IMDb-BEWERTUNG
7,0/10
17.302
IHRE BEWERTUNG
Eine moderne Version der klassischen Komödie von Shakespeare über zwei Paare mit unterschiedlichen Auffassungen von Liebesromantik und Wortgewandtheit.Eine moderne Version der klassischen Komödie von Shakespeare über zwei Paare mit unterschiedlichen Auffassungen von Liebesromantik und Wortgewandtheit.Eine moderne Version der klassischen Komödie von Shakespeare über zwei Paare mit unterschiedlichen Auffassungen von Liebesromantik und Wortgewandtheit.
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- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
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Much Ado About Nothing by Joss Whedon is the latest adaptation of the Shakespeare's comedy.
The good. Excellent ideas. Very funny settings and actions. Nice choice of actors. With visual, it's always possible to add non spoken actions to original dialogs and Whedon made some clever extensions. Great photography.
The actors. My favorite performance were by Nathan Fillion, Sean Maher, and Tom Lenk, although I came to appreciate those of Amy Acker and Alexis Denisof a lot.
The bad. The concept of war as spoken in the piece doesn't translate well in modern time.
The ugly. Nothing.
The result. Solid entertainment for those who like modern transposition of Shakespeare's work, A must for any Whedon fan.
The good. Excellent ideas. Very funny settings and actions. Nice choice of actors. With visual, it's always possible to add non spoken actions to original dialogs and Whedon made some clever extensions. Great photography.
The actors. My favorite performance were by Nathan Fillion, Sean Maher, and Tom Lenk, although I came to appreciate those of Amy Acker and Alexis Denisof a lot.
The bad. The concept of war as spoken in the piece doesn't translate well in modern time.
The ugly. Nothing.
The result. Solid entertainment for those who like modern transposition of Shakespeare's work, A must for any Whedon fan.
This is such a great adaptation. The actors speak their lines with clarity and emotion. The cinematography is great, and the movie is in turns very funny and tragic. A lot will be written about how Hero would never simply die because she was accused of 'not being a virgin', well she didn't. For once when I was watching it I got a sense of what was driving Claudio, his sense of betrayal and hurt. What he did was reprehensible but you could understand that he did have what he thought was good reasons. And for once I got a sense of real threat from Benedict's challenge. Amy Acker and Alexis Denisof made a delightful Beatrice and Benedict. You could feel the attraction there and you knew why Don Redro had such an easy time of it convincing his fellow conspirators to get them together.
What really impressed me about this film is how obvious it is that the cast is having a good time. The acting seems to be effortless and it is all spot on, and Clark Gregg/Nathan Fillion/Reed Diamond are hilariously funny. I think this is how Shakespeare should be done, as simply great entertainment. When you have that, you have the complexities laid out before you and like Claudio's anger you can see the reasons for the actions of the characters plainly.
'Much Ado About Nothing' has been very well served by Wheedon and his company of players, such a joy and that can be so rare in films nowadays.
What really impressed me about this film is how obvious it is that the cast is having a good time. The acting seems to be effortless and it is all spot on, and Clark Gregg/Nathan Fillion/Reed Diamond are hilariously funny. I think this is how Shakespeare should be done, as simply great entertainment. When you have that, you have the complexities laid out before you and like Claudio's anger you can see the reasons for the actions of the characters plainly.
'Much Ado About Nothing' has been very well served by Wheedon and his company of players, such a joy and that can be so rare in films nowadays.
This Shakespeare adaptation hit the perfect tone for me. It felt intimate yet, after the story started to flow, was a delight to follow. Sometimes, Shakespeare on screen can be a labor for those with more modern sensibilities. That is not the case here at all. The first fifteen minutes or so were tedious but after those establishing scenes everything hit a great stride and became a delight to watch. Nothing seemed stuffy or pompous and everything flowed quite well. I'm very impressed with Whedon's ability to induce such a wonderful coupling of performance and story in just a few days worth of shooting. I'm not surprised given his intelligence and talent but it's still impressive. The cast was superb, every last one of them.
Transposed to an American setting, Joss Whedon's MUCH ADO ABOUT NOTHING proves a highly entertaining romance. The two central characters Beatrice (Amy Acker) and Benedick (Alexis Denisof) begin the film as deadly enemies, but it's clear they're attracted to one another. They are brought together due to a combination of clear-headed thinking and clever machinations by their friends. Denisof is very good with his body; in one sequence he stretches and preens himself in front of Beatrice, much to her disgust. Acker has an equally funny scene where she tries to conceal herself beneath a kitchen unit. The supporting cast are equally good: I particularly liked Clark Gregg's Leonato, concealing a passionate nature beneath a cloak of respectability, and Jillian Morgese's Hero, a well-brought up girl wrongfully accused of adultery. Shot in atmospheric black-and-white in a country house over a period of sixteen days, the film makes wonderful use of light and shade. The verse-speaking is clear and lucid, and the story abundantly clear. I really admired this film; definitely worth a second look.
Well Joss, you have done something no one else has ever accomplished....got me to watch a Shakespeare film. And all I can say is what a treat! For years, I have read about your Shakespeare get togethers at your home and it is nice to see an extension of that on the screen. When I first read that you had filmed this at your home and in only 12 days, I thought it would be unpolished and only available online or via DVD purchase. It appears I was wrong on both counts. This is a great production for anyone that knows your work and the cast you have worked with so many times before. If they do not know your work and see this because it is Shakespeare, I don't believe anyone will leave the theatre disappointed. Congratulations also regarding North American distribution rights being sold at TIFF.
Thanks again on an excellent bit of entertainment and congratulations to you and your amazing cast and crew!
Thanks again on an excellent bit of entertainment and congratulations to you and your amazing cast and crew!
Wusstest du schon
- WissenswertesThis movie was filmed at Joss Whedon's Santa Monica home, which was designed and decorated by Whedon's wife Kai Cole. Cole suggested Whedon make it in lieu of going on vacation for their 20th anniversary because it had long been his passion project.
- PatzerIt is Ursula & Hero whom are 'meddling' (talking about Benedick's love for Beatrice as she eavesdrops). In the following scene, Claudio relays to Don Pedro that it was Margaret & Hero that were meddling.
- VerbindungenFeatured in At the Movies: Folge #10.21 (2013)
- SoundtracksSigh No More
Lyrics by William Shakespeare
Music by Joss Whedon
Performed by Jed Whedon & Maurissa Tancharoen
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.328.849 $
- Eröffnungswochenende in den USA und in Kanada
- 171.942 $
- 9. Juni 2013
- Weltweiter Bruttoertrag
- 5.341.221 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Viel Lärm um nichts (2012) officially released in India in English?
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