wadja's film is a convincing portrait of the man and his times.

WALESA: A MAN OF HOPE : A MISNOMER DOCUMENTARY

BY PRADIP BISWAS, THE Indian EXPRESS NEWSPAPERS, India JURY MEMBER OF INTERNATIONAL FILM FESTIVAL OF India AND FRIGOURG INTERNATIONAL FILM FESTIVAL, SWISS

44TH INTERNATIONAL FILM FESTIVAL OF India, GOA, 2013

At the age of 87, that remarkable Polish film-maker Andrzej Wajda has directed a documentary with false gusto called WALESA : A MAN OF HOPE. It is of 87 minute duration. The lead performance is done by Robert Wieckiewicz. It is said it's a biopic tribute to the trade-union leader Lech Wałesa, founder of the Solidarity movement: bullish, cantankerous, and finally wrong doer as his movement could not bring the golden age for the Socialist countries that he in association with CIA lobby uprooted. This is such a truth many would hate to be convinced. But it is true, very true and true again. Wałesa's defiance of Poland's Soviet masters removed the very first brick from the Berlin Wall. Famously, Wałesa was the one subversive trade-union leader whom Margaret Thatcher felt able to love: Arthur Scargill did not enjoy the same admiration. So is Lindsay Anderson, the angry unbritish British director, founder of FREE CINEMA

Wałesa: Man of Hope is a belated companion piece to his Man of Marble (1977) and Man of Iron (1981) respectively. It discloses now an unexpected trilogy, and somehow hints it. In retrospect, that the heroic "Man" of those first two films really was Wałesa all along, so said Peter Bradshaw, the right-winger critic of THE GUARDIAN. It starts as a shipyard electrician, devoted to his young wife Danuta, (Agnieszka Grochowska), and to their growing family, and radicalised by the Gdansk shipyard riot of 1970. Amusingly, Wajda, armed with his skewed perception. idolizes Wałesa's luxuriant moustache that made him famous and recognizable: the anti-Stalin in the cause of freedom. His activism moreover coincided with the sensational arrival of the charismatic new Polish Pope John Paul II; the Catholic Wałesa was a key political beneficiary. It's an invigorating and very enjoyable film from a director who shows no sign of slowing down.

Winner of Nobel Peace Prize, Walesa in fact brought down socialism with a hope that his new State would bring golden age to those betrayed by the corrupt socialist regimes. Good. Good to that extent that hold some iota of substance. But after that??? The regime that he brought about for the betrayed people of Poland just failed to deliver goods as the hope of the big Capitalist Nations poured not an inch of financial succour to the hard-hit Poland. The common people who used to get free ration, food, milk and education are all gone for a burton, for ever. The current Poland is neither Socialist country nor a proud Capitalist country. It is in economic shamble.

What the great Wajda has done is to show the false side of the coin. We cannot accept such

With all respect to Walensa - I honestly think this movie would work better as a comedy. The subplot with Walesna wife as well some comedic one-liners are the most enjoyable things about this movie.

There's just isn't much to it. The movie spent more time "talking" about what great man Walensa is rather then "SHOWING" it. I think they did an excellent job of showing what colorful character he is but at the same times movie doesn't spent much time to have you feel what struggles hes going trough. His just "There". It simply lack emotions and there is something anti-climatic about the way it ends.

When the movie ended I truly felt I've only seen 1/3 of a movie. Some good moments and an excellent cast but as a whole nothing special...