Book of Love - Ein Bestseller zum Verlieben

Having been in several small writers groups in different Nevada and California locations I found it true to life in that a non-writer controls the group. The one problem I had with the film was the screenwriters identifying a Vanity Press indicating Roaring Lion as a Print-On=Demand. Nothing could be farther from the truth. I have found POD to be quite rewarding and not nearly as expensive as depicted in the film.

I do believe that all three writers landed publishing contracts not because of what was written, but who they knew. I am sure that is the way it works in Hollywood and I understand it working in the print world as well.

There were some chuckles, but as I found it too true to life in the writers group segments, I couldn't give it higher than 4 stars. For someone who has never experienced the writers groups BS they may find it extremely funny.

Seal A retired porn star fights political corruption, intrigue and murder in... Not Much of a Crime - 2013 ABNA Quarter Finalist http://www.stevenwjohnson.com

Well I love everything literary, but I certainly didn't love this movie. As soon as I saw Kaley Cuoco of Big Bang fame I decided to watch it. I'm also a fan of Chis Klein but he fails to impress in this movie. Kaley appeared exactly the same as her ditzy character in Big Bang, I sincerely hope this is not her true personality and she is just being type cast which is a real shame. All the characters were overblown and farcical, I presume this was intentional. I found nothing funny about it, didn't laugh once and dare I say it, didn't even smile. What another waste of time and effort. How do they get the money to make these movies? Very disappointed yet again. The premise was interesting, but the heavy handed script writing ruined any chance of an enjoyable movie. Why do they insist on treating us the paying viewers as if we are dumb? Shame, shame, shame.

Kaley Cuoco was my main reason for being interested in this movie, even when it looked like a failure. She gives a great performance and is of course quite good-looking, especially in a tank top or shorts or both, or nothing but a man's dress shirt. She wears a spaghetti-strap top in one scene. But she has such a great personality. I won't say her looks don't matter because they are important to the plot, but they're not that necessary. And she's great with Henry, but not all that romantic. She wears glasses to read, but while I wasn't crazy about her first pair, her second pair look worse. No, in the photo representing the movie on IMDb, she's wearing a pair she tried but didn't like.

Dennis Farina once again reminds us how much we have lost. He's not a particularly likable character, but one we can love to hate. John K. Butzin (who, like Ed LaSalle, the most memorable character in a Mary Tyler Moore sitcom I can't remember the name of, uses his full name when talking about himself) , is quite annoying but still a pleasure to watch somehow. His misfortunes are hilarious, helped along by Tricia Helfer.

William is annoying and I don't mean that in a good way.

Teri Polo and I have a history. Her character in "Northern Exposure" was so unpleasant I all but quit watching the show. That's how bad it had gotten. And she's just as terrible here, at least to me. In the first scene she has pretty hair but not a pretty face. Later, with more makeup, she's somewhat good-looking. But her personality is really hard to take. She does have some good scenes that even I couldn't criticize. I believe people will like her. Just not me.

Chris Klein is someone you want to root for, but watching his difficulties is actually kind of fun. He's pleasant enough.

I was going to say the actress has one line but makes the most of it, but she actually has many more lines later and shows that she was capable of more.

Overall, it was pretty good.

I wasn't sure whether or not to give this one a go considering the current low rating (which was 4.4 when I wrote this review) but I must say I'm glad I did.

It's not the most amazing movie of all time or anything but it kept me entertained throughout it's running-time.

It feels like it was heavily inspired by the TV-series 'Modern Family' and Christopher Guest's filmography with a fake documentary approach having the characters talk straight to the camera occasionally about their lives and the other characters etc.

If you want to get technical some angles could simply not have been captured the way they were in the movie by a documentary-crew, with for instance multiple- angle close ups of characters sitting opposed to each other at a table but no camera-man in sight in any of the shots, but it doesn't take you out of the movie or anything.

As far as the movie goes it had a lot of funny moments with a stellar cast (good to see Chris Klein again) and even though the plot is hard to describe as it's not really a plot-based movie but merely about some odd characters with hopes of becoming successful writers (some odder than others) it does entertain and that's all I wanted from the movie.

Writers, aspiring authors, and journalists seem to get flack no matter where they turn in an increasingly math and science driven world that, while undoubtedly improving the life and sanctity of humanity through unforeseeable technological and scientific innovations, still inherently neglects the humanity and the eccentric qualities that the aforementioned groups of people work to establish within nearly everything they do. In such times, where opportunities for jumpstarting their writing projects have been given more accessibility but, in return, less professional credibility, we logically turn to other writers to discuss this problem or, ambitiously enough, seek out films to help us deal with the common struggles of a writer, to which Ellie Kanner's Authors Anonymous seemed like a solid bet for a film attempting to profile a group of aspiring writers.

Authors Anonymous never really establishes whether or not it wants to be a practical account of a group of goofy writers whose ultimate goals are to get published and become recognized for what they do or if it the film wants to be a broadly done satire profiling the common caricatures of writers. I have a feeling the film leans more towards the second category than the first, however, that only makes my ongoing review even harsher, for the film not only squanders opportunities and commentary with this approach, when it should be overflowing with them, but also greatly diminishes the resonance this film could have with writers everywhere, myself included.

The film has a plethora of great stars, all of whom I hope to see in better films as soon as possible. The film revolves around a group of aspiring/struggling writers, whom gather at their authors anonymous meeting - although they openly state their names, which defeats the purpose of the group's name, yet I digress - to discuss their stories and their ambitions, while giving and receiving personal feedback. The group is run by Henry Obert (American Pie's Chris Klein), an amiable pizza delivery man and carpet cleaner, who is suffering from a wretched case of writer's block and disillusioned by his monotonous existence all the more. That is until he meets Hannah Rinaldi (The Big Bang Theory's Kaley Cuoco), a woefully dim but cheery and attractive writer who, while never reading a book in her life, let alone naming a famous author, manages to score a publishing deal for the book she wrote. Once she manages to become a regular at the authors anonymous (but not really) meetings, she is quickly envied by the other authors in the group, including the uptight David Kelleher (Jonathan Banks), the do-nothing William Bruce (Jonathan Bennett), and the annoyingly delusional but incomparably ambitious John K. Butzin (Dennis Farina), who aspires to one-up everyone in the group by looking to get his novel published and made into a movie, directed by Clint Eastwood, to disastrous results.

The way I see it, each author is supposed to represent a different kind of author we encounter or read about. While Henry is optimistic, he's also burdened by the inability to capture his thoughts adequately on the page, while Hannah is the kind of person who's ignorance and lack of any real fundamental knowledge of the field are neglected by others and, of course, she walks away with a publishing deal. Meanwhile you have David, who carries a tape recorder along with him to voice his spur-of-the-moment ideas, however, never actually using them, William, who is simply in it for the ride, talking a lot but never actually writing, and John, the writer who deludes himself by saying all is going well and on the up-and-up for his writing career when it's anything but.

Yet, writer David Congalton doesn't really acknowledge or dive into the purpose of these caricatures, making them lumber through tiresome setups with every scene, allowing their same flawed personality traits to be seen. This does nothing more than erect a tired, one-note joke where we become so caught up in the character's naivety and inherent stupidity that we don't care anymore. We came to see a version of ourselves, but all we get are the broadstrokes of actual human beings that exercise in that odd cinematic void where complete and total stupidity is passed off as reality. Not to mention, the film is also shot like a reality show, ironically adding realism to the one film this year that has about as much realism as Transformers: Age of Extinction.

Authors Anonymous bears some positives amidst a whirlwind of issues. The cast is always watchable and committed to their roles, regardless of how obnoxious or undercooked they are, the film bears the kind of original setups that you're interested in, even on a small note, just to see where they end up, and the film isn't without certain moments of humor. However, Authors Anonymous, like a muddled adventure book, lacks an identity or a resonance with broadly-drawn satire or attempts at a comedy authors can relate to, never identifying with either and unfortunately failing if classified as both.

Starring: Chris Klein, Kaley Cuoco, Johnathan Banks, Johnathan Bennett, and Dennis Farina. Directed by: Ellie Kanner.