Ein Professor, der nebenbei als eine Art Auftragskiller für die Polizei seiner Stadt arbeitet, begibt sich auf gefährliches, zweifelhaftes Terrain, als er sich zu einer Frau hingezogen fühlt... Alles lesenEin Professor, der nebenbei als eine Art Auftragskiller für die Polizei seiner Stadt arbeitet, begibt sich auf gefährliches, zweifelhaftes Terrain, als er sich zu einer Frau hingezogen fühlt, die seine Dienste in Anspruch nimmt.Ein Professor, der nebenbei als eine Art Auftragskiller für die Polizei seiner Stadt arbeitet, begibt sich auf gefährliches, zweifelhaftes Terrain, als er sich zu einer Frau hingezogen fühlt, die seine Dienste in Anspruch nimmt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 19 Nominierungen insgesamt
Martin Bats Bradford
- Isaac
- (as Martin Bradford)
Jo-Ann Robinson
- Society Lady
- (as Jo Ann Robinson)
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It is a good movie for a lazy Saturday evening, entertaining enough to keep your attention throughout and go to bed with a half-smiled satisfaction. Nothing less, nothing more. A lukewarm experience.
It's even, consistent, but never warms up to 30 C degrees or over. I guess that was intentional given the real life implications of the story. It might have been more exciting at times, even frantic in certain scenes, but it wasn't. What a pity.
From a movie making point of view, it is almost impeccable. Good direction, simple but effective camerawork, good score and editing, and most of all, superb acting makes it a good and quite joyful watch.
If you look for a light entertainment, there you go. You can leave your brains at home. No worries.
It's even, consistent, but never warms up to 30 C degrees or over. I guess that was intentional given the real life implications of the story. It might have been more exciting at times, even frantic in certain scenes, but it wasn't. What a pity.
From a movie making point of view, it is almost impeccable. Good direction, simple but effective camerawork, good score and editing, and most of all, superb acting makes it a good and quite joyful watch.
If you look for a light entertainment, there you go. You can leave your brains at home. No worries.
Richard Linklater's movie career has been punctuated by intense narratives originating from everyday events. 'Hit Man' somehow achieves the opposite - it's a fluffy confection based on the exploits of a psychology professor who poses as a professional hit man.
The purpose of Gary Johnson's masquerades is to help his local police department entrap those wanting to hire a killer. The film's introductory sequences show several unconvincing restaurant encounters where he assures a procession of would-be murderers he's a hardened criminal in the liquidation business. When a beautiful Latina asks him to terminate her abusive husband, Gary baffles his handlers by refusing her down-payment, and suggesting she initiates divorce proceedings instead of contracting a homicide. By this point, the narrative has departed from anything close to gritty realism - and clownish complications ensue when Gary secretly starts an affair with this 'femme fatale' while maintaining his assassin persona.
'Hit Man' could have followed in the footsteps of modern classics like 'Body Heat', but Linklater chooses to play it for comedy rather than drama. Tension is lost as the story becomes increasingly frivolous, until it arrives at a conclusion that belongs in a farce. The acting performances and lightly amusing screenplay just about hold one's interest, but the final product feels like an insubstantial appetizer that could have been a memorable main course with a different approach.
The purpose of Gary Johnson's masquerades is to help his local police department entrap those wanting to hire a killer. The film's introductory sequences show several unconvincing restaurant encounters where he assures a procession of would-be murderers he's a hardened criminal in the liquidation business. When a beautiful Latina asks him to terminate her abusive husband, Gary baffles his handlers by refusing her down-payment, and suggesting she initiates divorce proceedings instead of contracting a homicide. By this point, the narrative has departed from anything close to gritty realism - and clownish complications ensue when Gary secretly starts an affair with this 'femme fatale' while maintaining his assassin persona.
'Hit Man' could have followed in the footsteps of modern classics like 'Body Heat', but Linklater chooses to play it for comedy rather than drama. Tension is lost as the story becomes increasingly frivolous, until it arrives at a conclusion that belongs in a farce. The acting performances and lightly amusing screenplay just about hold one's interest, but the final product feels like an insubstantial appetizer that could have been a memorable main course with a different approach.
This was billed as a quirky, clever Rom-Com by both its trailers and critics. The trailers looked fantastic, like a spirited passion project between Linklater and Powell that would parody the whole Rom-Com genre in witty fashion. The reality is this is just another Rom-Com film with critics falling head-over-heels with Linklater (as they always do). The most interesting part of the film is actually the first act, when Glen Powell gets to shine in a diverse portfolio of characters, including a long, gritty dialogue exchange. By the time the love interest appears in the second act, the film has already fallen into just another collage of good cop/good person/bad circumstance entanglement. Unfortunately the film never really redeems itself, nor its characters in unforgiveable acts. Its story feels mundane and outcome certain. While I had hoped for more, it was at least an easy viewing.
If you enjoy quirky movies, director Richard Linklater is your guy. His latest is HIT MAN, which is a romantic comedy that's very loosely based on an article about a real guy, Gary Johnson. Gary (Glen Powell) is a college professor and part-time staffer at the New Orleans Police Department. He stumbles into a new role as an undercover hitman, arresting people who try hiring him to kill someone. It turns out he's very good at it. Powell really showcases his talents here, playing different characters for each arrest. When he meets Madison (Adria Arjona) though, he breaks protocol. I guess Powell has great chemistry with whoever he works with. He has an undeniable charm that seems like it spreads to the whole cast. I could tell they had fun filming this. It also has a very smart script, playing with ideas of identity and being your true self. The strong sense of humour actually changes as the movie progresses, which was fun for me, but might not work for some. I find it hilarious that they must've asked the real Gary Johnson for permission to go as far as they do here. The movie makes it clear what actually happened during the end credits. HIT MAN is quirky, unconventional, and very enjoyable. If you can't see it in theaters, don't worry! It'll be on Netflix June 7th. Make sure the algorithm doesn't bury it. Enjoy!
I watched it at home while sipping mojitos one lazy night and it was what I was looking for. Nothing special but good acting and directing. Intresting plot to just keep my attention. Not too predictable too. Also I dont think the script was too bad either. If you are looking to relax and watch a movie, dont overthink it just hit Play!.
Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.
Enjoy!!
Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.
Enjoy!!
Wusstest du schon
- WissenswertesThe real-life Gary Johnson passed away early in production and never got to see the film. Richard Linklater only talked to him on the phone and never met him in person.
- PatzerAt 00:06:45 you can see the camera and camera person in the reflection of Jasper's sunglasses when they are sitting in the car.
- Zitate
Gary Johnson: Seize the identity you want for yourself.
- VerbindungenFeatured in WatchMojo: Top 10 Movies of 2024 So Far (2024)
- SoundtracksNew Orleans Bump
Performed by Jelly Roll Morton
Written by Ferdinand Morton
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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- Weltweiter Bruttoertrag
- 5.348.633 $
- Laufzeit1 Stunde 55 Minuten
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- Seitenverhältnis
- 2.39 : 1
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