Big Game

Samuel L Jackson is the disgruntled President of the United States who is the target of an attack that leaves him crash landed in the forest of Finland aided only by Oskari, a Finish boy trying to prove himself as a hunter and as a man. WHAT MORE CAN YOU WANT?!

This is the best camp action movie I have seen in a long time (and I'm counting The Expendables). It's so much fun to watch. Onni Tommila as Oskari is so brilliant and hilarious, and stands up no problem to Sam Jackson.

Definitely what you're looking for on a Friday night in with a buddy and a beer.

Looking at the other reviews, there seems to be a miscommunication about what type of film this is.

So this reviewer will be crystal clear: from the moment film first went into the camera, this project was intended a family/kids film destined to appear on cable channels all over the world either on a Saturday matinée or in the after-dinner hours.

Aside from Sam Jackson (whom I have been calling in my reviews since the 1990s "the most overexposed actor in film history") everyone else is second tier B movie material.

This is not die-hard "puberty edition." This is about fathers and sons and everything else is secondary to that.

So, now that we are crystal, it is really not bad. The effects are good, the bad guys are convincing, and even the action scenes work well.

Above average kids flick.

...in this relatively small budget Finnish* action adventure movie starring Samuel L. Jackson. (It's a small budget movie in Hollywood standards - with measly 9 million dollars (8,5 million euros) - but manages to be the most expensive Finnish movie today.)

(SIDE NOTE: No plot is discussed in this review - because you can find the plot summary elsewhere (look up), also because I don't think the plot of the movie is really important in this case.)

Big Game is unapologetically old school (that school being founded in 80's Hollywood) in it's aspirations. There's non of the grittiness and wannabe-maturity or seriousness of recent Hollywood action movies targeted at younger audience (like Hunger Games, Man of Steel etc.). There's direct references to 80's Spielberg movies like E.T. and Indiana Jones, but the movie it resembles most is Cliffhanger, the mountaineering action from 90's starring Sylvester Stallone. It's no coincidence since Cliffhanger was directed by the first and so far only (but not for long, seems like it) Finnish-born Hollywood action director Renny Harlin, and the writer-director of Big Game, Jalmari Helander (whose second feature film this is), Finn himself, was a young man dreaming of becoming a filmmaker when Harlin had his heyday in late 80's and early 90's with movies like Die Hard 2 and Cliffhanger, and Harlin was a big deal in Finland (and I guess in Hollywood too) at that time (not so much anymore).

Big Game is a love letter to the movies of Helander's youth. Usually there's certain amount of self-consciousness in backwards looking projects like this, but Big Game is no parody or ironic postmodern pastiche (or something). Helander takes it seriously (without being too serious). Yes, it's predictable, clichéd and formulaic but at the same time heartfelt, joyous and mostly fun (also relatively short with 90 minutes with no really dragging moments), and part of the fun comes from being familiar with the tropes the movie plays with and the willingness to embrace them earnestly**.

It's a film made by someone who watched Hollywood action movies as a kid and played the scenes of those movies in forest with his friends with sticks as machine guns*** and Big Game is direct continuation of that kind of childlike attitude to movies. It's not a film for the more jaded viewer who wants to be surprised with something completely unseen before or who wants "believable" action or more mature or gritty touch from his/her action and adventure movies. Helander made a movie that he loved watching in his childhood and that's both the strength and the weakness of the movie. What are your feelings towards these kinds of old school action movies and whether you are willing to embrace the cliché and take a more childlike perspective to the movie will probably determine whether you will appreciate Big Game or not.

I personally thought it was fun to watch, even if it didn't bring anything really new to the table (in fact it found the old leftovers and served them with fresh dressing). Movie like this could be really stiff and boring if done poorly (it has actually pretty impressive action scenes with such small budget), or armpit-fartingly tryhard and unfunny (Snakes on a Plane), but thanks to the cast - especially Samuel L. Jackson ("Get these *beep* terrorists out of these *beep* Finnish mountains!)**** and young Onni Tommila whose unexpected relationship carries this movie through the more cliché-ridden landscapes - and the earnestness of the director, it managed to breathe some life into the already-done-to-death tropes of the genre and gave the world what it didn't know it needed: Spielberg-flavored Renny Harlin!

6/10 (little above average, fun to watch)

*Co-produced with UK and Germany and shot in Germany, with largely German crew.

**Clichés are not clichés (used too often) without a reason. Usually they were effective and cool the first few times but later became overused and too familiar. In a movie like Big Game you sort of have to be willing to see the original power of the cliché and let go of the impulse of trying to outsmart the movie. In short: it requires a childlike perspective. (Of course every bad movie would seem better with childlike, i.e. uncritical, perspective, so forget what I just wrote and see for yourself.)

***DISCLAIMER: This might've never happened, but it feels like it.

****There actually is no mountains in Finland.

I saw this movie with my wife, she was jiggling all the time,i had 2 dusins of good laughs, even though there are so many actual fact flaws on geography and politics. the plot is fine and the acting ok but most of all its damned good fun and impecable special effects and explotions,so dont hesitate watching this,its childish but great entertainment even for an old grumpy guy as me.

Well... When the screenwriter set the action in some particular country, IMHO, he has to get general ideas about the location he is describing... Isn't he/she? I understand that 95% of the American public has no idea where Finland is and how does it look... but... Probably, the rest 5% knows that Finish landscape is pretty flat and mostly consists of lakes and swamps