Billy Club

Follows a formula and was watchable, but at some parts tries to take itself too seriously.

Most great indie horror films are a testament to hard work, a good script, and great cast in spite of lesser production values and a series of technical flaws. There's potential in them even if they need a fresh coat of paint. Billy Club is, surprisingly, the opposite.

Billy Club looks like a million bucks. There's no doubt the people behind this movie worked hard, long hours to make this movie look as professional and polished as its low budget would allow. Framing and angles are inventive and cinematic and most sound cues are crisp and well-mixed.

Billy Club should be a head above the rest of these low budget slasher flicks, but it's not. Despite the impressive glow up, this owes more to the no-budget absurd straight to video slashers of the early 2000s than any of the golden age classics like My Bloody Valentine or Prom Night.

As a concept, Billy Club seems promising. You see, in the early 80's, a few kids and their baseball coach were found murdered on the field and a crazy kid named Billy was sent away for it. Years later, he's let go from the nuthouse and starts taking out the rest of his surviving teammates because they once pulled a near-deadly prank on him. He's actually starting to make sense and I can understand his reasonings. These people are awful.

Billy Club suffers from that ever-present likability problem most post-2000 slasher flicks have. No one in this movie is worth caring about and, even if they are, they end up doing something incredibly stupid just seconds later. The amount of characters in this film who get out of a car in a secluded area and just start walking into the woods for seemingly no reason is staggering. You can feel the screenwriters realizing they desperately need to find a reason to get these characters alone, but this was the best they could come up with. And who can blame them? With characters as shallow as this, that probably was the thing that made the most sense for them at that point in the story.

What Billy Club does get right, it really gets right. The kill scenes are incredibly grisly and there are a few unforgettable images throughout the film. When the film's heroine comes across a macabre art installation of her friends at a secluded lake, you'll be hard pressed to not gasp in awe. It's a truly unforgettable image and any film is lucky to possess at least one of those, so you can't write Billy Club off completely.

It could have used another draft or two before production, but Billy Club does have its saving graces.

Not a great slasher movie by any stretch of the imagination, but it has enough different and unique elements to make it a worthwhile watch. None of the characters are very likable and some are downright monsters, but it's reasonably well shot for a low budget movie and I liked that it focused on adults and not teenagers.

I must say I was pretty bummed over this one. Slashers are my favorite style of Horror, and after seeing that bat with all the nails and self made bayonet attached, I thought this might be an awesome one.... I was very wrong.

I'm all for a "So bad it's good" movie, but this is just BAD. The acting is really ridiculous, almost inexcusably horrible; and this goes for really every singe actor and actress in this film. There was a typical Slasher movie stoner who was kind of funny, and actually probably the best actor in the movie, though that isn't saying too much.

The story is FULL of plot holes, and it doesn't seem to make too much sense, ESPECIALLY the twist at the end. As I mentioned in the title, this movie drags on so long in between kills that I started to forget what the hell was even happening in the plot. I didn't remember any of the characters names either, all just forgettable throughout. Usually the teens/people in Slasher movies are pretty dumb, but they take the cake in this one. At the end the female character sees a murder and freaks out saying "I need to get out of here!", and instead of jumping in the truck parked outside that has worked throughout the entire film, she decides to run into the woods. What the? The most bizarre and ridiculous scene in the whole entire movie happens when one of the male characters jumps in his truck to go on a drive and think for a minute, and he is joined by another male character who goes to help him get his mind off what's happening. They stop at the edge of the woods, where the driver then tries to kiss the passenger? Out of no where. And after being denied he says " I'm not gay!!" and gets out and runs into the woods? There is just so many stupid and unexplained things that happen in this movie, and by the end I couldn't wait for it to be over.

Other than a few kind of gory kills that looked half decent, I'd stay away from this one. I was going to buy it on Amazon just because I like to collect movies good or bad. But after checking it out on Hulu, this is just too bad to add to the collection.

Fifteen years after a gruesome triple homicide devastated their Little League baseball team, four friends reunite to commemorate their dead coach and fallen teammates. A mystery unfolds as the secrets from their past return to haunt them and a vengeful killer, hidden by an antique umpire's mask, returns to even the score.

I saw this film as part of the Oshkosh Horror Film Festival and was drawn to it by the fact it was filmed in Wisconsin and many of those involved were from Milwaukee. I knew nothing about it beyond that, and had no expectations. For the most part, I was quite pleased.

Being a fan of slashers, I love the whole plot of a past crime being avenged years later by a masked killer. And then you throw in the mystery of the killer himself -- is it the same guy as years ago? An imposter? Why now? This is always good.

Next, you throw in a good group of actors, some excellent direction and camera work, and plenty of humor. This is a winner any way you slice it. Of the two big Wisconsin films this year (the other being "Don't Go To The Reunion", which also featured Nick Sommer who wrote-directed-starred in this film) this was the one that really hit a home run. (I say that with all due respect to "Reunion", which is itself a fine movie with great kills and humor and was made by two wonderful gentlemen.)

My biggest critique would have to be the flashbacks. From a Q&A, I gathered that the "modern day" (1990s) footage was shot first and the flashbacks were spliced in later. I feel like some it slowed the pace down. The kid parts were alright, but the hospital scenes just seemed to drag a bit and did not add the psychological angle the filmmakers were looking for.

You should definitely see this, though. A few snags here and there do not detract from this being a slasher that bats over .500 in a subgenre that rarely hits .333, if you know what I mean. Nick Sommer is a man to watch out for. First "Blood Junkie" (available from Troma), then this... who knows what is next?