Füge eine Handlung in deiner Sprache hinzuAlways one step ahead of the Feds, Paul Boxer is the most inventive and principled smuggler in the trade, never needed to carry guns. But someone is killing off his co-workers, Paul is force... Alles lesenAlways one step ahead of the Feds, Paul Boxer is the most inventive and principled smuggler in the trade, never needed to carry guns. But someone is killing off his co-workers, Paul is forced setting his principles to a test.Always one step ahead of the Feds, Paul Boxer is the most inventive and principled smuggler in the trade, never needed to carry guns. But someone is killing off his co-workers, Paul is forced setting his principles to a test.
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- 3 Gewinne & 6 Nominierungen insgesamt
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I am not a movie critic, however i do watch a lot of film, and felt the need to review on this movie. There are many things you can review or critic about a film, but many only matter if you have a budget. This film was done with almost no budget as a movie goes, and they managed to out perform so many big budget films on so many levels. Production quality, set design, music atmosphere, and storyline just to name a few. I felt like I was watching a card counter at the blackjack table, I knew they were setting me up the whole time, but i never quite saw it happen. Bravo, I am excited to see what you can do next, and i hope a big budget doesn't go to your head and you make many more great films.
Oh yes,Im about to waste even more time in giving it as it is!
Please watch it and understand how utterly pointless 5/6ths of this film was.Eh,no please don't waste precious time on this like me.The opening credits were very professional,then we are led to believe that this hero,despot,renegade,whatever you wish,hates guns and would rather 'bare knuckle up' even when a gun is in his hands! The acting award goes to the boarder guard eating his sandwich. The chase in the car,,I fell off the settee laughing,firstly gets away from an inevitable death by bullets,then abandons car, no apparent reason, runs off through a carnival,ensuring its not so fast as to lose the bent Dea agent.Through some corridors then onto a roof,oh yes you guessed it,time for fists not guns again,because people get hurt no doubt! OK, Dea agent with gun gets overpowered...again...trips up off low level roof ,again not enough to really hurt him and our 'hero' goes of to rescue his girl! Enough words on this rubbish,I watched it so you don't have too,please take my advice and run away!
Please watch it and understand how utterly pointless 5/6ths of this film was.Eh,no please don't waste precious time on this like me.The opening credits were very professional,then we are led to believe that this hero,despot,renegade,whatever you wish,hates guns and would rather 'bare knuckle up' even when a gun is in his hands! The acting award goes to the boarder guard eating his sandwich. The chase in the car,,I fell off the settee laughing,firstly gets away from an inevitable death by bullets,then abandons car, no apparent reason, runs off through a carnival,ensuring its not so fast as to lose the bent Dea agent.Through some corridors then onto a roof,oh yes you guessed it,time for fists not guns again,because people get hurt no doubt! OK, Dea agent with gun gets overpowered...again...trips up off low level roof ,again not enough to really hurt him and our 'hero' goes of to rescue his girl! Enough words on this rubbish,I watched it so you don't have too,please take my advice and run away!
For an independent that probably was made for next to nothing the best description of Down and Dangerous is 'wow'. I won't build it up by trashing contemporary films, those made with traditional budgets and known actors, that isn't necessary. But, I will compare Director Zak Forsman's excellent effort to work by a young Michael Mann (Thief) or that of a mature Taylor Hackford (Parker). All things considered, it is certainly in that class of fine cinema.
Almost all of the performances are first rate, strong and believable. In particular, John Woods and Ross Marquand are fantastic in all ways, both bringing multiple dimensions to their roles from the first moment either appears on the screen.
Forsman's script is rich yet compact with little time wasted on moments that don't advance the story. He adds many small twists that not only are intriguing but also reveal key elements of each character as they are introduced in the body of the story. I think most viewers will be drawn to his movie from the very beginning and sustain strong interest throughout as the story moves fluidly and makes them interested in learning more.
There are several scenes, and moments in scenes that will simply grab you. If you like movies like I do then when you encounter what I am talking about not only will you know but you will find the movie has moved you a bit the way only a good movie can. In addition, the score in the aforementioned scenes will feel almost perfect to you. I intend to hunt down the soundtrack, and you will probably find yourself thinking the same.
So often Indy films are strong in a few areas, weak in others, and we make excuses because of budgets or unknown players or first time directors. None of that is necessary with Down and Dangerous. While I noticed two or three scenes that could have been done better and one of the lead performances (Rojas) that I would have recast such negatives aren't worth more than passing mention. I rated the movie 7 on IMDb and I am a very picky man, with 7 a high mark for me. This is truly the sort of movie that leaves you with the feeling you have really discovered something good, something you need to share with others. Thus, this review.
Almost all of the performances are first rate, strong and believable. In particular, John Woods and Ross Marquand are fantastic in all ways, both bringing multiple dimensions to their roles from the first moment either appears on the screen.
Forsman's script is rich yet compact with little time wasted on moments that don't advance the story. He adds many small twists that not only are intriguing but also reveal key elements of each character as they are introduced in the body of the story. I think most viewers will be drawn to his movie from the very beginning and sustain strong interest throughout as the story moves fluidly and makes them interested in learning more.
There are several scenes, and moments in scenes that will simply grab you. If you like movies like I do then when you encounter what I am talking about not only will you know but you will find the movie has moved you a bit the way only a good movie can. In addition, the score in the aforementioned scenes will feel almost perfect to you. I intend to hunt down the soundtrack, and you will probably find yourself thinking the same.
So often Indy films are strong in a few areas, weak in others, and we make excuses because of budgets or unknown players or first time directors. None of that is necessary with Down and Dangerous. While I noticed two or three scenes that could have been done better and one of the lead performances (Rojas) that I would have recast such negatives aren't worth more than passing mention. I rated the movie 7 on IMDb and I am a very picky man, with 7 a high mark for me. This is truly the sort of movie that leaves you with the feeling you have really discovered something good, something you need to share with others. Thus, this review.
All the people reviewing it highly seem to do so because "it is an independent film" or "what they did with such a low budget"...
When a movie makes me feel bad for sitting there watching it, I'm going to log in and post a review by golly. It doesn't matter how much I just paid for a ticket or a rental fee, I would still get up and walk out. I stuck with it solely because I kept thinking, "with the reviews it has on IMDb, this must just be a bad part and it can't all be bad..." The closer it got to the end of the show, the more I couldn't wait for it to be over. It's that bad.
The chase scenes are not exciting, they give the feeling of driving under the speed limit and practically use turn signals -- "um, is he being chased or looking for a parking spot?".
The stereotypical beautiful woman stuck with the evil drug lord is beautiful, thus the extra star for the movie. But she confusingly ends up without being stereotypically treated by her evil drug lord and they appear together time and time again looking like nothing just happened to their relationship.
There are famous continuity errors that many people don't notice because the movie is keeping them immersed. When a movie distances me so much as I'm trying to watch it that I find I'm paying more attention to its writing, directing, editing, etc, I'm afraid it has failed as entertainment.
When a movie makes me feel bad for sitting there watching it, I'm going to log in and post a review by golly. It doesn't matter how much I just paid for a ticket or a rental fee, I would still get up and walk out. I stuck with it solely because I kept thinking, "with the reviews it has on IMDb, this must just be a bad part and it can't all be bad..." The closer it got to the end of the show, the more I couldn't wait for it to be over. It's that bad.
The chase scenes are not exciting, they give the feeling of driving under the speed limit and practically use turn signals -- "um, is he being chased or looking for a parking spot?".
The stereotypical beautiful woman stuck with the evil drug lord is beautiful, thus the extra star for the movie. But she confusingly ends up without being stereotypically treated by her evil drug lord and they appear together time and time again looking like nothing just happened to their relationship.
There are famous continuity errors that many people don't notice because the movie is keeping them immersed. When a movie distances me so much as I'm trying to watch it that I find I'm paying more attention to its writing, directing, editing, etc, I'm afraid it has failed as entertainment.
Let me start off by saying that I'm an independent film maker myself. I commend anyone with enough heart to make a movie, but now let's get down to business. 1st off, the trailer was amazing, so much so that it made me download and watch it. But once I started watching, I couldn't get pass the emotionless acting from the star of the film. Every time he opened his mouth, he made me more and more realize I was watching a low budget indie film.
But I doesn't stop there. Onto the supporting cast!! The female love interest was awful!!!!! with that silly broken English/Spanish accent..was it necessary? and then the cheesy Mexican drug lord character...come on! But listen, I'm not really here to bash a good attempt. I'm just here to give an honest review. So if you're here to see a good indie film, look again. At best you'll enjoy a few good moments.
So i'll give them an A+ for effort and a D for execution.
But I doesn't stop there. Onto the supporting cast!! The female love interest was awful!!!!! with that silly broken English/Spanish accent..was it necessary? and then the cheesy Mexican drug lord character...come on! But listen, I'm not really here to bash a good attempt. I'm just here to give an honest review. So if you're here to see a good indie film, look again. At best you'll enjoy a few good moments.
So i'll give them an A+ for effort and a D for execution.
Wusstest du schon
- WissenswertesThe entire budget was crowdfunded on Kickstarter.com in August 2011 with donations from fans, friends and family.
- Crazy CreditsThe main character's real name is revealed in the end credits.
- SoundtracksThink of Tomorrow
Written by Jaron Widman & Samantha Krzyston
Performed by Leitbur
Produced by Jaron Widman
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- 1 Std. 35 Min.(95 min)
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