Standing Up

Well done, well scripted movie that tugs at the heart strings. The IMDB current synopsis (09/09) is totally off. In a cast of heavy hitters, the novice kid playing Ezra steals the show. The script is inspired by a true story, sometimes poignant, sometimes heavy handed, with well timed and well delivered levity. Casting was great with a few surprises, including Whoopi Goldberg, Rainn Wilson and Vera Farmiga, who played smaller but important roles to the story. Tony Goldwyn directed and was in the movie, which was written by his life long friend. It's the story of an autistic child, family struggle, divorced parents, understanding the past, vulnerability and a bit of redemption along the way.

I don't understand the ones that hated this to me it's one of the most heartwarming, quite relatable, and wonderful tearjerker; I'm probably one of few that cried a couple times during this. I have had stomach pain most the day but I love crying to movies I sympathize with and felt sad I don't have a great dad like Bobby Cannavale's character even Robert De Niro was magnificent in this!

I'm fine with being in the minority that loved this a lot to me anything about someone on the spectrum hits the spot and this is one of the best ones I've seen. I quote movies often, I've had meltdowns, I have sensory to certain foods, and I was forced into special needs classes at a young age. I genuinely hope Ezra gets appreciated truly deserves it.

Ezra, directed by Tony Goldwyn, stars Bobby Cannavale as Max Bernal, with Robert De Niro, Rose Byrne, and William Fitzgerald in key roles, and has a runtime of 105 minutes. The film tells the story of a father navigating the challenges of co-parenting his autistic son, Ezra, through a heartfelt cross-country road trip.

Initially, the movie threw me off with a somewhat cliché start. The plot was set into motion by decisions that felt irrational and not entirely believable, making it difficult to get fully immersed right away. However, as the story unfolded, Ezra managed to win me over. The narrative gradually moved away from the typical setup and developed into a more nuanced exploration of family, connection, and personal struggles.

One of the film's biggest strengths is the performances from the entire cast. Bobby Cannavale and William Fitzgerald lead the charge with compelling portrayals, and you can feel every emotion emanating from their characters. Robert De Niro and Rose Byrne add depth to the supporting cast, and all the actors bring a sincerity to their roles that makes the story engaging. Each scene is given room to breathe, allowing the characters' emotions to resonate without feeling rushed.

The film's pacing is another highlight, as it never felt hurried or forced. This careful approach allowed Ezra to evoke some truly heartfelt emotions, making the viewer feel invested in the journey of Max and his son. It's clear that Tony Goldwyn's direction and Tony Spiridakis's writing aimed to capture the raw and tender moments of parenting, and for the most part, they succeeded.

In conclusion, despite a rocky start, Ezra finds its footing and delivers a touching, emotional journey. The strong performances and well-paced storytelling make it a movie worth watching. I give it a 7 out of 10.

Everything starts escalating with the autistic kid having troubles at school.

Well-drawn characters on all sides of the boy's personal realities are certain that they must impose their own way of assisting him, leaving him as a subject without any freedom of choice..

• The authorities, deciding based on their professional experience and tutoring, responsible to observe rules and regulations, and placing little empathy on human considerations, illegitimately and abusively use their authority to undermine the rights and obligations of parents.

• the dad, a one man show comedian, who reacts emotionally against authorities, doctors, specialists, knowing rationally that he has to act irrationally to remove the kid from a subordinate law-abiding care system.

• The mother, conformist, yielding to the authorities to some extent, fighting her own emotions and hysteria to avoid escalating the situation.

• The grandfather, torn between his son and his wife, worried about the parents and the child, plagued by his own demons as a result of his own failings.

This results in an entertaining 90-minute combination of typical atypical personalities portrayed with reason, passion and humour, as well as the personality of the kid attempting to navigate like a fish away from the centre of this unwanted attention.

I am sceptical of movies concerning children's psychological issues, mostly because psychology is not an accurate science, like physics, chemistry or mathematics, but it is elevated to the same level of undisputable authority. Those harmed are frequently over-victimized and emotionally manipulated.

This was spot on; the director and actors' outstanding performances entirely changed my biased perception.

The film, in a beautiful crescendo with no wasted moments and a lot of scenery changes, moves from interesting to capturing my attention to retaining it until the very end.

He's read the New York Times since he was 5 and can eat only with plastic silverware. That's Ezra, the film is Ezra, and Ezra is autistic. This new melodrama from Hollywood, directed by Tony Goldwyn, is a tearjerker in its best form: so likeable is dad, Max (Bobby Cannavale in his career high), so fetchingly gruff his grandpa (Robert De Niro), so loveable Ezra (William A. Fitzgerald) that you root for them from the first frame to the last.

Max doesn't want Ezra to be put in a special school, so in his usually off-kilter way, he kidnaps Ezra to take him to California away from the cold-hearted child services and to appear as a comedian on the Jimmy Kimmel show. Despite the challenge of an Amber Alert, the fugitives manage to make the odyssey with grandpa's help and that of the endearing mother (Rose Byrne), divorced from Max but loving both Ezra and him. That she accepts the authorities' decision to drug Ezra and place him in a special school stretches credibility given the questionable authorities.

Although some of these situations seem like setups for pulling at the heart, the film peppers each with a reality that proclaims how we could easily be in the same situation. Max often acts like a child, while the child acts like an adult. When Max attacks the principal, the script seems unreal.

However, the film successfully shows not only the rough side, but also the charming side of autism, much as Rainman did. In other words, humanity outweighs film formula.

Life constantly gives Max chances while he tends to blow the opportunities. While being a stand-up comedian who earns a gig on Kimmel, he has some of the worst jokes ever, such as finding his inner child who happens to have a gun.

One of the memorable segments is De Niro showing his considerable chops when he apologizes to Max for being an emotionally distant father. It's the old Travis first-rate acting even when it feels like writer Tony Spiridakis is forcing the moment and its emotion.

The movie Ezra is a stellar summer outing with excellent acting and caution about being a parent and bringing up an autistic child. The imperfections are negligible when you consider its strengths.