Die junge Riley wird plötzlich aus ihrem Leben im mittleren Westen gerissen, als Sie nach San Francisco umziehen muss. Ihre Emotionen - Freude, Angst, Wut, Abscheu und Traurigkeit - stehen d... Alles lesenDie junge Riley wird plötzlich aus ihrem Leben im mittleren Westen gerissen, als Sie nach San Francisco umziehen muss. Ihre Emotionen - Freude, Angst, Wut, Abscheu und Traurigkeit - stehen dabei im Konflikt mit der Erkundung einer neuen Umgebung.Die junge Riley wird plötzlich aus ihrem Leben im mittleren Westen gerissen, als Sie nach San Francisco umziehen muss. Ihre Emotionen - Freude, Angst, Wut, Abscheu und Traurigkeit - stehen dabei im Konflikt mit der Erkundung einer neuen Umgebung.
- 1 Oscar gewonnen
- 99 Gewinne & 118 Nominierungen insgesamt
Amy Poehler
- Joy
- (Synchronisation)
Bill Hader
- Fear
- (Synchronisation)
Lewis Black
- Anger
- (Synchronisation)
Mindy Kaling
- Disgust
- (Synchronisation)
Phyllis Smith
- Sadness
- (Synchronisation)
Richard Kind
- Bing Bong
- (Synchronisation)
Kaitlyn Dias
- Riley
- (Synchronisation)
Diane Lane
- Mom
- (Synchronisation)
Kyle MacLachlan
- Dad
- (Synchronisation)
Paula Poundstone
- Forgetter Paula
- (Synchronisation)
Bobby Moynihan
- Forgetter Bobby
- (Synchronisation)
Paula Pell
- Dream Director
- (Synchronisation)
- …
Dave Goelz
- Subconscious Guard Frank
- (Synchronisation)
Frank Oz
- Subconscious Guard Dave
- (Synchronisation)
Josh Cooley
- Jangles
- (Synchronisation)
Flea
- Mind Worker Cop Jake
- (Synchronisation)
John Ratzenberger
- Fritz
- (Synchronisation)
Carlos Alazraqui
- Helicopter Pilot
- (Synchronisation)
- …
Zusammenfassung
Reviewers say 'Inside Out' is praised for its creativity, emotional depth, and voice acting. Many appreciate its complex themes and humor, deeming it suitable for all ages. However, some find it boring, overly intricate for children, and lacking in character development. Despite these drawbacks, many still value it for its innovative concept and emotional resonance, making it a worthwhile watch.
Empfohlene Bewertungen
I confess that I had to watch this twice before I could properly assess it. It's definitely not a young children's film, as there's precious little to entertain them, but it does have much to consider for older children and (young) adults. As a rumination on what drives us all through life, this is very effective, but I do feel that the story lacks something for making Riley so isolated in her world. Perhaps if she interacted a bit more in the story, this would be a more involving film, but the reflections on lost innocence do add some poignancy and lift this film slightly above average.
I watched the movie long time ago, and I've just rewatched it today.
For kids it will be a funny movie with no meaning maybe!!
But for an adult, its so true!! You lose your childhood personality you change you feel sad, i mean it literally touches my soul
Great movie for both kids and adults.
Please excuse any mistakes as my English is not very good. There are no spoilers in this review.
I had the pleasure of seeing 'Inside Out' at the Cannes Film Festival and I must say it was wonderful and a huge step-up from Pixar's recent efforts. The trailers don't really do it justice. The story may seem complicated for younger viewers, but the way Pixar tells the story fits for both adults and children. The pacing is in the vein of Wall-E, and in that sense it is very much a film for adults as it is for kids (like most Pixar movies). The story here is surprisingly raw and emotional, one that has very deep underlying themes that adults will connect with. Many of the audience members were crying at the end. It has one of the most original stories for an animation in the last few years, and I believe many people (especially adults) will form a connection to it.
Speaking of animation, the film is breathtakingly beautiful. There is a nice contrast of colors that make it look vibrant, like Pixar's 'UP'. The voice cast did a wonderful job and you couldn't ask for better direction from Pete Doctor and co. I cannot wait to see this a second time with family and friends. Highly recommended.
PS: The short that played before the film, 'Lava', was also beautiful. It was sort of a musical, and it was quite funny and clever. The audience even applauded at the end of it, myself included. In that sense, it provides the entire package a nice balance of joy and laughter (Lava) followed by deep storytelling and emotion (Inside Out).
I had the pleasure of seeing 'Inside Out' at the Cannes Film Festival and I must say it was wonderful and a huge step-up from Pixar's recent efforts. The trailers don't really do it justice. The story may seem complicated for younger viewers, but the way Pixar tells the story fits for both adults and children. The pacing is in the vein of Wall-E, and in that sense it is very much a film for adults as it is for kids (like most Pixar movies). The story here is surprisingly raw and emotional, one that has very deep underlying themes that adults will connect with. Many of the audience members were crying at the end. It has one of the most original stories for an animation in the last few years, and I believe many people (especially adults) will form a connection to it.
Speaking of animation, the film is breathtakingly beautiful. There is a nice contrast of colors that make it look vibrant, like Pixar's 'UP'. The voice cast did a wonderful job and you couldn't ask for better direction from Pete Doctor and co. I cannot wait to see this a second time with family and friends. Highly recommended.
PS: The short that played before the film, 'Lava', was also beautiful. It was sort of a musical, and it was quite funny and clever. The audience even applauded at the end of it, myself included. In that sense, it provides the entire package a nice balance of joy and laughter (Lava) followed by deep storytelling and emotion (Inside Out).
I am not normally one to write reviews, but I couldn't help reading several for this film on this site that just did't seem to understand where I think the film was supposed to be coming from.
The majority of the complaints I saw were that the film was 'too depressing for a children's film', but whilst I see where they are coming from in some regards, every child who I have seen watch this film (I work in a cinema) has absolutely loved it, and laughed out loud almost constantly. They are not old enough to realise the message the film is trying to convey: that life isn't all about happiness. I applaud the attempt from Pixar to make a film that is not only hilarious in places, but is also a major comment on what life is like to be a younger teenager, transitioning through one of the most important moments of life.
From a more personal perspective, why should everything we show our children gloss over the reality of life, and try to make them believe everything is rosy 24/7? Again, what this film does brilliantly through the message I took away at the end was that life will never be 100% full of happiness, but that is fine. Why does it have to be? A little bit of sadness is necessary. If a person was never sad, they would be inhumane.
Overall then, I suppose my review is more of a comment on the type of film we exhibit to children, and how the Nanny-state we live in looks to protect them from most of lives inevitabilities. Either way, what can't be ignored is that this film is equal parts sad, and equal parts what I am sure will become a timeless classic in years to come.
The majority of the complaints I saw were that the film was 'too depressing for a children's film', but whilst I see where they are coming from in some regards, every child who I have seen watch this film (I work in a cinema) has absolutely loved it, and laughed out loud almost constantly. They are not old enough to realise the message the film is trying to convey: that life isn't all about happiness. I applaud the attempt from Pixar to make a film that is not only hilarious in places, but is also a major comment on what life is like to be a younger teenager, transitioning through one of the most important moments of life.
From a more personal perspective, why should everything we show our children gloss over the reality of life, and try to make them believe everything is rosy 24/7? Again, what this film does brilliantly through the message I took away at the end was that life will never be 100% full of happiness, but that is fine. Why does it have to be? A little bit of sadness is necessary. If a person was never sad, they would be inhumane.
Overall then, I suppose my review is more of a comment on the type of film we exhibit to children, and how the Nanny-state we live in looks to protect them from most of lives inevitabilities. Either way, what can't be ignored is that this film is equal parts sad, and equal parts what I am sure will become a timeless classic in years to come.
For every child, growing up can be exciting, confusing, and difficult. For Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco, Riley is directed by her emotions, Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) in Headquarters Control Center inside Riley's mind to help her overcome everyday life. However, Riley and her emotions struggle to adjust to Riley's new life in San Francisco and emotional disorder arises. Although Joy, Riley's main and most fundamental emotion, tries to keep things optimistic, the emotions fight on how best to navigate Riley's new world.
After watching "Inside Out" with my wife, we both agreed that "Inside Out" is the perfect Pixar Animation movie for any family on a night out. It was both imaginative and relatable for both children and adults. I never thought "Inside Out" would be this enjoyable, but I was able to experience every emotion of "Joy", "Disgust", "Anger", "Fear", and "Sadness" for each and every moment of this film. At the end of the night, I was pleasantly unsatisfied because I wanted to watch the movie again and again. Parents, if you're looking for a fun filled movie night with your children, this movie will not only please them, but you as well.
A Definite 9!! Well done Pixar!
After watching "Inside Out" with my wife, we both agreed that "Inside Out" is the perfect Pixar Animation movie for any family on a night out. It was both imaginative and relatable for both children and adults. I never thought "Inside Out" would be this enjoyable, but I was able to experience every emotion of "Joy", "Disgust", "Anger", "Fear", and "Sadness" for each and every moment of this film. At the end of the night, I was pleasantly unsatisfied because I wanted to watch the movie again and again. Parents, if you're looking for a fun filled movie night with your children, this movie will not only please them, but you as well.
A Definite 9!! Well done Pixar!
Wusstest du schon
- WissenswertesAccording to the director Pete Docter, each emotion is based on a shape: Joy is based on a star, Sadness is a teardrop, Anger is a fire brick, Fear is a raw nerve, and Disgust is broccoli. He noted that he likes broccoli very much, however.
- PatzerWhen Riley runs away from home she leaves in the morning and begins walking to the bus stop. When her parents arrive home that night to find her missing she is still walking to the bus stop, approximately 6 hours later.
- Crazy CreditsThis film is dedicated to our kids. Please don't grow up. Ever.
- Alternative VersionenRiley hating broccoli was changed to green bell peppers in the Japanese version.
- VerbindungenFeatured in Annoying Orange: Trailer Trashed: Inside Out (2015)
- SoundtracksGrim Grinning Ghosts (Otherworldly Concerto)
Written by Buddy Baker and Xavier Atencio
Performed by Gaylord Carter
Courtesy of Walt Disney Records
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- How long is Inside Out?Powered by Alexa
- How can Riley have blue eyes while both of her parents are brown-eyed?
- Why only five emotions? Where are Surprise, Shame, Affection, etc?
- Why couldn't Joy just send Riley's (most important) core memories back to the headquarters using that "Memory Wall" that could send in other core memories?
Details
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Box Office
- Budget
- 175.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 356.461.711 $
- Eröffnungswochenende in den USA und in Kanada
- 90.440.272 $
- 21. Juni 2015
- Weltweiter Bruttoertrag
- 859.076.254 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
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