The Sixth Commandment

I wasn't quite sure whether to watch this or not, as I had seen the disturbing documentary on the case that had been on television recently, so I thought I was too familiar with the story for it to have any real impact.

I was wrong. This is a great production, with top-notch acting and and a marvellous script that draws you into the story and brings to life all the information that was contained in the documentary and enhancing it. I was thoroughly engrossed throughout the four episodes and the case gets more chilling the more you learn about it.

So, even if you may already feel your over-familiar with this horrific tale, I recommend that you give this series a go and it will not disappoint you.

A really good production based on the true story of an evil man and his accomplice. I wasn't aware of this case before seeing this but it's a pretty accurate encapsulation of the events.

Outstanding cast and well written script and, as it's filmed in and around Bath and Bristol, very familiar location filming for me. Tim Spall is as brilliant and understated as ever and the two perpetrators, whilst totally opposite in character, are superbly played.

The casting is absolutely perfect and there's little to criticise about the entire show other than that I'd like it to have been a little more detailed in terms of the evidence gathered by the police and the building of the prosecution case.

To be transparent I live in Maids Moreton and both victims were near neighbours of mine. Many people here viewed this upcoming drama with a certain degree of trepidation as to how this extraordinary and shocking story would be told.

I think the producers have managed to create something that showed a lot of regard for the victims and it is not sensationalised, for that they should be congratulated.

If I were to make any criticism it is that both Peter and Ann's lives were shown only through the prism of their surviving relatives and it didn't show that, whilst to a certain degree they were private, they did engage with the local community, especially Peter. It was also not clear on the timelines involved sometimes as to the sequence of events and how long a period had elapsed between Peter's decline and death and Ann being taken to hospital. However, I am guessing there were lots of things not included due to time constraints and some were frankly too upsetting to cover.

I feel it would also have been better to have included a bit more backstory on Ben Field and his sidekick Martin...

I can't remember having watched such compelling drama in a very long time. The pacing is superb - a slow ratchet towards the climax of the jury's verdict.

What makes it work is a combination of brilliant performances and scripting together with the constant, horrible knowledge that this is a true story. This may be Timothy Spall's greatest performance in a splendid career, which is saying something. Every actor, though, delivers, even those in the minor roles.

One unusual achievement of this four parter is a shift in style. It begins as an indescribably tense psychological drama, rather like The Talented Mr Ripley. In part 3 it shifts to more of a police procedural, but manages to maintain the tension.

You will almost not want to watch, but find yourself compelled to. At the end I found myself exhausted and, I'm not ashamed to say, with a tear in my eye.

A well done 4 parter, despite many omissions.

But I read that many things had to be omitted , just to fit into the allocated time. But surely even 1 line of dialogue would have sufficied instead of omission.

No mention of how the murderer got hold of psychotics, or why medics would not test for psychotics on first reports of symptoms.

The weakest part for me was the portrayal of the start of the fake relationship between the murder and first victim, quite not credible , although later parts of the script partly explain.

Unclear exactly how the murderer had some hold or influence over Martyn Smith.

One puzzling thing. What is the significance of the many shots of the clock tower, and tolling bell, in the last two episodes. Wasted moments maybe could have been used for wider dialogue about the omissions.

Strong performance by all the leads, and Éanna Hardwicke is positively creepy in this role, even down to the manufactured accent, which only slips in one few-seconds scene.

Marvellous to see Anne Reid, Timothy Spall, Sheila Hancock giving their all.