Tin Soldier
- 2025
- 1 Std. 26 Min.
Das Bokushi bietet ein Programm für US-Kriegsveteranen an, die auf der Suche nach ihrer "Bestimmung" und ihrem Weg in die Zukunft sind.Das Bokushi bietet ein Programm für US-Kriegsveteranen an, die auf der Suche nach ihrer "Bestimmung" und ihrem Weg in die Zukunft sind.Das Bokushi bietet ein Programm für US-Kriegsveteranen an, die auf der Suche nach ihrer "Bestimmung" und ihrem Weg in die Zukunft sind.
- Regie
- Drehbuch
- Hauptbesetzung
Angelique Fernandez
- Catherine Monk
- (as Angeliquie Fernandez)
Jess Fuerst
- Shinja Mother
- (as Jessica L. Fuerst)
Empfohlene Bewertungen
This movie tried to be dramatic, but it lacked any substance.
It was really uninspiring and it was even hard to watch in a single sitting. I failed and watching the last part was really a waste of time.l too.
The acting wasn't great and it didn't seem like it was directed well.
I don't particularly have anything good to say about it. I definitely wouldn't recommend watching it. I'd like to give them credit and hope they just ran out of budget, but with this one, it's hard to know for sure.
Really low quality stuff. It was on Amazon, so no real surprises, as their quality is often very average.
It was really uninspiring and it was even hard to watch in a single sitting. I failed and watching the last part was really a waste of time.l too.
The acting wasn't great and it didn't seem like it was directed well.
I don't particularly have anything good to say about it. I definitely wouldn't recommend watching it. I'd like to give them credit and hope they just ran out of budget, but with this one, it's hard to know for sure.
Really low quality stuff. It was on Amazon, so no real surprises, as their quality is often very average.
This latest entry in the "geezer teaser" cinematic universe is surprisingly competent-and still totally skippable. Foxx and De Niro actually show up more than just for the poster (a rarity!), but most of the heavy lifting is done by Scott Eastwood, who's... fine. He doesn't embarrass himself, which already makes him an MVP in this genre even if he lacks gravitas.
Instead of going full action schlock, Tin Soldier tries to get deep and psychological, which is bold for a movie with such poor editing. Because the emphasis is on the story and on the human angle rather than on schlocky action, my standards for the writing and acting were lifted. Unfortunately, it's here that the film really fails to deliver. The body count is low, the trauma is high, and Jamie Foxx plays a cult leader so unconvincing you'd wonder how he even got people to follow him on TikTok, let alone into armed rebellion. Foxx is loud and aggressive, but he's not seductive or persuasive the way he would need to be as a cult leader.
There are some cool visuals-Eastwood's inner torment gets the psychedelic treatment-but the writing stumbles hard. The movie wants to be about healing and identity, but forgot to make any of that feel earned. Foxx yells vague anti-government stuff, Eastwood broods, and at no point do you believe these two were ever in the same cult.
The film could have worked if we saw Eastwood grappling with his allegiance to the cult, and if a proper parallel had been made between letting go of the rage and anger resulting from his trauma and symbolically represented by Foxx and the cult. Instead, Eastwood is in opposition to the cult from the film's start, and we never really see him being swayed by anything Foxx says or conflicted about what to do. The ending feels completely unearned.
Shoutout to the final showdown, where the movie ditches reality altogether and swan-dives into Mad Max cosplay. Foxx rallies his cloak-wearing cult at a dam that looks like a Bond villain's Airbnb, and suddenly we're in Thunderdome territory! Eastwood and Foxx brawl in a literal arena, surrounded by fireballs and chanting dudes like it's post-apocalyptic Fight Club. Oh, and Eastwood planted a bomb with a big ol' timer. I probably would have enjoyed the whole film more if it had maintained this level of insanity throughout. Sigh!
In the end, it's too serious to be fun, and too sloppy to be serious. If you're looking for meaningful drama or mindless action, you'll come away disappointed.
Instead of going full action schlock, Tin Soldier tries to get deep and psychological, which is bold for a movie with such poor editing. Because the emphasis is on the story and on the human angle rather than on schlocky action, my standards for the writing and acting were lifted. Unfortunately, it's here that the film really fails to deliver. The body count is low, the trauma is high, and Jamie Foxx plays a cult leader so unconvincing you'd wonder how he even got people to follow him on TikTok, let alone into armed rebellion. Foxx is loud and aggressive, but he's not seductive or persuasive the way he would need to be as a cult leader.
There are some cool visuals-Eastwood's inner torment gets the psychedelic treatment-but the writing stumbles hard. The movie wants to be about healing and identity, but forgot to make any of that feel earned. Foxx yells vague anti-government stuff, Eastwood broods, and at no point do you believe these two were ever in the same cult.
The film could have worked if we saw Eastwood grappling with his allegiance to the cult, and if a proper parallel had been made between letting go of the rage and anger resulting from his trauma and symbolically represented by Foxx and the cult. Instead, Eastwood is in opposition to the cult from the film's start, and we never really see him being swayed by anything Foxx says or conflicted about what to do. The ending feels completely unearned.
Shoutout to the final showdown, where the movie ditches reality altogether and swan-dives into Mad Max cosplay. Foxx rallies his cloak-wearing cult at a dam that looks like a Bond villain's Airbnb, and suddenly we're in Thunderdome territory! Eastwood and Foxx brawl in a literal arena, surrounded by fireballs and chanting dudes like it's post-apocalyptic Fight Club. Oh, and Eastwood planted a bomb with a big ol' timer. I probably would have enjoyed the whole film more if it had maintained this level of insanity throughout. Sigh!
In the end, it's too serious to be fun, and too sloppy to be serious. If you're looking for meaningful drama or mindless action, you'll come away disappointed.
It's not hard to make a bad film. But it's hard to get the money together to involve actors of this level in something like this.
It's possible that viewers might wonder if the financiers were seeking to exchange money of a certain type for money of another variety. I wouldn't want to conjecture about that.
It's not just the spend on the leads either, it doesn't look cheap for the most part. And there's some kind of ham-fisted attempt to deliver a message too. It's not for me to be offended by the take on combat PTSD that's being put before us here, although I can imagine others would be.
It really is awful though.
It's possible that viewers might wonder if the financiers were seeking to exchange money of a certain type for money of another variety. I wouldn't want to conjecture about that.
It's not just the spend on the leads either, it doesn't look cheap for the most part. And there's some kind of ham-fisted attempt to deliver a message too. It's not for me to be offended by the take on combat PTSD that's being put before us here, although I can imagine others would be.
It really is awful though.
Lineup consisted or Jamie Foxx, Robert De Niro and John Leguizamo. Within the first ten minutes Rita Ora was hanging from the gateway. This is the moment I should have turned it off. The storyline was ok but the execution and cinematography were awful, at one point I was considering booking an appointment at Specsavers because the screen was blurred and shaking. Sadly Scott Eastman isn't his dad and blurred and shaky screen tried to make up for woeful acting and zero charisma. DeNiro is one of my favourite actors but this is a bit part for a pay day. My advice is to stay clear of this dreadful film.
Movie was and is a mess. I and others will better enjoy observing ants in their natural or artificial habit.
Movie needs help, what a mess. Budget probably went to Jamie Foxx's interview scene, 10min worth of work for 1mill.
How are these projects green lit. Lots of CGI, unfortunately not as much in script.
Movie feels like a chose your own adventure of slop.
Flashback scenes give the viewer the urge to flash themselves for greater entertainment, regardless of pro/con of self-flash.
Please use your time by donating energy to help the world and not on this mess of a movie. Pete Sampras would do better as a writer and/or director.
Movie needs help, what a mess. Budget probably went to Jamie Foxx's interview scene, 10min worth of work for 1mill.
How are these projects green lit. Lots of CGI, unfortunately not as much in script.
Movie feels like a chose your own adventure of slop.
Flashback scenes give the viewer the urge to flash themselves for greater entertainment, regardless of pro/con of self-flash.
Please use your time by donating energy to help the world and not on this mess of a movie. Pete Sampras would do better as a writer and/or director.
Wusstest du schon
- WissenswertesChristian George (FBI Special Agent Yates) suffered a severe leg injury just prior to filming his scenes. The writers modified the script to incorporate his injury and then allowed the cast to ad lib lines.
- Zitate
Nash Cavanaugh: Some days... I don't know how I keep going. My mind is filled with things that... I don't want to remember. Trauma feeds on you like a disease. And then... even if it's just for a moment... life is unbearable. But this wasn't me not letting go of my past. This was my past not letting go of me.
- SoundtracksWait in the Back of the Line
Written by Citizen Cope (as Clarence Greenwood) and Chris Hajian (as Christopher E. Hajian)
Published by CAS Film/Reservoir Media
Performed by Chris Hajian
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Kurşun Asker
- Drehorte
- Prosotsani, Griechenland(Cave Aggitis River)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 55.250 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
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