Nach einem Zusammenstoß mit einem Container auf dem Meer wird ein findiger Seemann trotz aller Bemühungen mit seiner eigenen Sterblichkeit konfrontiert.Nach einem Zusammenstoß mit einem Container auf dem Meer wird ein findiger Seemann trotz aller Bemühungen mit seiner eigenen Sterblichkeit konfrontiert.Nach einem Zusammenstoß mit einem Container auf dem Meer wird ein findiger Seemann trotz aller Bemühungen mit seiner eigenen Sterblichkeit konfrontiert.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 3 Gewinne & 48 Nominierungen insgesamt
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No need to be stranded in the Indian Ocean in your sailboat because writer/director J.C. Chandor has masterfully provided the experience for you in All is Lost. In fact, you can be an Ancient Mariner retelling your story and never have starved or cursed an albatross. It's that good, that authentic a feeling, that pared down to the basics of survival.
"Our Man" (read "Everyman"), played with his signature cool by Robert Redford, is a rich, handsome, aging, expert sailor (he is probably a professional something when not sailing), whose back-story is unknown except for a few bits such as his voice over at the beginning lamenting he has not been all he should to his family and does not look at a gift card in a box for a new sextant, which he is reduced to using after almost all is lost in the storm.
The special effects are as fine as you might expect from such a high-end production—shots from depths upward to the boat are lyrically contradictory to the danger he is experiencing topside. The tumult inside the boat feels real as water takes its inevitable toll.
All is Lost serves as appropriate metaphor, among others, for the commercial forces that interfere in one's life and the end of life fight to survive in the face of inevitable death. The dignity Our Man displays, his resourcefulness, mostly lack of resentment, and his rare moments of anger at himself are how I hope I would react and probably wouldn't (I'd be a big baby because I don't favor the idea of leaving this beautiful world).
Redford's well-known minimalism lends just the right touch of gravity and loneliness to a role Hemingway wrote for his Old Man and Joseph Conrad could have fashioned for one of his brooding narrators. The New York Times' A.O. Scott reminds us you can hope to gain a Conradian truth from this vicarious adventure, "that glimpse of truth for which you have forgotten to ask" (Conrad's "Nigger of the 'Narcissus'," 1897). The other truth is, Redford is so believable as to deserve an Oscar nomination, his finest role on screen in a career for which he has constantly underplayed. He's still doing it, but this time he has no one else to distract us.
All is Lost leaves me with a small dissatisfaction because I'd like to know what his life has been so I can understand his possible death. Of course, Chandor seems to wish we would generalize the story to all men, and he's right to demand it. For me, surviving is what I always want to do—this film puts me right there:
"The ultimate value of life depends upon awareness and the power of contemplation rather than upon mere survival." Aristotle
For sailing enthusiasts this film does have a few reality checks. But for the most part I felt very much the same as Our Man, the character in this film. This is a credit to the director and his ability to make the audience feel vested in the main character's survival. This movie, while very good, does move slow at times. And while I am not a sailor I did notice a few of the reality checks in this film too.
What really makes the movie for me is that there are actual ocean disasters that are eerily similar in how they play out for the main character in this film. If know of some of these you will understand why this movie and its portrayal of the main character are so well done.
The ending is something left entirely to the viewer to interpret. But even that I found to be very realistic and probably the best part of the movie. This movie does a great job of trying to show the viewer how even when you seemingly do things right, bad things can still happen. It follows the old adage of "when it rains, it pours" or "one thing after another".
All is lost or is it?
"All Is Lost" tells the story of a skilled sailor fighting to survive stranded in the high sea. Robert Redford has stunning performance, the cinematography is impressive but the writer is lazy and should have researched more about navigation and lifesaving procedures. In addition, there is no character development and the viewer never knows what the man is doing in the Indian Ocean.
Vessels have bilge pumps and EPIRB and pleasure yachts usually have also portable bilge pumps. Robert Redford is shaved all the time and never wears lifejacket or immersion suit or even a hat to protect from the sun, maybe because he is the star of the movie and needs to show his face. The inflatable liferaft does not seem to have the usual survival equipment and the sailor does not have a survival kit ready on board for emergency situations. But despite the flaws, "All Is Lost" is not a bad movie. My vote is seven.
Title (Brazil): "Até o Fim" ("Till the End")
Wusstest du schon
- WissenswertesThe film's script is nearly dialogue-free and only 32 pages long.
- PatzerNot even the most inexperienced sailor would not wear a life vest during the storms or when he was afloat. The life vest is one of the most basic items that sailors use on those situations.
- Zitate
Our Man: 13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you knew this. In each of your ways. And I am sorry. All is lost here, except for soul and body, that is, what's left of them, and a half day's ration. It's inexcusable really, I know that now. How it could have taken this long to admit that I'm not sure, but it did. I fought till the end. I'm not sure what that is worth, but know that I did. I have always hoped for more for you all. I will miss you. I'm sorry.
- Crazy CreditsAccording to the credits "All is Lost was shot on three 1978 Cal 39 sailboats purchased from their owners in Southern California. These three boats generously gave themselves up for art: Tahoe, Tenacious, and Orion. They took their final sails in the Pacific Ocean and performed beautifully in the film as Our Mans's boat, the Virginia Jean. Rest in peace."
- VerbindungenFeatured in At the Movies: Folge #10.23 (2013)
- SoundtracksAmen
Performed by Alex Ebert
Produced by Alex Ebert
Engineered and mixed by Alex Ebert and Matt Linesch
Courtesy of Community Music & Caravan Touchdown (ASCAP)
Administered by BMG Chrysalis
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Details
- Erscheinungsdatum
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- All Is Lost
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Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.263.670 $
- Eröffnungswochenende in den USA und in Kanada
- 93.583 $
- 20. Okt. 2013
- Weltweiter Bruttoertrag
- 13.627.519 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1