IMDb-BEWERTUNG
5,9/10
9580
IHRE BEWERTUNG
Als der 19-jährige Adam zustimmt, einen Tag für den Gangsterfreund seiner Mutter Peter zu fahren, nimmt ihn das auf eine 24-Stunden-Reise in eine alptraumhafte Welt aus Mord, Sexhandel und R... Alles lesenAls der 19-jährige Adam zustimmt, einen Tag für den Gangsterfreund seiner Mutter Peter zu fahren, nimmt ihn das auf eine 24-Stunden-Reise in eine alptraumhafte Welt aus Mord, Sexhandel und Rache in Begleitung des alternden Killers Roy mit.Als der 19-jährige Adam zustimmt, einen Tag für den Gangsterfreund seiner Mutter Peter zu fahren, nimmt ihn das auf eine 24-Stunden-Reise in eine alptraumhafte Welt aus Mord, Sexhandel und Rache in Begleitung des alternden Killers Roy mit.
- Auszeichnungen
- 2 Nominierungen insgesamt
Steven Charles Stobbs
- Shopkeeper
- (as Steven Stobbs)
Neil Eddy
- Man in Photo
- (Nicht genannt)
Jimmy Knights
- Sniper Victim
- (Nicht genannt)
Simon Manley
- Diner Customer
- (Nicht genannt)
Andy McAdam
- Diner Cashier
- (Nicht genannt)
Anthony McKenzie
- Stranger
- (Nicht genannt)
Clive Shaw
- Sniper
- (Nicht genannt)
Empfohlene Bewertungen
Finding the hitman's apprentice (as was the title I watched) to review it took more time than actually reviewing it.
Interesting film, worth a watch with a couple of good twists to it.
Interesting film, worth a watch with a couple of good twists to it.
The Liability is a British film which doesn't really have a budget. Its script is only so-so and the only real star name attached to it is Tim Roth. Luckily, that does seem to be enough to pull it off.
Jack O'Connell plays a young man who gets in trouble with his - slightly dodgy - stepfather and, as a punishment, is roped into the 'family business' and asked to do something equally dodgy, which involves driving hit-man Tim Roth to his next job.
It's a road movie which could be pretty average if it wasn't for Tim Roth's performance. The comedy doesn't always work. The performances can be a bit stilted, yet Tim seems to carry the whole thing on his own and makes it worth watching.
Special mention to the location scout who has found some truly outstanding filming locations around the north of England to set some of the action in.
If you're a fan of low budget British gangster movies (or simply of Tim Roth) then you should give this a go. The ending seems to divide audiences, but the film is enjoyable enough for you to ignore that minor point if it isn't to your taste.
Jack O'Connell plays a young man who gets in trouble with his - slightly dodgy - stepfather and, as a punishment, is roped into the 'family business' and asked to do something equally dodgy, which involves driving hit-man Tim Roth to his next job.
It's a road movie which could be pretty average if it wasn't for Tim Roth's performance. The comedy doesn't always work. The performances can be a bit stilted, yet Tim seems to carry the whole thing on his own and makes it worth watching.
Special mention to the location scout who has found some truly outstanding filming locations around the north of England to set some of the action in.
If you're a fan of low budget British gangster movies (or simply of Tim Roth) then you should give this a go. The ending seems to divide audiences, but the film is enjoyable enough for you to ignore that minor point if it isn't to your taste.
I just finished watching this movie and I expected it to be much better honestly. Certainly when I saw who was playing in this movie. Don't get me wrong the actors were all good. I can't fault any of them for the role they played. It's just that the story is a little bit disappointing. It's not realistic enough and a little bit bland. For a professional hit-man I found that he was doing a lot of mistakes and everything that could go wrong did go wrong. I also would not categorize it under humor because you're not going to laugh a lot. Well at least not me because I didn't laugh once. All in all it's not a bad movie. It's just fine to watch once and then forget about it.
8OJT
A little indie gem this from Britain, with a good Tim Roth in the center as a worn out disillusioned hit-man, but it's Peter Mullan which steals the show, with a delightfully nasty big shot criminal.
There's many reasons to like this, if you don't expect this to be an action flick. It's wrongfully labeled so, but this is a a crime drama, or really a road movie, Coen/Tarantino style. 1) Unpredictable mysterious plot (gives a good ride) 2) Great cool acting (stung cool play by all, but the naive Liability) 3) Extinguished filming (lots if great angles and smart details) 4) Delightful score (sophisticated, punky and dirty, would search out several songs) 5) Classic cars (loved the use and filming of the Granada Ghia) And there's more to it. I found myself feeling it as a cozy road movie which we expect to go wrong for some. Lovely lingering excitement, taking you to the next stop on the route.
If you like one of them smart little films with no extra fuzz, just great talent, this is it!
There's many reasons to like this, if you don't expect this to be an action flick. It's wrongfully labeled so, but this is a a crime drama, or really a road movie, Coen/Tarantino style. 1) Unpredictable mysterious plot (gives a good ride) 2) Great cool acting (stung cool play by all, but the naive Liability) 3) Extinguished filming (lots if great angles and smart details) 4) Delightful score (sophisticated, punky and dirty, would search out several songs) 5) Classic cars (loved the use and filming of the Granada Ghia) And there's more to it. I found myself feeling it as a cozy road movie which we expect to go wrong for some. Lovely lingering excitement, taking you to the next stop on the route.
If you like one of them smart little films with no extra fuzz, just great talent, this is it!
As the German title suggests ... though it does sound a bit like doomsday or something else. Whatever you think of a title, "Liability" is more accurate than the German title. The thriller is pretty straight forward. The story is self explanatory, but Tim Roth does add a lot of Gravita to it. You could almost say he kind of saves the movie all by himself, even though the female lead is beautiful.
The female lead might have a reason for being on screen, but ultimately she is just put on. The very ending feels like it is being dropped on the viewer, which is a bad feeling. The main bad guy, does a great job, but he isn't on screen that much, which is kind of a shame. A nice little thriller, nothing more nothing less
The female lead might have a reason for being on screen, but ultimately she is just put on. The very ending feels like it is being dropped on the viewer, which is a bad feeling. The main bad guy, does a great job, but he isn't on screen that much, which is kind of a shame. A nice little thriller, nothing more nothing less
Wusstest du schon
- WissenswertesThe red Ford Granada [A610JNC] seen was first registered dated the 1st of August 1983 whose milage, around the time of filming here [circa 2009 - 2011], averaged between 89,116 to 90,658 miles. On the 7th of September 2020 it had a milage of 94,139. It is a 2792cc petrol engine whose last date of "Date of last V5C (logbook) issued" being the 27th of February 2012.
- PatzerWhen Peter smacks the games console with a golf club, he calls it an Xbox. It's a Sega Dreamcast.
- VerbindungenFeatures Rage (2011)
- SoundtracksUna Rotonda sul Mare
Performed By Fred Bongusto
Composed By Franco Migliacci
1965 Dischi Ricordi Milano / Sony BMG Music Entertainment
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- The Liability
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- Budget
- 2.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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