Steve Jobs

I remember when back in 2013 the Jobs movie came out. Everything about the film's trailer was "do not see". Still to this day the moment when Kutcher says "we're making Apple cool again" makes me laugh. Right from the start this film looked like they were going to do it right and I was anxiously waiting for it. And even though Steve Jobs wasn't everything I thought it would be it is still a quality drama.

Yet I can also see why it was not so commercially successful. It's weird format of taking place before three computer unveilings and the film essentially consisting of conversations with limited action between them. It is by no means a biography of the man's entire life but it does paint a portrait which, like any picture, only reveals some aspects of the person.

The film has a great cast who give solid performances. Michael Fassbender creates a character whose tyrannical and devilish behaviour you want to keep watching while longing for a glimpse of the human side.

Overall Steve Jobs is a very watchable and engaging film, provided you are already into end of the year Oscar bait drama films.

Steve Jobs was a fascinating, though complex, individual, so having a film based on him was always going to peek interest. Then there is the talent involved in 'Steve Jobs', director Danny Boyle who has made some very good films, one of today's most talented script-writers Aaron Sorkin and Michael Fassbender and Kate Winslet as the leads.

Found 'Steve Jobs' to be a good and interesting film, albeit not one that will appeal to all viewers as can be seen from the polarising reviews. There is a lot to like here, and the good points are actually excellent. At the same time, considering the involvement of such fine talent and subject matter, 'Steve Jobs' also had potential to be, and perhaps should have been, more than good, great even. There are also a few issues here, and fairly sizeable ones, though there is much more good than there is bad.

There could have been more complexity to Jobs himself, difficult to do for a perfectionist who was very difficult to work with. Can definitely understand the criticism of 'Steve Jobs' being a pretty one-dimensional portrait of the man that magnifies his flaws. For something featuring heavily, his personal/family life could have been better explored and delved into more, there is heart with the relationship between Steve and Lisa but the final fifteen minutes or so to me came over as contrived rather than emotional and although Katherine Waterston does a good job her role is underwritten.

At times, the film is jumpy and also could have shown more of the launches themselves and showed how they were received rather than being told afterwards, for a film so heavily reliant on the backstage/behind the scenes aspects. Actually really liked the script on the most part, it is though talk-heavy and with scenes having a lot to take in there are instances where it's not easy keeping up. Also didn't buy Jobs/Scully's final scene together, which went against what was seen with their acrimonious confrontations before.

However, 'Steve Jobs' is very well made visually. It's unfussy but never cheap, actually it is very slick. It may feel like a filmed play, which is also down to the structure of the film, but for me it wasn't a problem. Boyle directs in a restrained fashion, while showing plenty of engagement with his material. The music is both low-key and lively when used.

While not perfect, Sorkin's script is one of the high points of 'Steve Jobs'. It's thought-provoking, intriguing smart and rapid-fire, with plenty of wit, intensity and snappy put-downs. The story, following an unconventional yet fascinating three act structure dealing with three different launches that Jobs revolutionised, goes at an energetic pace and is kept afloat by the intensity of the characters (especially Jobs and Joanna). Things move quickly and there is plenty to be interested by, one just can't help feeling that some aspects could have been delved into more. Jobs and Joanna have plenty of intensity in their chemistry, while Woz's final scene and the big scenes between Jobs and Scully are especially powerful.

Other than Sorkin's script, 'Steve Jobs' best asset is the acting. Fassbender may not look like Steve Jobs but he is nonetheless terrific and is an incredibly compelling presence. Winslet's performance is tense and deeply felt. Michael Stuhlbarg steals scenes in his not large screen time, while Seth Rogan demonstrates why he should do more dramatic roles and films and Jeff Daniels has not been this good in quite some time. Waterston does well with limited screen time and her role underwritten.

Concluding, good film but not a great one. 7/10 Bethany Cox

As someone who has worked in computing for 30 years, I was greatly looking forward to Danny Boyle's new 'biopic' (using the term fairly loosely) about Apple founder Steve Jobs (Michael Fassbender). Whilst I can't claim it was a bad film, I was ultimately slightly disappointed by the result.

The film zeroes in on some specific snapshots of Jobs's career, all centred around his famously theatrical product launches. During the course of three acts we see the preparations leading up to his launch of the original Mackintosh, his Next educational 'cube' and the gloriously different iMac.

As these acts span 14 years, we see the ongoing battle between Jobs and the flaky mother of his daughter (Katherine Waterston). We also see the often despicable way in which he treats his staff, including disparaging his closest colleague and co-founder Steve Wozniak (Seth Rogen). In fact the only person he shows much respect for – at least for a while – is his boss and CEO John Sculley (Jeff Daniels).

During these exchanges, it is difficult to find Jobs remotely likable. He is portrayed – probably very accurately – as a man with fixated views, unable and unwilling to bend at all. In this capacity Fassbender turns in a predictably classy performance.

Trying to pour oil on continually troubled waters is Jobs's PA Joanna Hoffman (Kate Winslet), looking less like Kate Winslet than she has for a while. Winslet is the best thing in the film.

The script is by "West Wing" writer Aaron Sorkin, and it is extremely dense: I pity the poor couriers who had to deliver the screenplay to Fassbender and Winslet, and can only imagine the look on their faces when they realised they had to learn it all! And it is the script that is frustrating. I found the historical aspects of the roller-coaster ride of Jobs's career, supported by some great inserts of historical snippets by Arthur C Clarke and Bill Gates, fascinating. But the continual refocusing on the relationship with the daughter (Lisa) I found less compelling. And some of the right-angles taken by the dialogue strain credibility: when Sculley suddenly branches off into deep psychological counselling with Jobs on his childhood, minutes before a major presentation, it just doesn't ring true.

Above all, it was extremely frustrating that the story took you to the point in each act of an announcer saying "And now let's welcome to the stage STEVE JOBS…" and then the action cut away to the next scene. You never got to see Fassbender let rip at channelling the famous Jobs charisma to his assembly of baying geek disciples.

While there are occasional snatches of Danny Boyle's usual flair, it views as a fairly atypical Boyle film: just getting all the dialogue in leaves little time for much stylised delivery.

So in summary its a workmanlike film but, for me, unfortunately one of the disappointments of the film year to date.

(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)

Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.

Thismay be the most interesting way to tell the story of Steve Jobs. We see almost nothing about his life or who he was, other than what we get from his interactions with his daughter, his assistant and Steve Wozniack. Although it leaves a lot out, it is still surprisingly effective.

And what we have is a very limited arc, from failures to success. We never get beyond 1998, so there is no iPod, iPad, iPhone or any of the things that have since made Apple a giant in the tech field. But again, this makes for some interesting storytelling.

This film tells the story of Steve Jobs developing products for Apple Computers, then his subsequent venture outside Apple then back again as the Apple CEO.

This version of the Steve Jobs rise and fall story may be more truthful than the other film "Jobs", but it does not engage me because I find it full of negative energy. People are bickering all the time, with lots of fights and nasty comments are thrown at each other. Steve is portrayed to be an utterly horrible person, yet there are occasional scenes that are discordant, creating a lack of continuity with the character's personality. The ending seems like a desperate attempt to put some positivity back in, but it just doesn't work for me.