Die gesammelten Peinlichkeiten unserer Eltern in der Reihenfolge ihrer Erstaufführung

This Be The Verse, by Philip Larkin, opens with the lines: "They f*ck you up, your mum and dad. They may not mean to, but they do." The Family Fang is basically an exploration of that thesis. The parents of two damaged individuals go missing. The siblings come together to try and find them, one believing they have fallen foul of serial killers, the other thinking this is another prank in a long line of stunts their parents are famous for. All the actors do credible turns, but the themes could be explored more deeply. The revelation that the father never wanted children should impact much more heavily than it does. The waning career of Kidman's actor character seems a slight and peripheral concern. Bateman's near death-by-potato is funny, but doesn't resonate to a deeper malaise. The film carries the comedy well, but the darkness is less truthful and engaging. A spotty film, with bright moments, but I wanted more than it delivered.

'THE FAMILY FANG': Four and a Half Stars (Out of Five)

A dark comedy-drama flick, about the two adult children of a very controversial 'conceptual performance art' couple. The siblings blame their mother and father for all of their current problems in life; and when their parents go missing, the sister is sure it's just another disturbing art project. The film was directed by Jason Bateman, who also co-stars in it, and it was written by David Lindsay-Abaire. It's based on the 2011 novel, of the same name, by Kevin Wilson. The movie also co-stars Nicole Kidman (who co-produced the flick too), Christopher Walken, Maryann Plunkett, Kathryn Hahn (who also costarred in 'BAD WORDS'; which Bateman also directed and starred in) and Jason Butler Harner. I enjoyed the film immensely.

Baxter and Annie Fang (Bateman and Kidman) had a very bizarre, and highly unconventional, upbringing. Their parents are world famous 'conceptual performance artists', named Caleb and Camille Fang (Walken and Plunkett), and they incorporated Baxter and Annie into most of their projects (when they were young). The siblings have had a lot of issues, as adults, because of it. When their mother and father go missing, and are presumed dead by authorities, Annie becomes obsessed with proving it's another art trick.

I really like the story for this movie; it poses a lot of great questions about what makes great art. I'm a big fan of performance art (I experience with it a lot on social media), so this film is very interesting to me. I agree with Christopher Walken's character, on his opinions about art, but I think he took it too far, by involving his kids (I can see how that could do a lot of psychological damage to them). The movie is also a great character study, and the performances are all excellent too. Bateman also proves, once again, what a talented director he is, as well (I'm also a big fan of 'BAD WORDS'). It's definitely a film worth seeing!

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Annie Fang (Nicole Kidman) is struggling in her acting career and pushed into a topless scene. Her brother Baxter (Jason Bateman) is struggling with his award-winning writing and his idiot friends hit him with a potato gun. He convinces her to visit their parents (Christopher Walken, Maryann Plunkett). As young kids, their artistic parents (Jason Butler Harner, Kathryn Hahn) would perform surprise pranks on the public with them. Suddenly, their parents go missing and the siblings go in search for them.

The present-day scenes have some big names but I kept wondering if the movie would function better as a coming-of-age story with the kids and two outrageous parents. It's not that the present-day doesn't work. Kidman is wondrous. It's just that the flashbacks represent better potential. Of course, it would be a more standard movie. Going missing presents some additional interesting possibilities but the best resolution may be them actually being dead.

This is a very good work of fiction, well represented on the screen by Jason Bateman (who starred and directed it) and his stellar cast.

It's the story of a unusual family: you will find the story truly original, not only in its premises or in the sequence of events but also because in the end you'll be left without any moral teaching: everything will seem possible and acceptable.

I found it interesting but, to be sincere, not really catching or entertaining. If you are looking for a Comedy I'm afraid you'll be disappointed. If you think you are going to watch a drama you'll probably find it poorly moving. If you want to see something original, on the contrary, you could be satisfied I guess.

Bad-parent movies are a popular comedy genre that laughs at parents for not being perfect. The drama, thriller or horror versions are more about exploring the dark side of family life and the damage that adults inflict on their young. The offbeat satire The Family Fang (2015) has its funny moments but this is not a comedy. It is a portrait of psychological abuse conducted by parents in the name of art with sinister undercurrents always beneath the surface.

Internationally renowned Caleb Fang (Christopher Walken) and his wife Camille (Maryanne Plunkett) are performance artists dedicated to disrupting the conventions of normality. They stage impromptu happenings in public places simply to witness the sublime beauty of the resulting chaos. Their children Annie (Nicole Kidman) and Baxter (Jason Bateman) have been used as performance props since they were born and their adult lives bear the scars of parenting based on artifice and deception. As youngsters they busked a song "kill all parents so you can keep living" just to get crowd reactions, but they could not foresee the truth in the lyrics nor how their parents would control their lives into adulthood.

The story unfolds backwards with Annie and Baxter at their parent's empty home searching for clues to explain the sudden and violent of disappearance of Caleb and Camille. Police believe the worst but the siblings believe it is just another stunt. While trawling through videos and other memorabilia, they see their lives paraded before them. They realise that they have always been exploited and are victims of unresolved psychological abuse. Through flashbacks, they can see Caleb as a violent personality and Camille as meekly compliant while family gatherings were tension-filled events under Caleb's domination. When the siblings question the value of the performances the reaction is pure menace.

This is a dysfunctional family in both obvious and implied ways, and the film keeps us guessing whether the knotted ball can ever be untangled. The four characters are well defined with strong and believable performances, and the conflicts between young and old are frighteningly recognisable as the kind of things that happen in both normal and transgressive families. When Caleb says "parents damage kids, so what" it sends a shiver down your spine to realise that some people are not psychologically equipped to be parents. Annie and Baxter must confront the fact that letting their parents go may the only way to grow up. This is an original take on an age-old story that is also provocative and engaging.