A Killer's Memory

Michael Keaton has demonstrated remarkable visualization in his debut as actor-director. While most actor-directors show competence, Michael Keaton created genuine visual artistry. Although one success does not establish excellence of talent, Keaton appears to have a promising future as a director. Knox Goes Away is on par with actor-director works by Clint Eastwood, Ben Affleck, Kenneth Branagh, Richard Attenborough, Greta Gerwig, etc....

The trend toward actor-producers has been quite beneficial to the quality of product in the industry -- to maintain artistic integrity rather than completely pandering to business profit. It also invites appearances by upper echelon performers, who otherwise would decline working on a particular project. Here, the example is Al Pachino. And the result is analogous to "form follows function."

Just watched "Knox Goes Away" on Max directed and starring Michael Keaton. Keaton plays Knox, a hitman who receives a devasting diagnosis: he has Creutzfeldt-Jakob disease and has only weeks to live. So, he has to get his affairs in order before he "goes away". Soon multiple tragedies occur which require him to use the last vestiges of his intellect to ensure that his estranged son, ex-wife and his kept woman get their inheritance. The story is a bit slower than it needs to be but Keaton's descent into the "brain fog" of dementia is convincingly sad. Solid support from Al Pacino as Keaton's friend and James Marsden as Keaton's son combine to create a decent, if not perfect movie. Recommended as a 7/10 - a Roger Ebert reviewer gave this one star - completely unfair in my opinion.

The thing to know is that it's a downer of a movie, lifted by a great performance by Keaton. There are two key plot lines: a noir thriller, and a story about losing yourself to dementia.

The thriller, not necessarily hard to figure out, has non traditional twists that make it interesting. The personal story is more intriguing: Knox (Keaton) knows he's "going away" and is desperately trying to put things in order before his mind completely betrays him. There were times where i was reminded of Memento, but this film delves more deeply into the primary character's past.

Keaton is excellent, Marsden does well enough playing a conflicted son who has his own personal problems to contend with. Marcia Gay Harden is capable in a small role, and Pacino with very little screen time, pulls off his brand of sentimental bad guy.

Recommended.

1.) Michael Keaton and if you know him, Ray McKinnon who produced the 'Rectify' series, one of the best series I have ever seen on 'TV'. Michael Keaton stars and directs the film and let me tell you think you know where the plot is taking you and you see what you think are some obvious inconsistencies. You will be stunned by how well the plot is actually thought out. The contradictions in the main characters , father, son and how their lives become parallel in most unlikely of ways and all because of , what ? Contingency. The script or story is absolutely brilliant and it is executed in the most artistic way possible and ,as always you will find yourself haunted by Keaton's character and delivery. The movie is truly special and FEW movies produced today rise to this level of excellence, Story, concept and narrative and you don't know where you're going to till you get there, ironic, poignant and above all a wholly satisfying movie experience. Eight Stars and I rarely give more than seven and that's for movies I think are really good, this is a cut above.

When a contract killer has a rapidly evolving form of dementia, he is offered an opportunity to redeem himself by saving the life of his estranged adult son.

His character (John Knox) has to learn to accept that his life is going to be shortened by a disease, but as his estranged son comes to him out of the blue he sees an opportunity to see right by his ex wife and son and redeem himself for the life he has led. It must be said that Keaton grabs attention in his first scenes. His acting is purely on point and he clearly has seasoned over many years.

It's quite slow paced but not to the extent that you get impatient. It's more like being given time to savour what's going on. There's no massively intrusive score to ruin the scenes either which is very welcome.

The plot has a great twist but not one that seems contrived or just there to shock. It's part of a long drawn out plan of Knox's and although it's not hard to work it out early on, it still impresses with it's simplistic but effective machinations.

There is genuine tension at times and yet you can't help think that Knox is playing this all with a dark sense of humour. It's still very poignant though that in order to redeem his past, he has to accept that he has no future. He does this gracefully and willingly and I forgave him his every sin.

A solid 7 from me for a great thriller/murder/mystery.