IMDb-BEWERTUNG
6,2/10
23.656
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn exploration of various interpretations of Stanley Kubrick's horror film, Shining (1980).An exploration of various interpretations of Stanley Kubrick's horror film, Shining (1980).An exploration of various interpretations of Stanley Kubrick's horror film, Shining (1980).
- Auszeichnungen
- 2 Gewinne & 16 Nominierungen insgesamt
Sam Walton
- Cast
- (as Samuel Walton)
Lisa Burns
- Self
- (Archivfilmmaterial)
Louise Burns
- Self
- (Archivfilmmaterial)
Ryan O'Neal
- Self
- (Archivfilmmaterial)
Scatman Crothers
- Dick Hallorann
- (Archivfilmmaterial)
- (Nicht genannt)
Tom Cruise
- Dr. William Harford
- (Archivfilmmaterial)
- (Nicht genannt)
Barry Dennen
- Bill Watson
- (Archivfilmmaterial)
- (Nicht genannt)
Kirk Douglas
- Spartacus
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
I really hoped this would somewhat focus on the film 'The Shining', but it doesn't. It's all about how people, who I have never heard of, think about it and how they interpret it. Sorry, I don't need strangers to tell me what to think. My recommendation is to avoid.
This film is an elaborate joke, a satire on those oh-so-earnest analyses of films one sometimes comes across. Tins of baking powder which show it is a movie about the American Indian? A German typewriter (a make which I also used to use), plus a supposed Hitler moustache in the final shot, shows it is a holocaust movie? Kubrick's face in a cloud formation? Significance in running the film backwards superimposed on running it forwards? A minor character played by an actor who also played Pontius Pilate? I would go so far as to say that The Shining itself is an elaborate joke. An enjoyable one all the same. As is Room 237. But don't take it seriously!
An exploration of various interpretations of Stanley Kubrick's horror film, "The Shining" (1980).
What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.
What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".
So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.
What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".
So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
Being an avid Kubrick fan, I could not wait to see this film even though The Shining is one of my least favorite of his movies. I did enjoy Room 237; it's a fun movie. Like Kubrick himself you never know whether it's being serious or poking fun at the viewer. Some of the "hidden messages" that Kubrich is supposed to have put into The Shining are patently ridiculous but some others will make you want to go & watch The Shining again, and again! The masterstroke here is when someone states that Kubrick was meticulous about arranging every frame in his movies (which every Kubrick fan knows to be true) and no object appears in any frame by accident. Of course the film makers then take this to an extreme but it does make for a quite funny and entertaining time.
This movie was worth while, it was interesting, entertaining and made you think. For a fan of the shining, or Kubrick or conspiracy theories this was a great film. Junk science came to mind a few times, to me the most interesting parts of the film were the details which were brought to the attention of the viewer which Kubrick definitely had a hand in, the conspiracy theories, ideas about the holocaust, extermination of the native Americans and faking of the lunar landing were a bit more out there but intriguing and I wouldn't put anything past Kubrick. The most interesting point of the film to me was the discussion of post modern works of art and the claim that irregardless of the authors intent, themes can be found which might have been or have not been consciously intended. Overall, the mind of Kubrick, his eye for detail, his humor and overall brilliance is what is most evident when watching this film. If one looks for themes and ways to make connections they can be found in many different places, overall this can lead to seeing reality though higher levels of awareness and if one is lucky enough glimpses of enlightenment, that was the broader and most important theme in this movie.
Wusstest du schon
- WissenswertesLeon Vitali, former assistant to Stanley Kubrick, dismissed the theories in this film as "gibberish," saying they are entirely without merit.
- PatzerBill Blakemore mistakenly attributes a literary quotation. "History is a nightmare from which I'm trying to awake" is from James Joyce's Ulysses, not from anything by T. S. Eliot.
- Crazy CreditsThe end credits scroll downward.
- VerbindungenFeatured in Minty Comedic Arts: 10 Things - The Shining: The Lost Version (2022)
- SoundtracksWe Cannot Escape the Past from the album 'A Stairway to the Stars'
Composed and Performed by The Caretaker
By Arrangement with History Always Favours the Winners
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Soba 237
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 296.359 $
- Eröffnungswochenende in den USA und in Kanada
- 29.693 $
- 31. März 2013
- Weltweiter Bruttoertrag
- 367.406 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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