Ein aufstrebender Schauspieler, der unter einer starken Gesichtsdeformation leidet, unterzieht sich einem radikalen medizinischen Eingriff, um sein Aussehen zu verändern. Doch sein neues Tra... Alles lesenEin aufstrebender Schauspieler, der unter einer starken Gesichtsdeformation leidet, unterzieht sich einem radikalen medizinischen Eingriff, um sein Aussehen zu verändern. Doch sein neues Traumgesicht verwandelt sich bald in einen Albtraum.Ein aufstrebender Schauspieler, der unter einer starken Gesichtsdeformation leidet, unterzieht sich einem radikalen medizinischen Eingriff, um sein Aussehen zu verändern. Doch sein neues Traumgesicht verwandelt sich bald in einen Albtraum.
- Für 1 Oscar nominiert
- 10 Gewinne & 60 Nominierungen insgesamt
Corey R. Taylor
- Luther
- (as Corey Taylor)
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I found 'A Different Man' a very tough movie to get my head around just whether I enjoyed it or not. On the one hand I found it interesting and I was always curious what would happen next and how it would conclude. On the other hand, I rarely liked the choices it did make next and didn't love the way it did conclude.
I get the message the movie is trying to get across, but I'm not sure this was the way to hammer it home. I get that imposter syndrome is a real thing, but this seemed a little bit ludicrous and hard to buy into. But perhaps that's the point?
It is a very interesting film to look at though. The acting is great and it is shot in a lot of really interesting ways. There's also a grittiness about it that keeps you on your toes and has you unsure what is around the next corner. I'm really torn on this one, but I'll settle on 6.5/10.
I get the message the movie is trying to get across, but I'm not sure this was the way to hammer it home. I get that imposter syndrome is a real thing, but this seemed a little bit ludicrous and hard to buy into. But perhaps that's the point?
It is a very interesting film to look at though. The acting is great and it is shot in a lot of really interesting ways. There's also a grittiness about it that keeps you on your toes and has you unsure what is around the next corner. I'm really torn on this one, but I'll settle on 6.5/10.
What I assume will be a breakout film for Aaron Schimberg, "A Different Man" explores a particular set of emotions that are attached to self-confidence while portraying the short-sided effects of instant gratification. The story provides reason to escape our imperfections until we notice someone living confidently with them. Sebastian Stan is remarkable and transformative in the role of Edward; both physically in the way that he adapts himself to the environment of constant stares and apathetic connection, and also internally with the gradual evolution of his mental complexities. Visually, the film has a 70s noir texture which is complementary to the indie aesthetic of New York City, and with flavors of drama and psychological horror, every sequence is a step in the dark and even more so with the thunderous, and at times, frightening sound design. This is such a unique project that will continue unraveling its mysteries as more people get the chance to see it.
From what I'm reading online, everyone except me seems to find this film a comedy, but for me, this felt like horror. This gave me a similar feeling to what I felt after watching Synecdoche New York even though they're very different. Both had the making of a play as a central plot point and both made me feel like I'm watching a psychological horror film.
The protagonist Edward may be very different from me but his insecurities about life, the way he hides from the past and acts through the present, only to be shown to him he can't really make it because of who he is, just hits close to home.
The way this movie nonchalantly shows how people are perceived due to how each person believes what they are is striking. Be it the person who you expect not to be popular being popular or the person you expect to be kind being not that, maybe even unbeknownst to themselves. It breaks the bubble of how such movies usually show these kinds of situations by making it very unsettling which can be perceived as darkly comical as well I guess.
Sebastian Stan is brilliant with his body language conveying all the insecurities. Adam Pearson being the charming positive force of the movie was such a surprise but it's great to see especially when it's Sebastian Stan on the other side.
One of the best movies of the year and something I won't revisit anytime soon.
The protagonist Edward may be very different from me but his insecurities about life, the way he hides from the past and acts through the present, only to be shown to him he can't really make it because of who he is, just hits close to home.
The way this movie nonchalantly shows how people are perceived due to how each person believes what they are is striking. Be it the person who you expect not to be popular being popular or the person you expect to be kind being not that, maybe even unbeknownst to themselves. It breaks the bubble of how such movies usually show these kinds of situations by making it very unsettling which can be perceived as darkly comical as well I guess.
Sebastian Stan is brilliant with his body language conveying all the insecurities. Adam Pearson being the charming positive force of the movie was such a surprise but it's great to see especially when it's Sebastian Stan on the other side.
One of the best movies of the year and something I won't revisit anytime soon.
I was not sure when to laugh or look pensive while watching A Different Man but I went with the audience and laughed when they did and thought when they did. Although I'm not sure I agree we should have laughed when we did because the story is of identity crisis above anything else. In this film, a man with facial deformities assumes another life after a successful surgery but is overwhelmed by what his new life is failing to give him and what the old life in hindsight gave him. It's a surreal experience where you will end up thinking about your own life should given a chance to change it and reborn as a new man. A Different Man shows that changing to another person looks good but it's the case of grass is greener on the other side. Sebastian Stan is adorable here.
(Watched at the 2024 MAMI Mumbai Film Festival.)
(Watched at the 2024 MAMI Mumbai Film Festival.)
Much like Sebastian Stan's character Edward, for many years I was always the person that looked like another person. There was always a caveat of course, where it seemed like the person I supposedly looked like seemed more interesting, outgoing and well known amongst these groups. This parallel with my life and the film instantly drew me in.
It's intriguing this film came out so close to another film centering around identity, that being The Substance. Where the satire and in your face boldness of that film will define its legacy, A Different Man's approach is much more pensive and sad. It reflects the unique challenges of men and women, where women are judged for their outward appearance and sex appeal, while men are judged more for their success and charisma (though sex appeal does play a part in this film). Edward feels held back and embarrassed by his appearance, and fails to see his worth in a society bent on looks and stature. What he doesn't realize is that his inner self is interesting and complex, but he can't harness that power in him. Even when he is conventionally attractive, he is still the same nervous, awkward person. He acts how he thinks he should act in this role, rather than be himself. This is what makes the introduction of Oswald so interesting.
Oswald is aggressive, pushy, and dare I say diabolical. While his outward features should be a setback in his life, his confident and charismatic personality makes him the perfect foil for Edward. He is powerful in ways that Edward can only pretend to be, pushing him out of a play about his own life, stealing his love interest and earning the love and admiration that Edward felt deprived of. Edward is so weak and overwhelmed that he once again tries to pretend to be something he is not on top of his false persona. Edward never truly accepted his true self, and it eventually leads to some troublesome outcomes for him.
I definitely think this film is going to hit a lot of men quite hard, the reviewer included. With all of the discussions about what is masculinity or what even defines a man, it's difficult being our true selves due to the fear of being judged by mythical standards. Is the fact I never went to war not make me a man? Is the fact I am overweight and broken make me less than a man? People forget the pressures men feel in modern society, and we just turn off and sometimes disappear into the woodwork. Suicide and death are approached subjects in this film, and much like in reality, they are brushed aside.
I was definitely intrigued by this film, for we rarely see true deconstructions of the male psyche where the character doesn't do a complete 180 on their life and become a confident Casanova or something, or saves the day like every man wishes they can do. The reality is, most of us just exist and hope things turn out for the best. I did wish the movie had addressed the elephant in the room, which was trying to portray a story about a physically handicapped person without making them a victim. I think they expertly dealt with that subject with some meta commentary at the end. I don't think they wanted that subject to overrun the story, but they at least addressed the issue. In retrospect, they handled it as best as they could.
It's intriguing this film came out so close to another film centering around identity, that being The Substance. Where the satire and in your face boldness of that film will define its legacy, A Different Man's approach is much more pensive and sad. It reflects the unique challenges of men and women, where women are judged for their outward appearance and sex appeal, while men are judged more for their success and charisma (though sex appeal does play a part in this film). Edward feels held back and embarrassed by his appearance, and fails to see his worth in a society bent on looks and stature. What he doesn't realize is that his inner self is interesting and complex, but he can't harness that power in him. Even when he is conventionally attractive, he is still the same nervous, awkward person. He acts how he thinks he should act in this role, rather than be himself. This is what makes the introduction of Oswald so interesting.
Oswald is aggressive, pushy, and dare I say diabolical. While his outward features should be a setback in his life, his confident and charismatic personality makes him the perfect foil for Edward. He is powerful in ways that Edward can only pretend to be, pushing him out of a play about his own life, stealing his love interest and earning the love and admiration that Edward felt deprived of. Edward is so weak and overwhelmed that he once again tries to pretend to be something he is not on top of his false persona. Edward never truly accepted his true self, and it eventually leads to some troublesome outcomes for him.
I definitely think this film is going to hit a lot of men quite hard, the reviewer included. With all of the discussions about what is masculinity or what even defines a man, it's difficult being our true selves due to the fear of being judged by mythical standards. Is the fact I never went to war not make me a man? Is the fact I am overweight and broken make me less than a man? People forget the pressures men feel in modern society, and we just turn off and sometimes disappear into the woodwork. Suicide and death are approached subjects in this film, and much like in reality, they are brushed aside.
I was definitely intrigued by this film, for we rarely see true deconstructions of the male psyche where the character doesn't do a complete 180 on their life and become a confident Casanova or something, or saves the day like every man wishes they can do. The reality is, most of us just exist and hope things turn out for the best. I did wish the movie had addressed the elephant in the room, which was trying to portray a story about a physically handicapped person without making them a victim. I think they expertly dealt with that subject with some meta commentary at the end. I don't think they wanted that subject to overrun the story, but they at least addressed the issue. In retrospect, they handled it as best as they could.
Wusstest du schon
- WissenswertesThe picture of Edward and his mother on Edward's apartment wall is an actual picture of Sebastian Stan and his mother.
- VerbindungenFeatures Der letzte Musketier (1950)
- SoundtracksOld Time Cat-O'-Nine
Written by The Lord Invador (as Rupert Grant)
Performed by The Lord Invador (as Lord Invader)
Courtesy of Shanachie Entertainment
License by Arrangement with Fine Gold Music
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Un hombre diferente
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Box Office
- Bruttoertrag in den USA und Kanada
- 654.254 $
- Eröffnungswochenende in den USA und in Kanada
- 49.466 $
- 22. Sept. 2024
- Weltweiter Bruttoertrag
- 1.510.108 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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