Horseplay

Horseplay is just a remake of Taekwondo, but with more nudity and homoerotic moments. There are identifiable themes emerging from the horsing around, but none of these were explored. Therefore, it leaves the film lacking in substance. I believe the person who made Taekwondo is responsible for Horseply, so I am at a loss as to why they would make a similar film without building the characters or explore the hinted themes to build a narrative that is relateable and teachabe! To be honest, I have seen adult films with better plots. So watch for the eye-candies and not for the storyline because one doesn't exist.

One of the worst movies I've ever seen. There is zero plot. The characters aren't believable and frankly it's just boring from beginning to end. It could have been so much better if the perspective of Poli and his (maybe unrequited) relationship with his friend had been explored. Instead Poli is mostly mute and we get no sense of how he thinks about himself and his sexuality in this setting and friend group.

The dialogue is extremely repetitive and not credible. Almost half the movie is just the characters calling each other 'homo'. I think even homophobes would get bored of this chat pretty quickly.

I really don't understand why this is being considered a queer movie. It's a movie about straight men. It's not even homoerotic, the nudity is sterile and not sexy. Much of it is actually disgusting (one character vomiting on another in a shower). I found it to be deeply unsexy. Ultimately it's a movie about a group of unpleasant straight men with one closeted character who barely speaks.

Do yourself a favour and avoid this.

The eye candy is fantastic! However there was no movement in the plot in the first 90% of the film. Random talking, silly conversations that go nowhere. Need to do more character development and movement of the plot line. The last 5 minutes were the best, and many of the actors have potential to show their depth, such as in the ending, but the entire movie was overrun by useless conversation of a bunch of tough guys. These are honestly talented actors, and some are extremely good looking, but need to show more one-on-one interactions, thoughts, feelings etc. They are there but in very minute quantities.

Seen at BFI Flare in London (wonderful festival!)

Quite a let down. Inevitable comparisons to Taekwondo, but whereas that film succeeded because of the development of the characters and the building of tension between them, this failed. The narrative is s-l-o-w, yet (with one exception) the relationships between the characters aren't properly explored, even though there is plenty of time for that.

The ending is unexpected, but lacks impact because the audience doesn't feel anything for the characters involved.

Sure the.guys are hot, and the photography lovely - with those slow drawing shots on male bodies. But the whole film felt like it had been created from pieces off Taekwondo's cutting floor.

I thought of Marco Berger in quite a positive light after seeing two of his films, The Blonde One (2019), and Hawaii (2013). Both were excellent. Both were mature works, and visually interesting, with very engaging plot lines.

Having since watched The Carnival (2021), Young Hunter (2020), Taekwondo (2016), and this film, I've pretty much changed my mind about this director.

I thought Taekwondo was extremely slow moving and boring, with little to no discernible plot. Horseplay follows in the footsteps of Taekwondo, but with a bit more sexy visual confection (which is really the only reason I even assigned it the extra star.). There are definitely some sexy guys, and sexy scenes. But it doesn't offer much more.

Okay, actually, the vacation house where all this horseplay takes place is pretty to look at too.

But the movie seems to go on and on, magically making 1 hour 40 minutes seem like about 6 hours. The dialog is vapid, and repetitive.

It's filled with testosterone, but has virtually no substance.

There might almost be a couple of plots hidden in this film, but they're so well hidden that they cannot be seen. When you think there might be a story line starting to materialize, it invariably turns out to be a red herring that goes nowhere. A quiet gay man amongst a group of rambunctious young friends who constantly insult each other by calling each other "homo," while taking endless pictures of themselves engaging in gay sex (horseplay, I guess)? The sexual violation of a girl visiting the house, against her will, by one of the guys? Nope. The leaking of an embarrassing "homo" image of one of the guys whose wife sees it and worries her family will be defamed on social media? Those didn't go anywhere.

There is one searing moment at the end of the film that might hint at a story line. But hey, everyone's gone home, and the credits are rolling.

If all you're looking for are some glimpses of young guys at their sexual summit, you might enjoy this. But even there, there's just so much boredom in between that it's not really worth it.