IMDb-BEWERTUNG
7,8/10
6628
IHRE BEWERTUNG
Ein Dokumentarfilm, der die serbische Performance-Künstlerin begleitet, während diese sich auf einen Rückblick ihres Werks am Museum of Modern Art in New York vorbereitet.Ein Dokumentarfilm, der die serbische Performance-Künstlerin begleitet, während diese sich auf einen Rückblick ihres Werks am Museum of Modern Art in New York vorbereitet.Ein Dokumentarfilm, der die serbische Performance-Künstlerin begleitet, während diese sich auf einen Rückblick ihres Werks am Museum of Modern Art in New York vorbereitet.
- Auszeichnungen
- 6 Gewinne & 9 Nominierungen insgesamt
David Balliano
- Self
- (as Davide Balliano)
Josephine Decker
- Self - Naked Girl
- (Nicht genannt)
Empfohlene Bewertungen
Fascinating, unexpectedly deeply moving portrait of Marina Abromovic, who is sometimes called 'the grandmother of performance art" and her hugely successful retrospective at New York's Museum of Modern Art'.
While her past history is never less then tremendously engrossing, the most powerful moments of the film are those showing her new work, unveiled for the retrospective called 'The Artist is Present'. For 3 months, Ms. Abromovic simply sat in a chair all day, taking no breaks, looking into the eyes of any museum guest who sat down opposite her. No talk, and very little movement.
Yet these encounters are tremendously powerful, often moving both participants to tears (and some of us watching the film as well). This is 'art' taken to it's most simple, naked level. Connection between two strangers, each coming away different for the encounter.
While all this may sound dry and theoretic, the pure honest emotion and presence the 63 year old artist brings to her Herculean task make watching the film anything but.
While her past history is never less then tremendously engrossing, the most powerful moments of the film are those showing her new work, unveiled for the retrospective called 'The Artist is Present'. For 3 months, Ms. Abromovic simply sat in a chair all day, taking no breaks, looking into the eyes of any museum guest who sat down opposite her. No talk, and very little movement.
Yet these encounters are tremendously powerful, often moving both participants to tears (and some of us watching the film as well). This is 'art' taken to it's most simple, naked level. Connection between two strangers, each coming away different for the encounter.
While all this may sound dry and theoretic, the pure honest emotion and presence the 63 year old artist brings to her Herculean task make watching the film anything but.
This documentary is so powerful to me. I had never been introduced to this type of art before and made me realize how important it is to have an open mind when your goal in life is to discover, learn and connect. For example, one of the landmark pieces Marina is known for is where she sits in front of someone for an incredibly long time, day after day, for weeks, months. I looked at this and was struck with thoughts dominated by puzzlement and judgement. It was weird and silly to me, until I let myself think about it. Think about where the artist is coming from. I thought about my own situation where looking people in the eyes is incredibly difficult and the idea of coming to a space where this woman is sitting, taking a seat in front her, then meeting her eyes became profound. It also made it clear to me that sometimes in order to appreciate something so radically different from what a person is used to or familiar with, the time in a person's life, what has come before, and what a person is tuned in to all become so vital in the outcome of whether the person listens, or immediately dismisses. I was able to let myself make a connection with what it is Marina is trying to do with her art and it came alive for me, all at once. The documentary itself is beautifully done, you can tell it was a production made with love and devotion to its subject. It goes into Marina's history in performance art through interviews and old footage, and is framed by the massive preparations for a show held at the Museum of Modern Art in New York City. One of my new favorite documentaries. http://funkyforestfirstcontact.wordpress.com/
I can't even find words to describe the emotion, the feeling of peace, serenity, harmony that we feel as watching this beautiful documentary. It simply shows us the essence, the genuineness and purity of this fabulous artist! GREAT WOMAN, no doubt! I wish I was one of those that had the opportunity to sit in front of her! This is art, and anyone can't say that it's not! Certainly you'll never find someone so much present, so much human, so much given to the feelings of others, such as Marina! And that's for sure!!! Thank you, thank you so so much! You're simply UNIQUE! I truly wish to know her better now!!! And her institute, oh the institute!!!! Maybe one day, one day, who knows? :)
This is a documentary about how long it took for Marina Abramovic to get famous. It's a long view of a life lived in art and for art and then suddenly, late in life, to discover that all those years spent in obscurity are finally paying off. That's interesting. But that's all the documentary is about. Why is her art worthy? What has been the arc of her life's work? How has it evolved? I might as well have watched a film about Kim Kardashian and the nature of fame. This is more an adulation of fame itself than an analysis of the power of art. Very disappointing. The frame for the film is the build up to her most famous work, The Artist is Present, at MOMA, where, individually, members of the public were allowed to sit in a chair opposite Ms. Abramovic and stare into her face. The impact of this experience seems to have been profound. Ms. Abramovic's face is magnificent, filled with pain, deep silence and supreme mystery. She did this every day for three months. The sheer fortitude that this must have taken is astounding. The amount of raw emotion that she must have absorbed is exhausting just to think about. To have heard her speak on camera about this experience would have been fascinating. But instead we get a facile look at the least interesting aspect of her life; the fact that she is now famous. I'm glad for her but it's a small, mundane detail of a life lived with far more complexity than this documentary affords her.
I absolutely loathe performance art and the pretentiousness that comes with it. If fact, aside from movies and some abstract pieces, I am not all that interested in art. However, it is impossible not to like this film. Abramovic is hypnotic throughout and the film editors do a great job of cutting out virtually all of the annoyances that sometimes plague these types documentaries. I am a simple-minded person who enjoys beer, boxing and cars. I do not know my wines nor am I an avid NY Times reader. But, one thing I am sure of is that you will love this film. Just give it 15 minutes and you will be hooked.
Wusstest du schon
- Zitate
Marina Abramovic: When you perform it is a knife and your blood, when you act it is a fake knife and ketchup.
- VerbindungenEdited into How I Became the Bomb: Ulay, Oh (2014)
- SoundtracksSeltzer, Do I Drink Too Much
By Zhurbin, Lev (as Lev 'Ljova' Zhurbin)
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Box Office
- Bruttoertrag in den USA und Kanada
- 86.637 $
- Eröffnungswochenende in den USA und in Kanada
- 11.041 $
- 17. Juni 2012
- Weltweiter Bruttoertrag
- 156.695 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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