Wie der Wind sich hebt

This film is totally different from Miyazaki's other films and I personally think, like what he's mentioned, a message to to world about how he looks at the war, war machines , peace, love and living. As I am a Taiwanese, who has once colonized and ruled by Japanese during the second world war, how Japanese coped with the war topic is always sensitive. However, what I saw in this film is truly reflecting that Miyazaki is peace loving and his point of view on war, life and love. He depicted about the beauty of dreams and surviving. You can see that everyone in this film try every hard to live, even though the time is hard and forced to strike a balance between dreams and reality. However, they are self fulfilling. So who is to blame? who ruined their lives and dreams? Those who leads them to the war to blame.

In short, the film perfectly shows how the director's been telling in almost every his masterpiece but in a personally way, to the audience. Just like a final message he would like yo transmit to the world. I felt overwhelmed by the film and sad that he decided to retired. Please go to watch this film and you will do feel the courage to live hard and live well.

This is a breathtaking masterpiece of art that allows your mind and heart to soar like the wind .The story is loosely based on the real life story of Jiro Horikoshi (Joseph Gordon- Levitt). He dreams of flying but, because he's nearsighted, decides to be a Japanese airplane designer. We observe his life from child to adulthood as he makes his dream plane and, in the process, falls in love with Naoko (Emily Blunt). Will Jiro create the beautiful plane or realize that the beauty he's seeking is right in front of him all along?

The film is a work of art. Hayao Miyazaki (Director and Writer) creates unique color palettes and designs. Since the movie takes place in the sky, the animators go above and beyond to hand draw backgrounds and movements for the planes. We witness them majestically soaring through the skies and you feel as if you're with them. The voice acting is well done. I think they portrayed the characters and their relationships exceptionally well. Much of the film focuses on the romance between Naoko and Jiro. Their connection is both loving and tragic. The film was first released in Japan, so American voice-overs are dubbed over the animation and yes, it can be distracting. They confront actual events that happened in Japan, such as the Kanto earth-quake of 1923 and Japan entering the war. I love the truth in this film. It doesn't shy away from talking about the real issues that happened during this time.

My favorite character is Mr.Caproni (Stanley Tucci) a historical Italian aircraft designer who is Jiro's mentor in his dreams. I enjoy Stanley's voice acting skills. He's one of those character actors who is fantastic at everything he does. The character himself is fascinating. He looks at aircraft not as a bringer of war, but a creator of dreams.

My favorite scene is the last dream sequence, after Jiro goes through a life changing experience. This is one of those bitter sweet endings, where you don't know what to think at first. You just need to take it all in.

The message in this film is, "Sometimes the outcome to your dream is not always what you expect." Jiro spends his whole life wanting to make his aircraft, determined to do anything to fulfill his goal. After a few sacrifices, he realizes his potential but it's not what he expects. Mr. Caproni then asks him, "Did you have a good ten years?"

I give this 5 out of 5 stars and recommend it to 11 to 18-year-olds. This film shows people smoking and deals with serious issues of the time. This is a must see film!

Reviewed by Keefer B, KIDS FIRST Film Critic. For more youth reviews go to kidsfirst.org.

The announcement of this film was a pleasant surprise after Ponyo and From Up on Poppy Hill, which both had simple, childish plots. Few films in Japan have tackled the lives of imperial period heroes; the ghosts of the 1960s urge people to denounce what really happened in that time and memorialize an imaginary anti-war movement, for example in this year's film "Shounen H". For Miyazaki to choose a subject like this showed that he was really going for a huge challenge. Miyazaki is of course anti-war and environmentalist. But Ghibli films are never negative. What sort of positive image of the Zero bomber inventor would Miyazaki produce?

The result is astounding. As everyone has noted, this is not a children's movie. It's complex, so it doesn't have the epic sense of Miyazaki at his best, but history and adulthood are just as complex, and Miyazaki does justice to both. The film indeed stays positive throughout, by showing from start to finish how everyone wishes they themselves would behave, rewarding the viewer with virtue and beauty, but without being condescending about the hardships of real life. In a sense, the film is about the "importance of dreams", but it's also about what it means to be a dreamer in real life, and how our highest fantasies can be turned into beauty if we put our minds to it. The cartoon medium is put to full, extravagant use in dream sequences that merge right into the narrative. Certain elements at the end of the film leave the obvious unsaid in a peculiarly Japanese and fulfilling way. The most classic films of Japan, like the great works of Akira Kurosawa and Yasujiro Ozu, say something profound about the meaning of life, and Kaze Tachinu deserves a place among those ranks.

The film is an interesting melange of Japanese literature, culture and history. It will also disappoint many of Miyazaki's fantasy fans, as this is a biographical movie. In truth, it is based on two different works, one is the diary of the aeronautical engineer who designed the famous Japanese Zero fighter, and the other is a story of two girls in a tuberculosis sanatorium (in truth, Jiro's wife did not have TBC).

Yet the details capture also some of the things closer to Miyazaki's heart: a commentary on the current state of Japan, a hopeful dream for a person who is losing his sight and his passion for flying and for kind independent young women. All in all it might feel a little dry sometimes, but only until you understand that the source material was a diary that has 80% of it containing aeronautical design ideas and calculations.

Perhaps a two hour film about a quiet dreamer of plane designs is not what I would have chosen for Miyazaki's last animation movie, but it wasn't my choice after all. While his artistic expression cannot be stopped - he is still drawing manga and doing other stuff - he publicly announced that this would be his last film, the reason being his worsening eyesight. Considering the first scene of the movie is of a myopic boy who dreams of flying a plane and then crashing because he can't see well, I would say that's a pretty direct statement from the genius animator.

It doesn't matter if I recommend this movie or not. If you are a fan of Ghibli and Miyazaki you will watch it anyway, while if you are not, you can try some other stuff of his, become a die hard fan, and find yourself in a situation already solved previously (that's engineering humor, BTW)

Miyazaki's swan song, most likely. It's an animated biopic of Jiro Horikoshi, a Japanese aircraft engineer who developed the Zero, the plane which would eventually bomb Pearl Harbor and do kamikaze attacks in WWII. The man himself was a pacifist (at least according to this film). Most of the film just deals with the man's love for flight, which obviously makes the story very dear to Miyazaki. In fact, a good portion of the film takes place in Horikoshi's dreams, where he can invent any crazy contraption. First and foremost, the film is gorgeous. Though it mostly deals with the real world, it finds the beauty in it. As good as the film is, it isn't one of Miyazaki's best. It's a little long-winded and slow (definitely don't take your kids to it, even if they're big Ghibli fans). Miyazaki kind of neuters the militaristic history of Japan at that time. You can feel some terrible stuff going on in the background, but, outside of the Germans, whom our hero visits at one point, all the characters whom we meet are perfectly nice people. I would have liked a more detailed picture of history at the time. Also, the romance that is depicted in the film, which is entirely invented, is a tad too maudlin (though it is quite nice up front). And, though I won't hold it against the film itself, the English language dub is awful. This may be due to the film's specific, Japanese setting, but I really felt the voice actors were just dull as Hell. I hate to say it, but Joseph Gordon-Levitt in the lead role is the worst. The least offensive performances come from Martin Short and Mae Whitman (the latter is a professional voice actress who is great on Avatar: The Last Airbender, though she is best known for her role as Michael Cera's dull girlfriend Ann on Arrested Development). I wish I had just seen the subtitled version instead (it was playing here, but at an inconvenient theater). I might like the film better seeing it subtitled. All those criticisms don't amount to too much, though. It's a wonderful film.