Tepenin ardi - Beyond the Hill

The film tells usabout the creation of enemies and by the way this is excatly how politicians make enemies. And then people start believing that there is an enemy and they canalize all their hatred to there. Modern societies need that. Just turn on your TV and look at the news all the politicians have someone to hate. and they make people hate them too.

Emin Alper's Beyond the Hill is a master class in film making and in particular the use of sound in movies. With a soundtrack composed of only natural sounds found in nature and without any music (except at the very last scene) Alper manages to build unbearable tension.

A small landowner has punished some people living beyond a hill whose goats were grazing in his land by taking one of their goats and killing it to make a feast for his son and grand sons who are visiting him. Will those people now take revenge and what form would that be? From the moment the landowner's family arrive Alper builds up the tension expertly and manages to maintain this tension throughout the film.

In the Q&A after the screening Alper confirmed that his film is a political allegory about Turkey and its neighbors. In parts it is reminiscent of Once Upon a Time in Anatolia and clearly Emin Alper is a name to watch out for.

It is an interesting movie that shows very well how Turkish people feel to live in this land. I think this is because of the education system, politicians and media in Turkey. They want us to have fears for "those people beyond the hill". They want us to hate "those people beyond the hill". They want us to kill "those people beyond the hill". Of course this is a generalization but it fits for a lot of people who lives in Turkey.

I don't agree with people who thinks that this movie is slow or boring. (If you want, you can always watch an action movie or something.) It helps you to think what is next, but you never know everything at the moment.

I was very fortunate that EYE Film Museum Amsterdam ran this movie during the Turkish Beat festival. Must say that I really really loved this movie. It is the sort of movie keeps you thinking within a couple days after you watch it. And I'm not talking gets you thinking out of not understanding the story but more like wanting to really know what is really "behind the hill".

The story take place in a remote village in East of Turkey where a family with complicated internal relationships constantly struggle with the villagers on the other side of the hill. You never see them but you only see their actions- or the actions that are attributed to them. From the start to the end, it's all wrapped with tensions of the unknown and how the villagers find ways to deal with them.

I do want to write so much more but I hate the spoiler reviews so I will leave it at this. For all I know, I still am not sure what was behind the hill.

Gorkem

Set in a wild, isolated landscape, TEPENIN ARDI tells a simple tale of a warring family trying to sustain a rural existence yet perpetually threatened by the presence of nomads "beyond the hill" (hence the film's title). I learn from one of the other reviews that director Emin Alper describes the film as an allegory of the contemporary Republic of Turkey and its fear of invasion from (unidentified) neighbors. If this is the case, then I would also observe that, internally speaking, the Republic is in dire straits. The family in this film seem incapable of relating to one another: patriarch Faik (Tamer Levent) believes that son Nusret (Reha Ozcan) had been a failure, while Mehmet (Mehmet Ozgur) reluctantly acquiesces to Faik's orders. Youngster Zafer (Berk Hakman) is tormented by dreams; and frequently goes off on his own, while Meryem (Banu Fotocan) fetches and carries for everyone. Alper's film seems more interested in depicting internal strife rather than being concerned with outside threats. While the film has plenty to say in thematic terms, its cinematic style is wearyingly evocative of Nuri Bilge Ceylan, with plenty of long shots (and characters moving side to side within the frame, rendering it a very flat piece of work), minimal soundtrack and few direct close-ups on the actors. Although only ninety minutes long, the narrative comes to a virtual standstill on occasions.