IMDb-BEWERTUNG
6,5/10
3880
IHRE BEWERTUNG
Ein zurückgezogener Senior erlebt das Leben auf neue Weise, als er beginnt, Zeit mit der freigeistigen Frau zu verbringen.Ein zurückgezogener Senior erlebt das Leben auf neue Weise, als er beginnt, Zeit mit der freigeistigen Frau zu verbringen.Ein zurückgezogener Senior erlebt das Leben auf neue Weise, als er beginnt, Zeit mit der freigeistigen Frau zu verbringen.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Deanna Rashell
- Laura
- (as Deanna Meske)
Empfohlene Bewertungen
"Somethings are priceless." Elsa (MacLaine) is an older woman who isn't happy with anyone or anything. When recently widowed Fred (Plummer) moves in next door the two become fast friends. The friendship develops into more and the two find out that it's never too late to find love. Until Elsa's life turns out to not be what Fred expected. The first thing I have to say is that this was a pretty good movie. Plummer and MacLaine have great chemistry but that is to be expected from two legendary actors like them. The fact that those two are in it is the reason that the movie rises above being a cheesy cookie cutter love story. There really aren't any real surprises in this and goes pretty much how you would expect. All that said I am 35 and this movie isn't really geared toward me at all. I'm sure an older crowd will relate to this better and they will probably find it more enjoyable than I did. Overall, a movie that was OK and I liked it but if I was 40 years older I probably would be able to relate to this better and love it. I give it a B.
This is one of those films you want to love – strong lead actors and a solid supporting cast showing another homage to aging gracefully. But the cake was left in the oven a bit too long and the resultant 'romantic comedy' becomes so Hallmarky that the script drowns the fine intentions of the actors. Written by Anna Pavignano and Michael Radford (who also directs), the story is given its best shot by Shirley MacLaine (age 80) and Christopher Plummer (age 85) but the saccharine ending is a bit too heavy to hold up the good moments.
Set in New Orleans, the story introduces two people who at the end of the road, discover that it's never too late to love and make dreams come true. Elsa (Shirley MacLaine) has lived for the past 60 years dreaming of a moment that Fellini had already envisaged: the scene in 'La Dolce Vita' at the Fontana di Trevi. The same scene without Anita Ekberg in it, but with Elsa instead. Without Marcello Mastroiani but with that love that took so long to arrive. Fred (Christopher Plummer) has always been a good man who did everything he was supposed to do. After losing his wife, he feels disturbed and confused and his daughter (Marcia Gay Harden) decides that it would be best if he moves into a smaller apartment where he ends meeting Elsa. From that moment on, everything changes. Elsa bursts into his life like a whirlwind, determined to teach him that the time he has left to live -- be it more or less -- is precious and that he should enjoy it as he pleases. Fred surrenders to Elsa's frenzy, to her youth, to her boldness, to her beautiful madness. And this is how Fred learns how to live. When he learns about Elsa's terminal illness, he decides to make her dream come true and takes Elsa to Rome to reenact with her the famous scene at the Fontana di Trevi.
The supporting cast includes Scott Bakula, George Segal, James Brolin, Chris Noth, Wendell Pierce, and Erika Alexandra (in the most entertaining role as the 'housekeeper' for Fred). It has its moments and it always is a pleasure to see MacLaine and Plummer no matter how lame the script's ending. Not exactly the reincarnation of Fellini's La Dolce Vita, but an entertaining movie.
Set in New Orleans, the story introduces two people who at the end of the road, discover that it's never too late to love and make dreams come true. Elsa (Shirley MacLaine) has lived for the past 60 years dreaming of a moment that Fellini had already envisaged: the scene in 'La Dolce Vita' at the Fontana di Trevi. The same scene without Anita Ekberg in it, but with Elsa instead. Without Marcello Mastroiani but with that love that took so long to arrive. Fred (Christopher Plummer) has always been a good man who did everything he was supposed to do. After losing his wife, he feels disturbed and confused and his daughter (Marcia Gay Harden) decides that it would be best if he moves into a smaller apartment where he ends meeting Elsa. From that moment on, everything changes. Elsa bursts into his life like a whirlwind, determined to teach him that the time he has left to live -- be it more or less -- is precious and that he should enjoy it as he pleases. Fred surrenders to Elsa's frenzy, to her youth, to her boldness, to her beautiful madness. And this is how Fred learns how to live. When he learns about Elsa's terminal illness, he decides to make her dream come true and takes Elsa to Rome to reenact with her the famous scene at the Fontana di Trevi.
The supporting cast includes Scott Bakula, George Segal, James Brolin, Chris Noth, Wendell Pierce, and Erika Alexandra (in the most entertaining role as the 'housekeeper' for Fred). It has its moments and it always is a pleasure to see MacLaine and Plummer no matter how lame the script's ending. Not exactly the reincarnation of Fellini's La Dolce Vita, but an entertaining movie.
If you are of a certain age and still hopeful about life and love, you will love this movie. Shirley MacLaine and Christopher Plummer are perfectly cast and give wonderful performances, especially Shirley. I will not go into the plot or reveal any spoilers but suffice it say that this is the perfect lazy, glass of wine with cheese and fruit Saturday afternoon movie for those of guys of a certain age.
A delightful, charming, warm, funny, sad, inspiring and lovable film! We loved it. But then we're seniors. Younger folks just might not "get it." But there is so much that is so good here, not the least of which is the wonderful chemistry between Christopher Plummer and Shirley Maclaine. They are superb to-gether and exhibit a special "something" that goes beyond their formidable individual acting talents. I don't know why it was shot in New Orleans. The city plays no part in the story. Indeed if you were not familiar with the St. Charles streetcar which trundles across the screen repeatedly and needlessly, you might not even know it is New Orleans. But aside from such minor nitpicking on my part, it is a tremendously warm and human movie with two superbly crafted characters played by two brilliant stars. Good entertainment for anybody. Essential entertainment for anybody over 65!
I didn't expect too much of this but came away pleasantly surprised. Maclaine and Plummer had good chemistry and it was a good reminder that life and feelings don't stop with the first grey hair. I thought the relationships between parents and children were realistic as it's almost a role reversal and the children start treating the parents like children. It was a change watching a love story that didn't involve a handsome young man and a beautiful young woman and showed that love is love no matter what age you are when you find it. Although the plot was predictable, it was a nice ride and one I would recommend for a Sunday afternoon.
Wusstest du schon
- WissenswertesElsa & Fred (2014), set in New Orleans, is an English-language remake of the 2005 Spanish-Argentinian film of the same name --- Elsa & Fred (2005). The film was shot on location in New Orleans because of tax incentives, according to Shirley MacLaine.
- Zitate
Elsa Hayes: Life is long, and when you've lived so many years, and you do things, and you don't think when you're doing them, that they matter all that much. And then one day you wake up and you realize that you managed quite a bit, and so much so that you can't even remember all of it.
- VerbindungenAlternate-language version of Elsa & Fred (2005)
- SoundtracksShake It
Written by James Longford (ASCAP) and Adam Longlands (BMI)
Performed by James Langford
Courtesy of Cutting Edge Music (Holdings) Limited
Top-Auswahl
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Details
Box Office
- Budget
- 12.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 285.863 $
- Eröffnungswochenende in den USA und in Kanada
- 65.275 $
- 9. Nov. 2014
- Weltweiter Bruttoertrag
- 753.975 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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