IMDb-BEWERTUNG
6,2/10
6656
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuCircumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life.Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life.Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
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"Hello I Must Be Going" is one of those little independent movies that you must see it's heartfelt and it shows how one little lady can struggle and after once again finding passion set back out on her own. I must also say that Melanie Lynskey really shined here she's an underrated actress she has great sex appeal and range give her more roles! Anyway Melanie("Two and One Half Men")is Amy a recent divorcée who after bouts of depression seeks comfort and shelter by moving back in with her cultured and well to do parents(Blythe Danner and John Rubinstein)in their suburban Connecticut home. The only hope for Amy comes in an unexpected gift just like the way it happens in many lives. After meeting family friends she begins an affair with their son named Jeremy(Chris Abbott)a caught in the cookie jar 19 year old actor. And this rediscovery of passion and intimacy starts life all over for Amy again she's a new lady! Overall this film has it's highs and lows as you watch Amy go thru tragic and funny crossroads of her life as even though she's caught up in a magical love story this girl has reached a point in her life of raw emotional honesty so she can go her own way. Again overall nice feel good film that shows life's a journey with many up's and down's as a rediscovery of passion can show you who you are. Plus it was a nice treat seeing Melanie at work.
Amy (Melanie Lynskey) has left her husband and moved back with her parents (Blythe Danner, John Rubinstein). She is depressed and unmotivated. She can barely get up the will to dress nicely for a dinner party. At the party, she begins an affair with 19 year old Jeremy (Christopher Abbott). She becomes energized as she risks discovery of the inappropriate affair.
This is Melanie Lynskey's movie and her best performance ever. As always she is her lovable vulnerable self. But she stretches to encompass the many different emotions of her character. The only problem is the perfectly crafted speeches she gives. It's a thin line between poignant emotional truth and too perfect hokey monologue. Luckily Amy is a middle age character, not the usual emo teen. So I'm willing to go with the former, and buy that she's a lit major. Melanie Lynskey finally returns to a lead role in a movie. And she is amazing in it. I hope she will get more chances at the leading lady role in the future.
This is Melanie Lynskey's movie and her best performance ever. As always she is her lovable vulnerable self. But she stretches to encompass the many different emotions of her character. The only problem is the perfectly crafted speeches she gives. It's a thin line between poignant emotional truth and too perfect hokey monologue. Luckily Amy is a middle age character, not the usual emo teen. So I'm willing to go with the former, and buy that she's a lit major. Melanie Lynskey finally returns to a lead role in a movie. And she is amazing in it. I hope she will get more chances at the leading lady role in the future.
A great performance by Melanie Lynskey is tainted by "dirty", completely unnecessary R-rated content that could have and should have been omitted to make this a clean PG-rated film.
While showing us a sad middle-aged divorcee slowly turning her life around by flinging with a teenager, this film preaches that guys are jerks, parents are hopeless, modern art is beautiful, modern artists are important, what Jeremy pretends to be is a great thing, how Gwen behaves about it is even greater, and also that are weed and anti-depressants are wonderful.
There's so much unrealistic profanity that it gets silly, and there are some indie trope traps, but it's an interesting film nonetheless. It's low-key and mostly well-crafted, with very good performances also from Sarah Chase, Blythe Danner, and Julie White.
Edit: After a year, an additional viewing, and lots of additional pondering, I will add that I now think this film is not about Amy but rather her parents. Amy gets most of the screen time, but it's actually about mom and dad having struggled for years through a stressful, unhappy marriage, and the effects this has had on everyone.
Amy's mom is miserable and a major insomniac. Amy's dad is in denial and manipulates. The parents seem to have given up at attempting to communicate with one another many years ago. Amy is a bit of a wreck with almost no self-esteem. And Amy's brother is a spoiled ingrate.
All of this, if you watch and listen closely, stems from decades of the bad marriage.
While showing us a sad middle-aged divorcee slowly turning her life around by flinging with a teenager, this film preaches that guys are jerks, parents are hopeless, modern art is beautiful, modern artists are important, what Jeremy pretends to be is a great thing, how Gwen behaves about it is even greater, and also that are weed and anti-depressants are wonderful.
There's so much unrealistic profanity that it gets silly, and there are some indie trope traps, but it's an interesting film nonetheless. It's low-key and mostly well-crafted, with very good performances also from Sarah Chase, Blythe Danner, and Julie White.
Edit: After a year, an additional viewing, and lots of additional pondering, I will add that I now think this film is not about Amy but rather her parents. Amy gets most of the screen time, but it's actually about mom and dad having struggled for years through a stressful, unhappy marriage, and the effects this has had on everyone.
Amy's mom is miserable and a major insomniac. Amy's dad is in denial and manipulates. The parents seem to have given up at attempting to communicate with one another many years ago. Amy is a bit of a wreck with almost no self-esteem. And Amy's brother is a spoiled ingrate.
All of this, if you watch and listen closely, stems from decades of the bad marriage.
The underlying feeling tones that stood out in this movie for me were: Real, Raw, Genuine, Authentic, Intimate and Sincere Connection. The film reminded me of a time in life when you're in college, living on student loans or in your parents house and you still have the time and the innocence (you haven't yet been scarred and jarred by "the real world") to make these beautiful, sometimes fleeting
sometimes short-lived connections with another human being. Things like sharing family secrets, or staying on the phone until 6am while the sun comes up. Once the focus becomes "the job", "the bills" and other responsibilities; many of these beautiful moments become lost. Once an "adult", one quickly learns that relationships are often superficial, dis-honest and based on ulterior motives. This movie put me in touch with the emotions of what it's like to feel alive, loved and accepted even though you don't have it all figured out. Overall, I would give the movie a 6 but for emotional impact, I would add another 2 stars. Great gem of a film with a perfect soundtrack to accompany.
i'm not use to writing reviews but hey, this is a really good watch, interesting movie, great cast, i loved it. @ least it's a story we can all relate to, i think Melanie Lynskey Killed it, best role i have ever seen her in. as the movie progress you get captured in the story telling and you can't just wait to see what happens in the next scene, not the kind of movie you'll fall asleep watching. very good acting, and don't expect to see some wild "sex scenes" when i read the plot initially my mind went straight to seeing Melanie Lynskey "wildin out" i know, i know .. but overall the movie is great, I loved it, go see it.
Wusstest du schon
- WissenswertesThe title is a reference to a Groucho Marx song of the same name.
- PatzerAbout 21 minutes in, in the morning scene . . . after the dinner party the night before . . . John Rubinstein's character Stan, is quite tan whereas the night before he was rather pale.
- VerbindungenFeatures Animal Crackers (1930)
- SoundtracksThe Fox / Make Something Good
Written and Performed by Laura Veirs
Courtesy of Raven Marching Band Records
By Arrangement with Terrorbird Media
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Привіт, мені вже час
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 106.709 $
- Eröffnungswochenende in den USA und in Kanada
- 23.904 $
- 9. Sept. 2012
- Weltweiter Bruttoertrag
- 354.939 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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