Planet der Affen: Revolution

"I always think... ape better than human. I see now... how much like them we are."

After the magnificent "Rise of the Planet of the Apes" from 2011, Caesar the legendary ape who started the revolution for his species, can show up again in this sequel. It's 10 years later and the world has been decimated thanks to the Simian virus. This flu originated from a genetically engineered virus and ensured that the apes became systematically wiser. The magisterial beginning shows Caesar in close-up and from there it's a run-up to an amazing first 20 minutes in which no human is seen and we witness the ins and outs of the apes commune, who communicate by use of a kind of sign language. They have retreated into a mountainous forest near San Francisco, where they have formed a primitive society with Caesar as the absolute leader. They lead a peaceful existence, not aware of the fact that humanity has survived the pandemic. Until such underdeveloped biped turns up one day and immediately shoots an ape at first sight. And that's the beginning of a very interesting struggle for power between two different cultures with survival instinct, self-preservation and demarcating the territory as a central issue. Eventually you start to wonder who really are the primates.

Is it necessary to see this movie in less than no time because of the original story with surprising twists? Nope, not at all. It's not really that exciting and even a normal chimpanzee can predict the outcome. But, it's the amazing design of the apes and the sometimes real human actions and emotional traits that they show. Probably the fact that the actors are "motion captured" has something to do with it, but it's still breathtaking to watch. At certain moments the CGI wasn't quite correct. Especially the fragments of the horse riding apes. You can notice sometimes that these were computer animations. But that's really nitpicking. The Most part looked lifelike and one can only conclude that the authentic episodes of "Planet of the Apes" from the 60's were irrefutable populated by costumed actors.

The final confrontation between humans and apes, with Caesar, again played by Andy Serkis (who formerly also performed as Gollum in TLotR), and Malcolm (Jason Clarke) as the two righteous leaders of the two parties, is of course inevitable. Clearly a socio-political theme was ingeniously woven throughout the cheap, ordinary Hollywood entertainment. The mutual distrust with revenge as the cause for the sneaky tricks and treachery. One group is angry because the apes are supposedly the origin of the extermination of mankind. The other group is unnerved by the years of abuse in laboratories and a doomed life in captivity. The result, of course is a clash with also some internal feuds and conflicts.

Unfortunately after several memorable and downright masterful film clips, we're treated with some ordinary, cheap action movie scenes. A kind of "Expendables meets The A-Team" with heroically swinging of automatic rifles, rockets whizzing around the ears as if the third world war just began and even a tank broke loose. Next to that a big can of sentimentality is pulled open quickly leading to an engaging conversation between Caesar and his son. And then the curtain falls across this magnificent epos with a picture of a real Messiah who parades among his followers. An open end that yearns for an overwhelming third part. But beyond this kitschy final offensive you can admire a few cinematic gems like the appearing of the apes colony in the big city, where they speak to the crowd in an admonishing tone. You could feel the consternation of the crowd after hearing the first words of Caesar. And also the magnificent mimicry Koba used at one time to deceive two armed men. A moment where CGI and facial expressions blend effortlessly. Yes, that's the reason why you should watch this movie.

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Dawn of the Planet of the Apes is at the same time a great Planet of the Apes movie and a terrific science fiction movie. The way speech is brought upon in the movie is amazing and really brings a lot of reality to something so out of the box. The tension is palpable through the whole movie and there's never a dull moment.

Positives:

• Directing
• Andy Serkis
• Main cast
• Special effects (Specially the apes)
• Musical score
• Pacing

Negatives:

• Most of the human characters

A really great follow up that builds on what the first film set up, and still features fantastic effects, performances and action, even if they still haven't fixed some of the problems with the original. The big issue across these two films is that the human characters are very one-note and bland. Gary Oldman is the only complex human character in it - the rest just have one personality trait that is well explored, if that, and a lot of them make very stupid decisions. But on the flip side, Caesar is a fantastic character, and I really like how the apes' opinions on humans are affected directly by their experiences of them - it makes their characters a lot better. Andy Serkis is still fantastic, and the effects have aged very, very well. The action is really well shot, and has a really nice gritty feel, particularly in the second half. I will say that the first half was a tad slow for me, but I did appreciate how the film spent time building up the characters in order to go all out for the finale. The cinematography is strong and the story is well developed - those opening few minutes really pack a punch now. Overall, I wouldn't call this one of the best sequels of all time, but it is a genuinely great and recommendable film.

There are some films you go to see with low expectations and back in 2011 Rupert Wyatt's "Rise of the Planet of the Apes" was one of those. After the Charlton Heston classic, a long series of increasingly poor sequels and a failed Tim Burton reboot, apprehension was high. But how wrong could I be. This was 100% a 10/10 film (if I'd been doing these reviews in those days): an epic and gripping story; great performances from James Franco, John Lithgow, Freida Pinto and Harry Potter star Tom Felton; and stunningly executed special effects, with Andy Serkis's performance delivering amazing depth of feeling and emotion. (The scene where Serkis's character Caesar first speaks is one of my top 10 "most goose-bumpy" moments in cinema history).

Now, 4 years later, we have the sequel - Dawn of the Planet of the Apes - which, given how much I loved the original film, I approached with a similar feeling of apprehension. But, I am delighted to say, I was pleasantly surprised.

Dawn of the Planet of the Apes neatly takes over in its opening titles where the closing titles of the first film left off. The so-called Simean flu has wiped out 499 of every 500 people on earth, deftly explaining why James Franco and Freida Pinto fail to reprise their roles in the sequel: in fact it would have been an unrealistic cop-out if either had done. Instead - monkey business aside - we have a brand new human cast led by Jason Clarke ("Zero Dark Thirty", "The Great Gatsby"), Keri Russell ("MI-3's" 'bomb in the head' girl) and heavy hitter Gary Oldman. These characters are trying to rebuild a new society for the survivors in San Francisco, but their desire for power (of the volts and amps variety) puts them in direct conflict with the emerging simian society deep in the redwoods. Much conflict ensues, not only between the two tribes but between the factions of the two societies.

Once again, there is a good story by original writers Rick Jaffa and Amanda Silver, joined by Mark Bomback: underneath the set-piece action sequences, the majority of the drama comes from the relationships between the characters, and especially that between Caesar (Serkis) and his estranged son played extremely well by Nick Thurston, culminating in a remarkable stand-out scene between the two in Caesar's old home that is genuinely moving. And another specific callout was Yorkshire-born Toby Kebbell playing the emotionally and mentally wounded Koba: his scenes in the human armoury - think Heath Ledger's Joker crossed with PG Tips advert - are both funny and distubing in equal measure.

Is it as good as "Rise"? No, not in my view. The first film was novel and deep, and "Dawn" is more superficial in comparison. It is also far more of an action film (or "a bit fighty" as my dear wife described it), with some standout battle scenes that are a masterpiece of special effects. If "Rise" could be compared to the original "Alien", "Dawn" is much more like "Aliens" - wham, bang, thank-you Simian.

The director this time is wunderkind Matt Reeves ("Cloverfield", "Let Me In"), directing with panache and a narrative drive that only occasionally lets up for emotional punch. The acting is good and (as flagged above) the special effects are outstanding: the production team clearly saw "I am Legend" and wanted to go one better with the San Francisco streets. And all topped off with a fine and un-obtrusive score by Michael Giacchino.

Highly recommended, and I am now looking forward to the next sequel, planned for a 2016 release.

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