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The Comedy

  • 2012
  • Not Rated
  • 1 Std. 35 Min.
IMDb-BEWERTUNG
6,3/10
5535
IHRE BEWERTUNG
The Comedy (2012)
Indifferent to the notion of inheriting his father's estate, a Williamsburg guy passes the time with his friends, playing games of mock sincerity and irreverence
trailer wiedergeben2:17
5 Videos
50 Fotos
Drama

Gleichgültig gegenüber dem Gedanken, dass er der Erbe des Anwesens seines Vaters ist, verbringt ein ruheloser, älter werdender New Yorker seine Zeit mit Freunden bei Spielen voller falscher ... Alles lesenGleichgültig gegenüber dem Gedanken, dass er der Erbe des Anwesens seines Vaters ist, verbringt ein ruheloser, älter werdender New Yorker seine Zeit mit Freunden bei Spielen voller falscher Ehrlichkeit und Respektlosigkeit.Gleichgültig gegenüber dem Gedanken, dass er der Erbe des Anwesens seines Vaters ist, verbringt ein ruheloser, älter werdender New Yorker seine Zeit mit Freunden bei Spielen voller falscher Ehrlichkeit und Respektlosigkeit.

  • Regie
    • Rick Alverson
  • Drehbuch
    • Rick Alverson
    • Robert Donne
    • Colm O'Leary
  • Hauptbesetzung
    • Tim Heidecker
    • Eric Wareheim
    • James Murphy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    5535
    IHRE BEWERTUNG
    • Regie
      • Rick Alverson
    • Drehbuch
      • Rick Alverson
      • Robert Donne
      • Colm O'Leary
    • Hauptbesetzung
      • Tim Heidecker
      • Eric Wareheim
      • James Murphy
    • 39Benutzerrezensionen
    • 58Kritische Rezensionen
    • 46Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 2 Nominierungen insgesamt

    Videos5

    Theatrical Version
    Trailer 2:17
    Theatrical Version
    The Comedy
    Trailer 2:18
    The Comedy
    The Comedy
    Trailer 2:18
    The Comedy
    The Comedy: Hitler Had Indigestion
    Clip 1:19
    The Comedy: Hitler Had Indigestion
    The Comedy: Taxi Hiphop
    Clip 1:50
    The Comedy: Taxi Hiphop
    The Comedy: Representin' Williamsburg
    Clip 1:59
    The Comedy: Representin' Williamsburg

    Fotos49

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 46
    Poster ansehen

    Topbesetzung34

    Ändern
    Tim Heidecker
    Tim Heidecker
    • Swanson
    Eric Wareheim
    Eric Wareheim
    • Van Arman
    James Murphy
    James Murphy
    • Ben
    Jeffrey Jensen
    • Cargill
    Gregg Turkington
    Gregg Turkington
    • Bobby
    Kate Lyn Sheil
    Kate Lyn Sheil
    • Waitress
    Alexia Rasmussen
    Alexia Rasmussen
    • Young woman
    Liza Kate
    Liza Kate
    • Sister-in-Law
    Adam Scarimbolo
    Adam Scarimbolo
    • Brent
    Lg Shurley
    • Male nurse
    • (as Seth Koen)
    Will Sheff
    • Will
    Richard Swift
    Richard Swift
    • Richard
    Angus Hepburn
    • Wealthy Man
    Grace Kiley
    Grace Kiley
    • Wealthy Woman
    Grace Rex
    Grace Rex
    • Hospital Nurse
    Alice Maziuman
    • Hospital woman
    Gregory M. Brown
    • Doctor
    Liam O'Connor
    • Child #1
    • Regie
      • Rick Alverson
    • Drehbuch
      • Rick Alverson
      • Robert Donne
      • Colm O'Leary
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen39

    6,35.5K
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    Empfohlene Bewertungen

    7LeonisDeon

    Not For Everyone

    There is something to be said about this film. It is real and uncomfortable, but I believe that there is something deeper going on here.

    We watch a bunch of genuinely unpleasant people go from place to place, and in a nutshell that's it. At least on the surface that is.

    This is could be a commentary on what freedom can do to someone. Our main character seems to have no real connection with people outside of his small group of friends. He has the possibility to inherit his father's fortune, instead goes from place to place and seems to exists.

    The protagonist is a deplorable person, don't get me wrong, but you can connect with him in his longing to have something meaningful to happen. I can see some people not liking the fact that nothing seems to really happen in the film, but because our main character doesn't have anything purposeful happen to him, the film reflects that.

    The cinematography in the film has a lot of up close shots allowing us to really read into the emotions of the main character.

    One thing I haven't really mentioned is that the dialog is very interesting. It can go from something funny and seemingly lighthearted, but then does a complete 180. There we're several scenes where the humor is really there.

    Overall, this film is not for really a wide crowd, but if any of this sounds interesting, I wholly recommend it.
    8Agent10

    Enraging, infuriating, maddening....

    In all honesty I hate this film. I hate the characters. I hate the story. I hate the dialogue, the costumes...everything. I hate the fact they wasted great music and overlayed it in various scenes that showed the pointless and hollow lives of the privileged hipsters. There is absolutely nothing here, for no one learns any lessons, no one evolves, no one seeks redemption for bad actions and no one really strives to be a better and interesting person. This is why it is such a brutally brilliant film.

    There is nothing like this film, and it's amazing that it is fronted primarily by two guys who did weird postmodern TV shows on Cartoon Network and a indie singer who did not become "famous" until he and his band retired (of course they made an eventual comeback, for people actually wanted to hear LCD Soundsystem for some reason). The story on the surface seems like a stunning indictment on trust fund hipsters, but it ultimately is a deconstruction of what happens to people when they lack ambition, desire and heart due to the mundanity of their comforting and unsatisfied lives.

    Eric Heidecker is Swanson, an overbearing hipster who is on the verge of inheriting his dying father's fortune. While he grapples with the situation, it is clear he has no clue what to do with his life. He provokes and taunts people to ferry reactions out of them, with one might surmising he is doing it in hopes of getting seriously injured or even killed. Anything to feel something beyond apathy. At least that is what it seems like when he enters the African American bar and openly talks about gentrifying the neighborhood and insulting the other patrons. Of course, it could be ignorance considering Swanson might believe that since he likes hip-hop music and other forms of minority culture, that he somehow has the right to speak in such generalities. Trust me, I wanted the men at the bar to pummel him but then again, it would have been dishonest.

    I think this is what makes this film so unsettling. While we hope Swanson and his friends eventually grow up and continue their life journey, they just continue to be awful human beings. Before the social media world gave such bad behavior a monetary feed, being this type of person was unexpected. Now it has sadly grown into a norm.

    Like I said before, I hated Swanson and ultimately wished he had an end like Harvey Keitel in Bad Lieutenant, but that would not have been a sincere outcome. You can't feel any sympathy for the characters and this is what is so provocative about this film. Considering Heidecker's career this is a wild subversion on his filmography, and it seemed perfectly tailored for someone like him. It will be years before I want to see this again, but damn this is provocative.
    7onionsoup321

    Hard to Watch but Painfully Real

    People say the characters are hard to relate to and be empathetic towards which is completely wrong. If you hate the characters you are empathizing with them because they obviously hate themselves even more than you. With that being said it was very hard to watch some scenes and they dragged on too long, but the feeling of pointlessness in life that so many in this generation feel (including me) makes it understandable why the movie is the way it is. The repetitiveness, hopelessness, and boredom of modern life depicted through a 90 minute movie. All of us are looking for happiness but very few actually find it.
    9nickvillaire

    My Take on The Comedy

    I'm a big fan of Tim & Eric Awesome Show Great Job, and that is essentially why I wanted to see this, but this film is another animal. There's the humor that fans of Tim & Eric are used to scattered here and there throughout the film but I think it mainly works to compliment the mood of the entire piece. Be warned, this is not a regular film, if that's what you desire than that's just fine, see something else. The Comedy is that piece of art on the wall, when you see it for the first time, that makes you think of how you act and who you are and what you're doing. It's that thing that someone said to you that stuck in your head and brought up memories you'd forgotten about and lies that you've told yourself. But this is just how I felt, reviews are flawed because they can only tell you how that particular person felt about that particular thing. You may see it and just see one big, boring piece of crud. I'm not going to say that I think the movie was trying to say one thing or another because I believe any good art isn't clearly defined or pinned down. All I know is that it affected me. I really do hope more people see it because I believe we need something like this to level out everything else that's thrown at us. Give it a chance.
    9DamnYouGoogle

    The Melancholia That is Freedom.

    Outside melancholia I don't see be using many 5 dollar words to describe The Comedy. Born from the depths of a generation sans responsibility The Comedy is a sad portrayal of those privileged yet initiated in the world today. Essentially the hollow existence of a rich man (by way of proxy) is exposed as a numbing unnerving process in which a sad person seeks to feel alive through a series of ironic and annoying events that can only be described as "real life trolling". The acting is subtle and upsetting as you watch the life of a 4 grown men whittled away seemingly at their own discretion and it becomes even more upsetting when you realize these men do these things on their spare time as well leaving you wondering if the main character, wonderfully played by Tim Heidecker is searching for a deeper meaning in all this non-sense or simply killing time in between breathing.

    The most striking and obvious theme of the movie is hit dead on, as no matter how much "fun" the characters are portrayed as having a deep seeded loneliness constantly lingers on the screen. Even as Heidecker's character forms relationship or merely interacts with a stranger you can feel the unhappiness he extrudes.

    One thing about The Comedy that is for sure, is that while it may make you chuckle and even get a gut laugh is far from a comedy. No, The Comedy is ironic portrait of how ironic it is that a life fueled by irony is without a doubt sincerely unfulfilled.

    If you are looking for the laugh riot of the year I suggest you pass on The Comedy. If you are looking for a serious film on flippant lives it might be the best of 2012.

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    Tim and Eric Awesome Show, Great Job!
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    Verwandte Interessen

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The black males Swanson (Tim Heidecker) encounters at a Brooklyn bar were not actors but participants. Their reactions from Heidecker stereotyping them were genuine.
    • Zitate

      Swanson: [affecting a southern accent while talking to his sister-in-law, who remains silent] Oh Liza, Liza. Them slaves be workin' hawd out heah. Dyin' out there in, in the thousands. In de sun. Just keelin' over from de heat. From de HEAT-UH. Come on, now. Ain't it good, ain't it right, to see them die? How hawd dey work? For dis fam'ly? Poppa use dem skin for makin' nice furniture. He tans 'em out dere, and makes a nice - that couch you on, in dere is all slave meat. Slave skin. As it should be. Lawd bless 'em. Slave penis and vagina. Come on, that's funny. I know you think that's funny. You ain't-your sense of humor ain't died. It's a good crop of slaves we have this year, innit? Real nice, nice bunch. I got to know 'em personally. Some of 'em, I know 'em by their first name! Old man be dead by now, I 'spect. Ain't breathin' too good. I 'spect he won't, he won't, shine too, too kindly on our family. He got one son out dere on a boat. He got another boy up dere, inna looneybin. Married to some whore. Who sh-who, who rubs, uh, who, who rubs, rubs sh-rubs shit on her vagina! Some whore, got, you-you are, you the kind of whore that, you the kind of whore that swallows cum. You are my only cum-swallowing sister-in-law, and I appreciate it. Cum swallower. That's the proudest thing to be, in this family.

    • Verbindungen
      Featured in Half in the Bag: Django Unchained and 2012 Recap (2012)
    • Soundtracks
      Baby
      Written by Donnie Emerson

      Performed by Donnie & Joe Emerson

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. Januar 2012 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Комедія
    • Drehorte
      • Greenpoint, Brooklyn, New York City, New York, USA
    • Produktionsfirmen
      • Glass Eye Pix
      • Greyshack Films
      • Jagjaguwar
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 41.113 $
    • Eröffnungswochenende in den USA und in Kanada
      • 6.000 $
      • 11. Nov. 2012
    • Weltweiter Bruttoertrag
      • 41.113 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 35 Min.(95 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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