Any Day Now

I was lucky enough to see this film while I was on holiday in Arizona and attended some screenings at The Sedona Film Festival. I didn't know anything about the film but have always been a fan of Cumming so chose this as one of the films to see. I wasn't disappointed, in fact I think it's fair to say this film completely blew me away and I left the cinema a bit of an emotional wreck! Some of the plot points at times may feel a bit rushed or contrived but if you just go with it you can enjoy a really beautiful, moving human drama. That's exactly what I chose to do and moved I was! The performances from all the cast are top notch, but Alan Cumming really is outstanding. I've never seen him better. It's really nicely shot and scored. The costumes and hair (!)are bang on period and the film flows seamlessly from beginning to the shocking end, which I had not anticipated and left me reeling! Would I recommend this film, in a word YES!

After the movie ended, the entire audience stayed long afterwards, stunned and devastated by what they had seen.

I expected to be able to predict the ending of this film, but I was very wrong. It was completely unpredictable.

The relationship between Cumming's character and the lawyer was very touching, though it did require an actor of Alan Cumming's massive talent to make the relationship believable. Cumming deserves an Oscar for his performance. I can not imagine that any other actor will surpass Cumming's magic here.

The story takes place in 1979, a year I remember well because I always say it was my favorite year, and I think that they captured the look and feel of 1979 very well.

This is a very beautiful movie that everyone should see. A great story, well acted, and one that will be commented on for years to come.

Opinions are like a**holes, everyone has one. That being said, I loved this movie. Yes, due to the constraints of a 2 hour movie, the leads fall into a serious relationship quite quickly. And maybe two guys in West Hollywood circa 1979 may not have fallen in love exactly like this, but darn it, does every gay film have to depict us all as un feeling sexual beings only. What a great message for future generations, and a timely one with gay marriage at the supreme level, that some gay men actually do want love and a family. My biggest compliment to the film was that by the end I was to enraged to cry. With only 16 theaters in the country showing this, and a mere 40k weekend, I feel so fortunate to have seen it in the theater. Ignore his 4 out of 10 rating and seek this little gem out.

With ample opportunity to turn heavy-handed and sappy, Any Day Now is surprisingly authentic without jerking tears about a 15 year old Down-Syndrome boy being saved from institutions by a male couple. The film does not turn on sentiment but rather on the weakness of the 1979 judicial system that might deny custody just because the parents are gay.

Rudy (Allan Cumming) is a drag queen, who wants to care for neighbor boy, Marco (Isaac Leyva), abandoned by druggie mom. Paul (Garret Dillahunt), an assistant district attorney, comes out to Rudy and falls in love with him. Both men love Marco, yet they struggle to convince the court that because a couple is gay, it should not be denied custody.

It is the '70's after all, and being gay and a drag queen can be a real drag for the authorities. To the film's credit, even the tough-minded judges can have moments of sympathy. Minor players like the prosecuting attorney go beyond stereotype, and the ending goes against expectations, a real plus for a film that could have followed the play book for tears and happiness.

An audience favorite at Tribeca and Chicago film fests and winner of the Golden Space Needle award at Seattle, Any Day Now, inspired by a true event, delivers an honest conflict with an honest conclusion. I'll take that any day now

I watched the movie because I admire the work of Alan Cumming, and yes, he was (as always) brilliant as the singer---think Garbo doing Camille but with a five o'clock shadow. He is so completely lovable from moment one that his relationship with the lawyer is 100% believable.

What bothers me about the film is not anything contained within the film. I loved that it did not have the ending that Hollywood has lead us to expect such films to have. I loved that it was realistic. I loved that it celebrated love.

What I am curious about is why is this a "little" film? Given the timeliness of its subject matter, I would have expected it to receive more mainstream attention. Is mainstream American film criticism still uneasy at the thought of a gay couple raising a kid? Why don't we have any openly gay leading actors in the U.S.? What is wrong with our country? Once upon a time, back in the 70s when I was growing up, everyone was "bi", regardless of who you slept with. How did we end up going back in time?