Ein instabiler entkommener Sträfling terrorisiert eine Frau, die mit ihren beiden Kindern allein ist.Ein instabiler entkommener Sträfling terrorisiert eine Frau, die mit ihren beiden Kindern allein ist.Ein instabiler entkommener Sträfling terrorisiert eine Frau, die mit ihren beiden Kindern allein ist.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Mirage Moonschein
- Ryan
- (as Mirage Spann)
Mark Rhino Smith
- EMT
- (as Mark Ferrol Smith)
Empfohlene Bewertungen
Lots of movies identical to this.
husband goes away for a few days, leaves wife and kids at home.
convict escapes from jail, kidnap and house invasion.
run of the mill thriller, good acting and good story. not bad, but nothing special.
i gave it 6 rather than 5 because of idris elba's portrayal of a bad guy was very good
run of the mill thriller, good acting and good story. not bad, but nothing special.
i gave it 6 rather than 5 because of idris elba's portrayal of a bad guy was very good
I just saw the movie and I had a good time watching it.It's a decent thriller about an escaped psychotic convict played by Idris Elba. He did a good job with his role. The other main character is a woman (Terry) played by Taraji P. Henson that tries to help a man out. The story is entertaining enough to watch without getting bored. There are enough twists in the plot not to lose your interest in the movie. I don't get why so much people dislike this movie because let's be honest there are way much worse thrillers then this one. Okay it's not the greatest thriller ever but it's certainly watchable without being annoyed. Well at least to me it was.
The story portrayed in this film is pretty much spelled out in the trailer. Crazy escaped convict terrorizes a woman and her kids. That's pretty much it, but there is a nasty little twist in the story that I did not see coming (although I did have a feeling). You know
. When you ask yourself "surely it isn't this" and come to find out
. Oh yes, it is. I have to give Colin (Indris Elba) a lot of credit for playing it super cool to make his way into the house. Although you knew he was the "bad" guy who is eventually going to snap, you kind of find yourself liking him for a little while (with his fine self). Terri (Taraji P. Henson) was a relatively smart women who made some serious errors at the beginning of the film, but had I not known in advance what was going to happen, I probably would not have thought that she did anything wrong. She was just trying to be nice and do the right thing. Meg (Leslie Bibb) is Terri's best friend and she drove home the point that no one knows you better than your best friend. At first I thought that she was going to be a little ditzy, but she proved me wrong. Jeffrey (Henry Simmons) is Terri's husband who does not seemed to be vested in the relationship. This is very apparent right from the beginning. I went to the 2nd showing on the day the film was released and I have to say that the theater was pretty well populated. The one thing that I have to say about seeing a film with a diverse crowd is that folks talk (out loud) to the people on the screen (myself included). Toward the end of the film I heard myself saying "how does she think that's going to work" and then immediately after that I said "why does he think that worked"
... you'll see what I mean when you go to see it. Other than that, there are three reasons why I liked this film
., the great lead characters, the consistent flow of the film and finally the whole story was told in around 90 minutes. This is director Sam Miller's first attempt at a widely distributed feature film and I think that he did a pretty good job. I would recommend it to a friend.
Even after having watched the trailer you'll be in for lots of surprises. There were a few things I didn't see coming, subtle twists and turns which caught me off guard. Idris and Taraji have great chemistry on screen, you want to watch them and you don't get bored watching them.
I love to see films with black people in them, which have nothing to do with race or where race isn't even mentioned once. You literally could have placed any one from any ethnic background in any of those characters and it would have worked.
This movie re-enforced to me that Taraji and Idris are really good actors, I got my money's worth. I went to see the movie at the Grove where there are lots of tourists and people from all over the country, who have normal reactions to what they see on the screen. The audience as a whole cared a lot about Taraji's character, they cheered for her when she was winning and they had natural human responses that were real, and so at the end of the day, that says to me all the people involved in making this movie did their job. Seeing the film there got me avoiding the jaded Hollywood movie "experts" on cinema with their snobby intellectual bully b.s, I was with regular people at a movie theater, the reason actors make movies to begin with, the people who are funding our industry with their hard earned dollars, not movie critics who go the movies for intellectual stimulation instead of reading a freaking book. You're gonna like Taraji's bff, she has a great moment with Idris that has everyone who has a best friend going "YOU TELL IT."
I personally love to go see a movie and turn off my brain and enjoy myself and you get to do this with this movie, it kept my attention from beginning to end. Go see it, worth your money!
I love to see films with black people in them, which have nothing to do with race or where race isn't even mentioned once. You literally could have placed any one from any ethnic background in any of those characters and it would have worked.
This movie re-enforced to me that Taraji and Idris are really good actors, I got my money's worth. I went to see the movie at the Grove where there are lots of tourists and people from all over the country, who have normal reactions to what they see on the screen. The audience as a whole cared a lot about Taraji's character, they cheered for her when she was winning and they had natural human responses that were real, and so at the end of the day, that says to me all the people involved in making this movie did their job. Seeing the film there got me avoiding the jaded Hollywood movie "experts" on cinema with their snobby intellectual bully b.s, I was with regular people at a movie theater, the reason actors make movies to begin with, the people who are funding our industry with their hard earned dollars, not movie critics who go the movies for intellectual stimulation instead of reading a freaking book. You're gonna like Taraji's bff, she has a great moment with Idris that has everyone who has a best friend going "YOU TELL IT."
I personally love to go see a movie and turn off my brain and enjoy myself and you get to do this with this movie, it kept my attention from beginning to end. Go see it, worth your money!
"No Good Deed" isn't a bad home invasion thriller, but it's completely unremarkable, and merely satisfied with fitting a standard studio woman-in-peril mould. It's not difficult to tell where the events are all leading right from the beginning.
To its credit, the performances from Idris Elba, Taraji P. Henson and Leslie Bibb are decent, and the film manages one strong suspense sequence early on (Elba's first encounter with his ex-girlfriend after he leaves prison). There's also one mildly surprising twist in the final third, but its not enough to save a tepid, predictable middle section.
"Deed" is a film is enjoyed best as mindless entertainment on a rainy, stormy night (like the one in the film), with the proviso that you expect a film that trots along an utterly formulaic, seen-it-before path.
To its credit, the performances from Idris Elba, Taraji P. Henson and Leslie Bibb are decent, and the film manages one strong suspense sequence early on (Elba's first encounter with his ex-girlfriend after he leaves prison). There's also one mildly surprising twist in the final third, but its not enough to save a tepid, predictable middle section.
"Deed" is a film is enjoyed best as mindless entertainment on a rainy, stormy night (like the one in the film), with the proviso that you expect a film that trots along an utterly formulaic, seen-it-before path.
Wusstest du schon
- WissenswertesThe term malignant narcissist is used to describe Idris Elba's character by a member of the parole board, Idris uses the same term to describe a suspect in the first episode of Luther.
- PatzerWhile Terri is speaking to her unexpected guest, a pan is on the cook top containing what are apparently two glass baby bottles inside for sterilization. She returns to the stove and the bottles are on the counter.
- Alternative VersionenAn alternate take of Terry's "Fuck you.... I said, 'Fuck you'" was shot for television, with the dialogue changed to "Go to hell.... I said, 'Go to hell.'"
- VerbindungenFeatured in MsMojo: Top 10 Sexiest Male Villains Pt.2 (2016)
- SoundtracksLet Us Move On
Written by Dido (as Dido Armstrong), Rollo (as Rollo Armstrong), Jeff Bhasker, Kendrick Lamar and Patrick 'Plain Pat' Reynolds (as Patrick Reynolds)
Performed by Dido featuring Kendrick Lamar
Courtesy of Sony Music Entertainment UK Ltd.
By arrangement with Sony Music Entertainment
Kendrick Lamar appears courtesy of Aftermath/Interscope Records
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- Favor Peligroso
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 13.200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 52.543.632 $
- Eröffnungswochenende in den USA und in Kanada
- 24.250.283 $
- 14. Sept. 2014
- Weltweiter Bruttoertrag
- 54.323.210 $
- Laufzeit1 Stunde 24 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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