Housos

Elle Dawe encapsulates the spirit and attitude of Australia in one amazing character. Never seen a women smash a wine bottle over a bogan's head with more vigor and passion. If she doesn't end her career with an Oscar something is wrong.

This show is one of the funniest things the Fat Pizza crew has done. I quite enjoy it. I used to pretty much live like these people for about 3 years, so i can relate. The previous reviewer has it all wrong she doesn't understand because she is from the states. Now if it was a show about rednecks. Maybe a different review would of been put up. Every country has its issues with people on the poverty line. Your country ain't perfect. Now go watch something else or i'll thong ya haha. Paul Fenech has come along way with his comedy, you need to go back to his earlier stuff with Fat Pizza to admire his work. Also have Swift & Shift which was also a great funny show. Must be doing something right with making 3 different shows and now making movies that blend all the characters into the one flick and he plays 3 characters. I myself am a big fan and hope to see many shows in the future!

Kudos to Paul Fenech for this late-night satire! I don't know what Dame Edna would think of series but reckon for sure Sir Les Patterson would be tickled pink/ruddy-red with humour. Lead character Frankie is to all intents a down-under Warren Beatty/Warren Zevon love-child who's basically an anti-authoritarian outlaw jailbird on the run. Off the grid so to speak... (man a guy like Frank could do with a lawyer like Saul Goodman but that's a different story) although Frank's often goes back to home town Sunnyvale so he can sort stuff out if U know what I mean. Anyhow sit back and enjoy the ride folks (all U kiddies watching should go back to bed, as Roy & HG would say :)

Frenech's Housos like Kath and Kim is masterful, frequent comic writing. He's a talent this guy, and that includes his acting too. As just recently becoming a confirmed Housos's addict, it's genius the way his whole comedy, no matter how off the wall it is, has a too underlying truth about it. Using fictional name Sunnyvale as a suburb, you want to wisely avoid (the show is set in Mt Druitt and Parramatta) we see the struggles of the lower class, taking to crime while sharing many sexcapades. The humor is foul, as is Shazza's mouth, but it's undeniably funny, with sharp cutting dialogue. Turps is great to see as the out of house father, who spends his days at the pub playing pokies, in not a half bad performance. Off the wall it is, trashy it is, but it's funny trash, but look underneath and you'll find a reality that's all so true about the lower class. The Centrelink angle cracks me up. May'be viewers can better understand what the lower class endure, where for them it's a vicious bloody circle, and how this problem really needs to be addressed, but for the viewer this show is bold and bloody funny.

Paul Fenech, creator of the outrageous Australian comedies Pizza and Swift and Shift Couriers, brings the satirical degenerates of his latest television series Housos- the controversial program that pokes fun at life in the fictional housing commission suburb of Sunnyvale- to the big screen.

The film follows houso Shazza (Elle Dawe) who, upon finding out that her estranged mum is terminally ill, makes the trip to Alice Springs to be with her on her deathbed. After mum passes away, Shazza vows to honour her dying wish by spreading mum's ashes atop Ayers Rock. Along for the ride are dopey de facto Dazza (Jason Davis), father of the year Kev (Kev Taumata), his delusional wife Vanessa (Vanessa Davis) and carefree criminal Franky (Fenech).

To Fenech's credit, not one sector of Australian society escapes mockery in this film. Deadbeat Kiwis, Lebanese wannabes, Aboriginals and even the Prime Minister cop a truckload of amusing, if somewhat overboard, punishment for the stereotype they have assisted in creating.

The comedy never settles on a middle ground, and is instead wildly inconsistent in producing laughs. Funny moments often have the positive effect of taking the viewer by surprise, even if they are overshadowed by the ludicrousity of the scene, while lapses in humour- especially when the cast tries too hard- are painfully uncomfortable.

The entire film feels like overcompensation for a lack of plot and genuine intrigue (screenplay and stylist credits seem a bit rich, since most dialogue contains variations of the F-bomb and everyone looks the same in every scene), but if served with a heavy dose of ticklish friends and bottom-rung expectations, one might even be reluctant to admit how much they enjoyed Housos vs. Authority. By the closing credits, nobody's learnt their lesson and nobody's a better person for the experience…and that's just the way it should be.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*